Clcweb-Comparative Literature and Culture

Papers
(The median citation count of Clcweb-Comparative Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Derrida in Mesopotamia: On the Import of the Cuneiform Inscriptions in <em>Of Grammatology<em>10
#Emotional: Exploitation & Burnout in Creator Culture4
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure3
Platform Psychoanalysis: What Does the Algorithm Want?2
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act2
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s <em>Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance</em> (2022)2
Compilation as Narrative Art in Medieval Islam: The Redemption of Kuthayyir in the <em>Book of Songs<em>2
The Making of Chinese Meixue2
Graphic Nonsense and Historical Trauma in Fred Chao’s <em>Johnny Hiro</em>1
Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China1
Punish Yet Cannot Discipline: Two Iraqi Prison Novels1
The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China1
“China Form” and the Question of the Frankfurt School1
Bergson on Poetics: Philosophy, Literature and Science1
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections1
Amazon Web Services, the Lacanian Unconscious, and Digital Life1
Where Are the Women?: An Ecofeminist Reading of William Golding’s <em>Lord of the Flies</em>1
A Review of <em>The Cambridge History of The Australian Novel<em> (2023)1
Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s <em>La Compañía</em>0
Fredric Jameson and Gayatri Chakravorty Spivak’s <em>Periodizing</em> the Black Internal Colony0
Biopolitics in the Twenty-first Century: India and the Pandemic0
Confinement, Care, and Commodification in Mati Diop’s <em>In My Room</em>0
Lacan and the Algorithm0
Poetics of the Crystal-Image: Dreams in <em>Mirror</em> and <em>Ashes of Time Redux</em>0
Playing with Time: Writing History in Neo-Zionist Hebrew Literature0
Terrorists, Spies, and Diplomatic Crises: The Birth of Morocco’s Multimedia Prison Literature0
Coming of Age and Exile in <em>No pasó nada</em>0
Race and Nation in Three Canonic Texts of Puerto Rican Literature: Luis Palés Matos’s <em>Tom-Tom of Kinky Hair and Black Things</em>, José Luis González’s <em>La llegada</em&g0
Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s <em>Cockroach</em>0
Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism0
The Logic of "Social Enterprise": The Big Issue Organization and New Labour Policy at the Millennial Juncture0
Female Bonding and Marginality in Shang Wanyun’s novella “Xialihe” (1978)0
From Prison to the World: A Comparative Reading of Naji’s <em>Hirz Mikamkim</em> (Rotten Evidence, 2020) and Abd el-Fattah’s <em>You Have Not Yet Been Defeated</em> (2021)0
Representation of Terror and Terrorism in Two Arab Films: <em>Paradise Now</em> (2005) by Hany Abu-Assad and <em>Horses of God</em> (2012) by Nabil Ayouch0
French Left-wing Literary Theory and Mao Zedong Thought0
On a Small Glossary of Academic Anti-Intellectualism0
“For the moment, I am not F*cking,” I am Tweeting: Platforms of / as Sexuality0
Prison as a Living Being: ‘Assad’s Syria’ as a model for the Imprisonment State0
Dispositions and Dispossessions: Interwar Left-Wing Literary Writing in Vienna and Zagreb0
New Approaches to MENA Prison Literatures After 20110
The Extinction Race: Techniques of the Human in Proust, via Houellebecq0
Khairy Shalaby’s Novel <em>The City of the Enslaved</em>: Egyptian Prison Literature with a Russian Twist0
“Passive Revolutions” after the Crisis of Globalization: Gramsci and the Current Culture of Populism0
Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences0
Socrates the Degenerate: Irony as Trope of Decadence0
Precarity in the Times of Partition: Personal vs Communal Love in Khushwant Singh’s <em>Train to Pakistan</em> and Saadat Hasan Manto’s “Gurmukh Singh ki Wasiyat”0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures0
A Case of Pandemic Narrative and the End of Post-Cold War0
Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s ‘Spoken Book’0
Translating Literary Ideology from Ancient Chinese into Modern French: François Cheng’s Francophone Poetry in <em>Double chant</em> (2000)0
‘Convicted of Patricide?’: Robert Frost’s Nationalism in the Eyes of Contemporary Arab-American Women Writers0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement-0
BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology0
Hold Fast the Rope of God: Space, Authority, and Speech in Muslim Prison Narratives0
The Networks of Prison Narrative: Imagining Sociality and Making Narrative in Assad’s Syria0
On Gary Snyder’s Tradaptation of <em>Cold Mountain Poems</em> and its Spiritual Salvation and Literary Enlightenment in Postwar America0
The Absurdity of Liberation in Moroccan Prison Narratives0
Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s <em>Never Let Me Go</em>0
Beyond Victimhood: Female Agency in Nigerian Civil War Novels0
Periodizing the Residuality of a Composite Protest Art Form: The Case of Telangana <em>Dhoom Dham</em>0
Sounding the State of the World: Interview with Karim Rafi, Summer 20210
"El Corregidor" at the Crossroads: Desire, Law, and Coloniality in Martel's <em>Zama<em>0
Introduction: A Return to the Bad Old Times0
