Clcweb-Comparative Literature and Culture

Papers
(The TQCC of Clcweb-Comparative Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Derrida in Mesopotamia: On the Import of the Cuneiform Inscriptions in <em>Of Grammatology<em>10
#Emotional: Exploitation & Burnout in Creator Culture4
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure3
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act2
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s <em>Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance</em> (2022)2
Compilation as Narrative Art in Medieval Islam: The Redemption of Kuthayyir in the <em>Book of Songs<em>2
The Making of Chinese Meixue2
Platform Psychoanalysis: What Does the Algorithm Want?2
The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China1
“China Form” and the Question of the Frankfurt School1
Bergson on Poetics: Philosophy, Literature and Science1
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections1
Amazon Web Services, the Lacanian Unconscious, and Digital Life1
Where Are the Women?: An Ecofeminist Reading of William Golding’s <em>Lord of the Flies</em>1
A Review of <em>The Cambridge History of The Australian Novel<em> (2023)1
Graphic Nonsense and Historical Trauma in Fred Chao’s <em>Johnny Hiro</em>1
Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China1
Punish Yet Cannot Discipline: Two Iraqi Prison Novels1
Khairy Shalaby’s Novel <em>The City of the Enslaved</em>: Egyptian Prison Literature with a Russian Twist0
“Passive Revolutions” after the Crisis of Globalization: Gramsci and the Current Culture of Populism0
Haunting Pasts, Cancelled Futures: Polish and Argentinian Experiences of Postdependency0
Socrates the Degenerate: Irony as Trope of Decadence0
Precarity in the Times of Partition: Personal vs Communal Love in Khushwant Singh’s <em>Train to Pakistan</em> and Saadat Hasan Manto’s “Gurmukh Singh ki Wasiyat”0
Looking Back, or Re-visioning: Contemporary American Jewish Poets on “Lot’s Wife”0
A Case of Pandemic Narrative and the End of Post-Cold War0
Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures0
‘Convicted of Patricide?’: Robert Frost’s Nationalism in the Eyes of Contemporary Arab-American Women Writers0
Reading the Global City: Crisis, Cognitive Mapping and the “Urban Sensorium” in Tom McCarthy’s <em>Satin Island</em> and Ben Lerner’s <em>10:04</em>0
Translating Literary Ideology from Ancient Chinese into Modern French: François Cheng’s Francophone Poetry in <em>Double chant</em> (2000)0
Hold Fast the Rope of God: Space, Authority, and Speech in Muslim Prison Narratives0
Vulgarity as Springboard for High Art—A Comparative Study of Vladimir Nabokov and Qian Zhongshu’s Notions of Vulgarity0
BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology0
Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s <em>Never Let Me Go</em>0
On Gary Snyder’s Tradaptation of <em>Cold Mountain Poems</em> and its Spiritual Salvation and Literary Enlightenment in Postwar America0
Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon0
The Absurdity of Liberation in Moroccan Prison Narratives0
Sounding the State of the World: Interview with Karim Rafi, Summer 20210
Introduction: A Return to the Bad Old Times0
Western Theory’s Chinese Transformation: Postscript0
Periodizing the Residuality of a Composite Protest Art Form: The Case of Telangana <em>Dhoom Dham</em>0
Confucianism and Folklore in Vietnamese Fantasy Short Stories: <em> The Case of Ghost Stories </em>0
Strange Genre-related Loops in a Novel-Short Story: The Tension between the Genres and their Cultural Context0
Conjunctures, Commodities, and Social State Marxism0
Extending the Frontiers of the Detective Novel in Adaora Ulasi’s <em>The Man from Sagamu</em>0
Palestinian Prisoners: Smuggling Freedom, Writing from Captivity0
Ancient Chinese Poetry as a Trans-lingual and Cross-cultural Textual Resource in Gustav Mahler’s <em>Das Lied von der Erde<em>0
Topological Tropology of V.S. Naipaul’s Islamic Travelogues and Daniel Pipes’ Islamic History: Ahistorical Historicism0
Terada Torahiko, a Physicist and a Haikai Poet0
Tituba, “Dark Eve” in the Origins of the American Myth: The Subject of History and Writing about Salem0
Literature and Economy in Portuguese-speaking Southern Africa0
Purloined Significance: How Recidivism Algorithms Capture, Transform, and Automate our Intersubjective Unconscious as Data0
<em>The Silmarillion</em> by J.R.R. Tolkien and <em>Shahnameh</em> by Firdausi: A Sadraic Interpretation of Free Will and Determinism0
Resisting Pacification: Locating Tension in G'Ebinyo Ogbowei's Poetry0
The Brazilian System of Television, or How to Get a President0
Prison Sentences: Spaces of Liberation in Arab Prison Writing0
The Turn toward the Nonhuman in Susan Straight’s <em>A Million Nightingales</em>0
Storytelling as a Way of Translation: The Rendition of Taoism in Ursula K. Le Guin's <em>The Lathe of Heaven</em>0
Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China0
Cooling Down Transmedia Storytelling0
Review of Emily Sun’s <em>On the Horizon of World Literature</em>0
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe0
