PAJ-A Journal of Performance and Art

Papers
(The TQCC of PAJ-A Journal of Performance and Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
AI Comes of Age2
When the Night Has Come: Images of Dystopia and Catastrophe in Recent British Writing1
A Whole Carnal Stereophony: The Wooster Group Stages Brecht1
The Ghetto in European Perception: From Cities to Bodies1
Speak-Trash: Irony for Exterminators1
Performing Big Data: Alan Lomax and The Folk-Song Science1
Staging Climate Science: No Drama, Just the Facts1
Unfinished Poetry0
Modernism’s Hidden Ornament0
The Rewards of Attention0
Sculpting Time: Sara Rudner in Her Studio0
Evelyn Brown (A Diary)0
Meg Stuart and Anne Teresa De Keersmaeker: Exercises in Endurance0
Grace Notes0
Virus as Metaphor in the Age of Catastrophe0
Directing Evelyn Brown0
Sitting on a Man's Head: Danspace Project, St. Mark's Church, New York, NY0
Political Theatre Reconsidered0
Old Injuries and Lost Loves0
Transmission Mysteries: Art and Technophilia0
Table of Contents0
Reckoning with Wreckage: The Work of Nancy Tam0
Words and Deeds0
Making Movies0
Democracy and Theatre in Catalonia Since 19750
Self-Portraits0
Mute0
Dead Children, Resilience, and Diversity0
Ragnar Kjartansson and the Art of Pleasure0
A Meditation on Loss0
The Diaries of Judith Malina, 1958–1971 (Excerpt)0
Chekhov’s Gull0
Spirit in the (Monochromatic) Light0
The Trans Theatre Tipping Point0
Archiving the Ephemeral0
The Hudson Eye: Small City. Big Vision0
The Fifth Voyage—Conclusion: A performance poem0
Common Ground0
How It Was: Monologue0
Swallow: (First Corinthians)0
Trajal Harrell: The Anxiety of Autobiography0
Over 125 Reasons Why I Love Performance Art0
The Spectacle of History: Nikhil Chopra at the Met0
Pre-Pandemic Memories: Performance in the Before Times0
Breakthrough into Performance: A Touchstone Work of Late Modernist American Poetry0
Oberammergau Dialogue0
Sequins and Spirits0
Redefining Democracy in America: Episodes in Black and White, Part 10
Jan Sawka: Theatre of Image and Metaphor0
Notes from My Journals0
From Landscapes to Projection Drama0
Pathetic: A Phaedra Play0
Outing Queer Fluxus0
Inside Dancing, No Fixed Points0
The Plastic Bag Store (Excerpt)0
Missing Identity0
Interrogation Room0
Global Voices in the Time of Coronavirus0
Performance Art in East-Central Europe: 1960s to the Post-Communist Era0
Something Glorious to Draw On: James Baldwin and Lorraine Hansberry Now0
The Coming Flood: Cultural Criticism in the Last Days of the Before Times0
A Moment in Time0
Toshiki Okada's Ecological Theatre0
Feminist Futures0
Ivo van Hove and Almodóvar: Remixing The Human Voice0
Beyond the Species and Beyond Death: Staging Mozart’s Requiem0
Table of Contents0
Archives at an Angle0
Eulogy for Mary Overlie0
Medea: BAM Harvey Theater, Brooklyn, NY0
Now0
Poland Takes Center Stage0
The Shape of Light: Meditations on Hong Kong0
All Right. Good Night. (Excerpt)0
Recovering Evelyn Brown0
Chen Zhen: The Sound of the Life Force0
Table of Contents0
Elevator Repair Service 
Adapts Ulysses0
On Not Traveling0
Grappling with Extremism through Performance0
The Wings0
Perform Again, Perform Better0
My (De)vices0
Dancers, Mountains, and People in the Fields0
Teknopolis: BAM Fishman Space, Brooklyn, NY0
Salt in the Wound0
Introduction0
Archiving in Twilight0
Subsuming Audience0
Virtue Signaling Through the Flames0
A Poem by Heart0
Conversation Pit0
Dreaming: A Public Poem0
Uploading into Eternity0
Tales From the Dead0
Engaging Identity: Politics, Culture, Feminism0
Disrupting the Grid: Lucinda Childs's Scores for Silent Dances0
