Literary Imagination

Papers
(The TQCC of Literary Imagination is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
August Meditations5
Zephyr1
I Am Sick of Reading Poems about Paintings by Vermeer1
Notes on Contributors1
Google Earth1
Piano in the Airport0
“On Forsakenness”0
A Wake a Wave0
Change of Plans0
Lament0
Robert Pinsky and the Post-Confessional Didactic0
Windrows0
Putting on the Style0
A Christmas Wind0
Virgae0
Fishing Downstream0
A Little Afternoon Music0
Rumination at Wellfleet0
A Pacifist’s Decima0
Why Is Buck Mulligan “Plump”?0
The Textual Presence of Mary Shelley’s The Last Man in the Juvenila of the Brontë Siblings0
Hopkins’s Clouded Judgment0
B52 and Other Poems0
Burning Fallow Fields0
Mystery Cult0
from “Pelham”0
Green Thoughts, Green Shades: Remembering Homer with Trees0
Mixed Feelings0
Dorothy Parker Among the Poets0
Notes on Contributors0
The Green Aevum: Deep Time and Useful Fictions between Frank Kermode, Edmund Spenser, and Ed Roberson0
Some Settling May Occur0
“A Gesture and a Pose”: Hawthorne, Eliot, and the Aesthetics of Detachment0
Van Gogh’s Weaver Series: A Pictorial Reworking of Silas Marner0
Sound as a Sense of the Future in Virginia Woolf’s Between the Acts0
Agatha, or Open Water: A Nantucket Obituary0
from Urban Renewal0
Selections from the Kuruntokai: Translated from the Ancient Tamil0
Four Parodies0
Cassiopeia0
The New Formalism and Heart of Darkness: Aesthetic and Ideological Parallels, Oppositions, and Symmetries0
A Christmas Wind0
Notes on Contributors0
Shakespeare’s Blank Verse: An Alternative History0
Autistic Savant, Hold the Savant0
Doctor Syntax and the Erotics of the Picturesque0
Fireflies0
No Time to Die0
“Being Nothing”: The Consolation of Words in Richard II0
Notes on Contributors0
Editing Yeats0
Redeeming Lysimachus: The Miracle of Conversion in Pericles0
Coral0
My Father's Teeth0
Bal Masqué0
Political Violence and the Persuasive Engagement in Frederick Douglass0
There Are Words: Conveying Magnitude in Contemporary Writing0
Lowcountry0
Crime in a Box0
With One Eye Closed0
Eichmann Teaches Himself Hebrew0
The Sisters Gregg0
For the Garden’s Architect0
Centurion0
Hitting Billy: Mediated Interiority in Billy Budd0
The Angel of History0
“Lake Balaton”0
Notes on Contributors0
All Souls’ Night0
Bereft Song0
“I am not what I am”: Liminality as the Existential Terrain of Twelfth Night0
Van Gogh and British Literature: The Influence of Felix Holt on His Mind and Art0
History and the Self in Wilde’s “The Portrait of Mr. W. H.”0
Audition0
Sordello: The Epic of Doubt0
Francis Bacon, Self-Portrait 1971 (Cr71-11)0
The Prophet0
Eclogue0
In Dreams0
What Loneliness Feels Like0
From Rhythm to Candor: How Dimmesdale Becomes Cicero’s Ideal Orator0
An “Invitation to Learning”: Mortimer Adler’s How to Read a Book, Everyman’s Library, and the Ideal of a “Common Culture”0
873 Beacon0
“Black Artillery”: Herman Melville and the Unthinkability of White Mob Violence in Battle-Pieces and Aspects of the War (1866)0
“Butler’s Doubtful Heroism”0
from “Siege of the Great Plantation”0
Pandora’s Prairie0
Northern Light0
News Cycle0
Seafarer0
Between Things and Words0
Restrictive Covenant0
Review of David Ferry, Some Things I Said0
Weathering0
Audubon Circle0
After Reading a Book of Unexpected Metaphors0
Ever More, Lord Giant0
Remembering a Great Love in Letters: Salomón de la Selva to Edna St. Vincent Millay0