Pallavi Rastogi, Postcolonial Disasters: <em>Narrating Catastrophe in the Twenty-First Century </em>(2020): Review Essay0
The Symbolism of Clothing: The Naked Truth About Jacques Lacan0
Inappropriate Attire: Fashion, Nationality, and Shame in <em>Quicksand<em> and <em>Pachinko<em>0
Translation as Creative Writing: Rewriting <em>The Chinese Maze Murders</em> in Contemporary China0
<em>All Men Are Brothers</em>: Pearl S. Buck’s Translation of <em>Shui Hu Zhuan</em> and its Effects on Her Writing Career0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên0
Language, Science and Literature0
Engaging China: Beckett’s Debt to Pound, Giles, and Laloy0
Orature: The Political Interpretation of Performance Framework in <em>Anthills of the Savannah</em> and <em>Half of a Yellow Sun</em>0
Melodramatic Joy in Ibrahim Nasrallah’s <em>Trilogy of the Bells<em>0
Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism0
Confinement, Care, and Commodification in Mati Diop’s <em>In My Room</em>0
The Social Sinthome0
Exploring the Margins of Kotha Culture : Reconstructing a Courtesan’s life in Neelum Saran Gour’s <em>Requiem in Raga Janki</em>0
Terrorists, Spies, and Diplomatic Crises: The Birth of Morocco’s Multimedia Prison Literature0
Ecopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World0
The Animal in the Wild in <em>Hwang Sun-mi’s The Hen Who Dreamed She Could Fly</em>0
Race and Nation in Three Canonic Texts of Puerto Rican Literature: Luis Palés Matos’s <em>Tom-Tom of Kinky Hair and Black Things</em>, José Luis González’s <em>La llegada</em&g0
Kazuo Ishiguro and the Service Economy0
The Logic of "Social Enterprise": The Big Issue Organization and New Labour Policy at the Millennial Juncture0
Out of the Myths of “Revolutionary China”: Liu Kang versus Žižek & Badiou0
Female Bonding and Marginality in Shang Wanyun’s novella “Xialihe” (1978)0
Captivity, Resistance and Political Consciousness in Walid Daqqa’s Prison Literature0
French Left-wing Literary Theory and Mao Zedong Thought0
Westernization or Localization? The (Mis)reading of “the Tragic” in Modern Chinese Literary Discourse0
On a Small Glossary of Academic Anti-Intellectualism0
“It Is Not All That Bad”—Hitler and Identity-building in <em>Er ist wieder da</em> (Look Who’s Back)0
Two Imagined Chinas in <em>Tel Quel</em>0
Periodizing the Present: The 2020s, the <em>Longue Durée</em>, & Contemporary Culture0
Dispositions and Dispossessions: Interwar Left-Wing Literary Writing in Vienna and Zagreb0
Stalking Oneself: The Fantasmatic Intersubjectivity of Google0
The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity0
The Extinction Race: Techniques of the Human in Proust, via Houellebecq0
Chinese Ideas and American Politics: Confucius as a Guideline for Leadership0
Poetic Explorations in Bill F. Ndi’s <em>Worth Their Weight in Thorns</em>: (De)Constructing Hegemonic National Integration and Debating Francophonecentric National Governance.0
Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences0
Returning to East Africa via India: On M. G. Vassanji’s <em>And Home Was Kariakoo</em>0
Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s ‘Spoken Book’0
Ethical-Reparative Reconfigurations of the Literary Today0
Children’s Gothic in the Chinese Context: The Untranslatability and Cross-Cultural Readability of a Literary Genre0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement-0
Translating Diversity from Ralph Ellison to Kenzaburō Ōe0
Biopolitics in the Twenty-first Century: India and the Pandemic0
Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s <em>La Compañía</em>0
The Networks of Prison Narrative: Imagining Sociality and Making Narrative in Assad’s Syria0
Fredric Jameson and Gayatri Chakravorty Spivak’s <em>Periodizing</em> the Black Internal Colony0
Playing with Time: Writing History in Neo-Zionist Hebrew Literature0
Lacan and the Algorithm0
Beyond Victimhood: Female Agency in Nigerian Civil War Novels0
Poetics of the Crystal-Image: Dreams in <em>Mirror</em> and <em>Ashes of Time Redux</em>0
Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s <em>Cockroach</em>0
"El Corregidor" at the Crossroads: Desire, Law, and Coloniality in Martel's <em>Zama<em>0
Coming of Age and Exile in <em>No pasó nada</em>0
From Prison to the World: A Comparative Reading of Naji’s <em>Hirz Mikamkim</em> (Rotten Evidence, 2020) and Abd el-Fattah’s <em>You Have Not Yet Been Defeated</em> (2021)0
Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective0
Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism0
Introduction: Western Theory’s Chinese Transformation0
“For the moment, I am not F*cking,” I am Tweeting: Platforms of / as Sexuality0
“Love Thy Social Media!”: Hysteria and the Interpassive Subject0
Representation of Terror and Terrorism in Two Arab Films: <em>Paradise Now</em> (2005) by Hany Abu-Assad and <em>Horses of God</em> (2012) by Nabil Ayouch0
“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke0
New Approaches to MENA Prison Literatures After 20110
“<em>There is no pandemic</em>”: On Memes, Algorithms and other Interpassive Forms of Right-wing Disbelief0
Prison as a Living Being: ‘Assad’s Syria’ as a model for the Imprisonment State0
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