Conjunctures, Commodities, and Social State Marxism0
Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective0
Confucianism and Folklore in Vietnamese Fantasy Short Stories: <em> The Case of Ghost Stories </em>0
Ancient Chinese Poetry as a Trans-lingual and Cross-cultural Textual Resource in Gustav Mahler’s <em>Das Lied von der Erde<em>0
Introduction: Western Theory’s Chinese Transformation0
“Love Thy Social Media!”: Hysteria and the Interpassive Subject0
Extending the Frontiers of the Detective Novel in Adaora Ulasi’s <em>The Man from Sagamu</em>0
Literature and Economy in Portuguese-speaking Southern Africa0
“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke0
“<em>There is no pandemic</em>”: On Memes, Algorithms and other Interpassive Forms of Right-wing Disbelief0
Terada Torahiko, a Physicist and a Haikai Poet0
Resisting Pacification: Locating Tension in G'Ebinyo Ogbowei's Poetry0
Haunting Pasts, Cancelled Futures: Polish and Argentinian Experiences of Postdependency0
Purloined Significance: How Recidivism Algorithms Capture, Transform, and Automate our Intersubjective Unconscious as Data0
Looking Back, or Re-visioning: Contemporary American Jewish Poets on “Lot’s Wife”0
Prison Sentences: Spaces of Liberation in Arab Prison Writing0
The Turn toward the Nonhuman in Susan Straight’s <em>A Million Nightingales</em>0
Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn0
Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China0
Cooling Down Transmedia Storytelling0
The Symbolism of Clothing: The Naked Truth About Jacques Lacan0
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe0
Reading the Global City: Crisis, Cognitive Mapping and the “Urban Sensorium” in Tom McCarthy’s <em>Satin Island</em> and Ben Lerner’s <em>10:04</em>0
<em>All Men Are Brothers</em>: Pearl S. Buck’s Translation of <em>Shui Hu Zhuan</em> and its Effects on Her Writing Career0
Inappropriate Attire: Fashion, Nationality, and Shame in <em>Quicksand<em> and <em>Pachinko<em>0
Vulgarity as Springboard for High Art—A Comparative Study of Vladimir Nabokov and Qian Zhongshu’s Notions of Vulgarity0
Language, Science and Literature0
Orature: The Political Interpretation of Performance Framework in <em>Anthills of the Savannah</em> and <em>Half of a Yellow Sun</em>0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên0
Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon0
Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism0
The Social Sinthome0
Melodramatic Joy in Ibrahim Nasrallah’s <em>Trilogy of the Bells<em>0
Western Theory’s Chinese Transformation: Postscript0
Ecopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World0
Strange Genre-related Loops in a Novel-Short Story: The Tension between the Genres and their Cultural Context0
Exploring the Margins of Kotha Culture : Reconstructing a Courtesan’s life in Neelum Saran Gour’s <em>Requiem in Raga Janki</em>0
Kazuo Ishiguro and the Service Economy0
Palestinian Prisoners: Smuggling Freedom, Writing from Captivity0
The Animal in the Wild in <em>Hwang Sun-mi’s The Hen Who Dreamed She Could Fly</em>0
Captivity, Resistance and Political Consciousness in Walid Daqqa’s Prison Literature0
Topological Tropology of V.S. Naipaul’s Islamic Travelogues and Daniel Pipes’ Islamic History: Ahistorical Historicism0
Tituba, “Dark Eve” in the Origins of the American Myth: The Subject of History and Writing about Salem0
Out of the Myths of “Revolutionary China”: Liu Kang versus Žižek & Badiou0
“It Is Not All That Bad”—Hitler and Identity-building in <em>Er ist wieder da</em> (Look Who’s Back)0
The Brazilian System of Television, or How to Get a President0
<em>The Silmarillion</em> by J.R.R. Tolkien and <em>Shahnameh</em> by Firdausi: A Sadraic Interpretation of Free Will and Determinism0
Westernization or Localization? The (Mis)reading of “the Tragic” in Modern Chinese Literary Discourse0
Storytelling as a Way of Translation: The Rendition of Taoism in Ursula K. Le Guin's <em>The Lathe of Heaven</em>0
Two Imagined Chinas in <em>Tel Quel</em>0
Periodizing the Present: The 2020s, the <em>Longue Durée</em>, & Contemporary Culture0
Review of Emily Sun’s <em>On the Horizon of World Literature</em>0
Stalking Oneself: The Fantasmatic Intersubjectivity of Google0
The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity0
Pallavi Rastogi, Postcolonial Disasters: <em>Narrating Catastrophe in the Twenty-First Century </em>(2020): Review Essay0
Chinese Ideas and American Politics: Confucius as a Guideline for Leadership0
Poetic Explorations in Bill F. Ndi’s <em>Worth Their Weight in Thorns</em>: (De)Constructing Hegemonic National Integration and Debating Francophonecentric National Governance.0
Ethical-Reparative Reconfigurations of the Literary Today0
Returning to East Africa via India: On M. G. Vassanji’s <em>And Home Was Kariakoo</em>0
Translation as Creative Writing: Rewriting <em>The Chinese Maze Murders</em> in Contemporary China0
Translating Diversity from Ralph Ellison to Kenzaburō Ōe0
Children’s Gothic in the Chinese Context: The Untranslatability and Cross-Cultural Readability of a Literary Genre0
Engaging China: Beckett’s Debt to Pound, Giles, and Laloy0
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