Harmonium and the Plain Nonsense of Rhyme0
Against Archaeology0
Racist Discourse and Literary Reputation: The Consequences of Robert Penn Warren’s “Pondy Woods”0
John Muir’s Thoreau0
Days0
Dorothea’s “Flood of Young Passion”: Dualism of the Practical Reason in Middlemarch and The Methods of Ethics0
Isabel Wilkerson, Albion Tourgée, and the Problem of Caste in the United States0
A Poem Miroslav Holub Might Have Written0
In Lieu of a Handshake0
Supermarket Storm0
The Symbolic World of Poetic Fame0
Man Swimming in Home-Dug Pool0
Wallace Stevens’ Foreign Song, or Reading Paul Valéry in America0
“The Reaching that Makes of Falling Flight”: The Psalmic Poetry of Ross Gay0
Treatise: Toward a Theory of Silence in Modernist American Poetry0
Euclid with Flashlight on the Bridge of Asses0
Notes on Contributors0
A New Way to Pay Old Debts0
Corrigendum to: Plessy v. Ferguson and the Dissenting Opinion in the Classroom0
Introduction0
Undressing Tragedy’s Skeleton0
Cycladic Idyll0
Euclid Considers the Lead in His Pencil0
The Fidelities of John Clare and Elizabeth Bishop0
Covid Spring0
Rewilding0
Q and Hellfire Sermons0
Body0
Dragonfly0
Euclid Glasses Hellroaring0
The Derelicts in the New England Mountains0
Ellison and the Visibility of Laughter0
“No Fixed Image”: Richard Wilbur’s Metaphoric Abundance0
Pelt0
“Art Has Therefore Its Law”: Thomas Wentworth Higginson on Walt Whitman’s “Disfigurement”0
Rhyme #4: Rhyme Drops a Hint0
When I Look Up0
The Exile0
Writing White: Martha Collins’s Poetry of Collective Memory0
Now That I Am Dead0
Rupert Brooke’s Mysterious Widow: The Marchesa Agnes Capponi0
February Rime0
Between Two Worlds: The In-between Aesthetics of Arnold Bennett in Anna of the Five Towns0
Elegy for Elsworth E. Berno0
Kenneth Fearing and Human Lifetimes0
The Mockingbird0
February Fox0
Find A Face0
Greenland0
Moonshot0
The Prisoner of Hirta (1738)0
Enrico Testa, “Untitled”0
Vandals0
Hairdressers0
Voyager Poems0
Ellison’s Invisible Man and Faulkner’s Light in August: An Argument in Black and White0
Dilapidations0
Enrico Testa, “Untitled”0
Gilt0
A Feminist Critique of J. M. Coetzee’s Waiting for the Barbarians: How One Piece of 1980s Literature Continues to Perpetuate Misogynistic Ideology0
Notes on Contributors0
“Track 20”0
Connecticut, After Dark0
The Curator as Oracle: A Guide to The Harlem Gallery0
Going Down Slow0
Poetry and Its Institutions: Auden, Jarrell, and Arendt at Midcentury0
Notes on Contributors0
2001: A Space Odyssey0
Ending The Dry Spell: Mandelstam’s Journey to Armenia0
The Fever for Autobiography: Assumption and Confession in Sylvia Plath’s Ariel0
Notes on Contributors0
Omar and Me0
Poetic Transmission: Ezra Pound, “The River Merchant’s Wife: A Letter” (1914–1918)—By Rihaku [Li Bai]0
Uncertainty Principle0
Jack Gilbert Looking Back on Long Life0
Tesla0
Between the Desire and the Spasm Falls the Shadow: Difficult Distances in Louise Glück’s Poetry0
Melville’s Lyrical Turn: Prophecies of Populism in Battle Pieces0
A Glance and a Goodbye0
On Looking into the 1950 Census0
Portraiture and Paratext: Meta-Ekphrasis, Subversions of the National Tale, and the Reclamation of the Imperial Gaze in The Wild Irish Girl0
Requiem for Margie, a dog I loved without conflict0
Plessy v. Ferguson and the Dissenting Opinion in the Classroom0
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