American Radio Art 1985–1995: New Narrative and Media Strategies0
Step Across Time and Space: Cross-Cultural Investigation0
From Medieval Romance to Contemporary Opera: Philosophy, Allegory, Eros0
Hell's Kitchen Paintings0
Plague-Time Aesthetics0
Social Injustice0
World Crises On Stage0
Podcast for a Pandemic0
Belief Systems0
Representations of Sexual Violence in Performance0
Caroline, or Change: Roundabout Theatre Company, New York, NY0
Dana H.: Vineyard Theatre, New York, NY0
From the Toes Up0
3 Annunciations0
Singing in Dark Times: Report from Berlin0
Manifestos for Theatre and Nation0
Translating Pascal Rambert0
Walking, Decay, Endurance: Two Year-Long Works by Yuji Agematsu0
Art—Media—Manipulation0
Little Amal’s New York Journey: The Big Puppet in the Big Apple0
The State of Performance Art 20190
Pipeline: Central Square Theater, Cambridge, MA0
Sprouts for Life: Eco-Feminism and Performance0
Pandemic Proceedings: Legal Performance in the Time of Covid-190
Good Vibrations0
Splendour, Glorious Splendour0
Love Again, Love Better0
Embodied Abstraction: The Dancing and Drawing of Nancy Topf0
Plaything: On the Work of Art in the Age of its Algorithmic Adaptability0
Very Very Important Salvation0
The Postsecular Theatre of Romeo Castellucci0
Movements across Scales0
The Inheritance: Ethel Barrymore Theatre, New York, NY0
On “Seeing” Theatre in 20200
Future Imperfect Tense0
Sounding the Gospel Play0
Beyond Making Sense0
Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z0
Reframing Tragedy0
The Spirit of the Times0
A Sanctuary for Indecency0
Amar Kanwar: Neoliberalism on Trial0
Before You Embark—An Introduction0
Together in the Courtyard0
Class, Ritual, Time0
Historical Legacies0
Death and Country0
Good Morning0
Metaphysical Movement0
A Pandemic Prototype0
Music & Poetry0
Writing (as) Refusal0
Sonic Ecologies0
Table of Contents0
Quaint Devices: A Map of Headphone and Headset Plays∗0
Table of Contents0
A Summer Solstice Celebration0
Indocile Bodies of the Nation: Argentine Performance in Times of Hate0
Portfolio: Lost in Space0
Something Beautiful and Powerful: Politics, Art, and Bread and Puppet Theater0
The Gift That Keeps on Giving0
A Gathering Spirit: The Franconia Performance Salon, 2011–20200
Between the Sacred and the Profane: The Works and Days of Lee Breuer0
Footprints: Dance on Paper by Trisha Brown0
Seeking a Fairer View: Smashing Theatrical Mirrors in Contemporary Black Drama0
David Byrne and the Utopian Imagination0
Revisiting Suzanne Lacy's Oakland Projects0
Great Lights, Seen in Darkness: The Passion of Milo Rau and Yvan Sagnet0
Sun Through Broken Screen: Murakami and Gutai0
The Seven Streams of the River Ota: National Theatre, London, UK0
Politics in a Bubble0
Mobilizing Dance Archives of the Weimar Republic0
Architecture Against Theatre0
Death of England; Death of England: Delroy: National Theatre, London, UK0
Pandemic and Speech Without Doors0
Seeing Puppetry: Winter Report from New York City0
Romance of the Rose (Excerpt)0
Learning to Listen0
Journal, January 14, 19590
The Carnival of Time: A Return to Alfred Jarry's Future0
Parallel Seizure: Art and Culture at the End of Days0
20/20 Visions0
Queering the Bauhaus0
Decoding the Reality Studio0
Mary Said What She Said0
I’m Free Because I’m a Fugitive—I’m a Fugitive Because I’m Not Free0
Artaud and American Artists0
Bad Trips: Spiritual Agonies and Ecstasies in the Films of Gaspar Noé0
The Making of American Radio Art0
We're Gonna Die: Second Stage Theater, New York, NY0
Performance on the Blockchain: Zhang Huan and EchoX0
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