Literary Imagination

Papers
(The TQCC of Literary Imagination is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Google Earth2
Humanity as Matter: Nathaniel Hawthorne’s Vivacious Materialism in “The Birth-mark” and “Rappaccini’s Daughter”1
The Textual Presence of Mary Shelley’s The Last Man in the Juvenila of the Brontë Siblings1
The God of the City1
February Fox1
Political Violence and the Persuasive Engagement in Frederick Douglass1
Ellison and the Visibility of Laughter1
The Exile0
Body0
Notes on Contributors0
John Muir’s Thoreau0
Euclid with Flashlight on the Bridge of Asses0
Northern Light0
Four Dream Poems0
Omar and Me0
“The Reaching that Makes of Falling Flight”: The Psalmic Poetry of Ross Gay0
Rumination at Wellfleet0
A Pacifist’s Decima0
The True Sentence: John Ashbery’s Forward Animations0
Van Gogh’s Weaver Series: A Pictorial Reworking of Silas Marner0
Poetry and Its Institutions: Auden, Jarrell, and Arendt at Midcentury0
Sound as a Sense of the Future in Virginia Woolf’s Between the Acts0
Poetic Transmission: Ezra Pound, “The River Merchant’s Wife: A Letter” (1914–1918)—By Rihaku [Li Bai]0
Enrico Testa, “Untitled”0
873 Beacon0
Bed of Clay0
Why Is Buck Mulligan “Plump”?0
Across the Park0
Notes on Contributors0
Portraiture and Paratext: Meta-Ekphrasis, Subversions of the National Tale, and the Reclamation of the Imperial Gaze in The Wild Irish Girl0
Words Reek Worlds0
Crime in a Box0
from “Pelham”0
“The Builder’s Whim”: Pound, Ethics, and the Whimsical Poet0
No Birds0
The Curator as Oracle: A Guide to The Harlem Gallery0
Selections from the Kuruntokai: Translated from the Ancient Tamil0
A Wake a Wave0
Ending The Dry Spell: Mandelstam’s Journey to Armenia0
Mystery Cult0
Agatha, or Open Water: A Nantucket Obituary0
Wilfred Owen: The Making of a Poet0
Nameplates0
The Prophet0
Lifted Veil poems0
Teaching Heart of Darkness Now0
The Church0
Eclogue0
Bereft Song0
Against Archaeology0
A Christmas Wind0
from Urban Renewal0
The Harpooners’ Dichotomous Nature in Melville’s Moby-Dick, or, The Whale0
Ellison’s Invisible Man and Faulkner’s Light in August: An Argument in Black and White0
Hopkins’s Clouded Judgment0
Jack Gilbert Looking Back on Long Life0
“I Landed in France with the Century”: An Excerpt from François-René de Chateaubriand’s Memoirs from Beyond the Grave, 1800–18150
This Spring0
Fishing Downstream0
Introduction0
August0
After Reading a Book of Unexpected Metaphors0
Man Swimming in Home-Dug Pool0
For James Wright0
A New Way to Pay Old Debts0
Island Fictions, Intellectual Fictions: Dramas of Pacific Isolation in Stevenson, Wells, and Conrad0
Rupert Brooke’s Mysterious Widow: The Marchesa Agnes Capponi0
The Ravens0
Audition0
Rewilding0
The Fidelities of John Clare and Elizabeth Bishop0
Euclid Considers the Lead in His Pencil0
Barbados0
Virgae0
Charles Baudelaire, “The Voice”0
Deciduous0
A Letter to the Gods0
What Loneliness Feels Like0
I Am Sick of Reading Poems about Paintings by Vermeer0
Coral0
Bal Masqué0
The New Formalism and Heart of Darkness: Aesthetic and Ideological Parallels, Oppositions, and Symmetries0
Elegy for Elsworth E. Berno0
OUP accepted manuscript0
Autistic Savant, Hold the Savant0
“No Fixed Image”: Richard Wilbur’s Metaphoric Abundance0
“A Gesture and a Pose”: Hawthorne, Eliot, and the Aesthetics of Detachment0
The Derelicts in the New England Mountains0
Poker Night0
2001: A Space Odyssey0
Cassiopeia0
History and the Self in Wilde’s “The Portrait of Mr. W. H.”0
Writing White: Martha Collins’s Poetry of Collective Memory0
Covid Spring0
Maffeo Vegio, Elegies 1.10
Requiem for Margie, a dog I loved without conflict0
No Time to Die0
An “Invitation to Learning”: Mortimer Adler’s How to Read a Book, Everyman’s Library, and the Ideal of a “Common Culture”0
In Siren Times0
Between Things and Words0
B52 and Other Poems0
Undressing Tragedy’s Skeleton0
Morandi0
Vandals0
Racist Discourse and Literary Reputation: The Consequences of Robert Penn Warren’s “Pondy Woods”0
Days0
The Field0
Catching Fire0
A Comic Turn0
Greenland0
“My Eyes Have Seen What My Hand Did”: A Review of The Dolphin and The Dolphin Letters0
Fireflies0
Ever More, Lord Giant0
Euclid Glasses Hellroaring0
A Poem Miroslav Holub Might Have Written0
A Letter0
Weathering0
Between Emotion and the Emetic: Francis Bacon and the Tragic Body at the Margins of the Oresteia*0
Pervigilium Veneris0
Centurion0
Wallace Stevens’ Foreign Song, or Reading Paul Valéry in America0
Four Parodies0
Erratum to: Some Romantic Children0
Vigilance0
Q and Hellfire Sermons0
Going Down Slow0
Isabel Wilkerson, Albion Tourgée, and the Problem of Caste in the United States0
Notes on Contributors0
A Glance and a Goodbye0
from “Siege of the Great Plantation”0
Hitting Billy: Mediated Interiority in Billy Budd0
“I am not what I am”: Liminality as the Existential Terrain of Twelfth Night0
Shopping in the Afterlife0
Poaching hour0
With One Eye Closed0
“Black Artillery”: Herman Melville and the Unthinkability of White Mob Violence in Battle-Pieces and Aspects of the War (1866)0
Pandora’s Prairie0
Lowcountry0
Kenneth Fearing and Human Lifetimes0
For the Garden’s Architect0
Piano in the Airport0
Van Gogh and British Literature: The Influence of Felix Holt on His Mind and Art0
Notes on Contributors0
One Substance0
Some Settling May Occur0
“Lake Balaton”0
The Angel of History0
Marriage0
When I Look Up0
Some Romantic Children0
Lament0
Editing Yeats0
From Rhythm to Candor: How Dimmesdale Becomes Cicero’s Ideal Orator0
The Sisters Gregg0
The Prisoner of Hirta (1738)0
Notes on Contributors0
August Meditations0
Enrico Testa, “Untitled”0
Erratum: Charles Baudelaire, “The Voice”0
Zephyr0
Rhyme #4: Rhyme Drops a Hint0
The Mockingbird0
In Dreams0
Tesla0
Between Two Worlds: The In-between Aesthetics of Arnold Bennett in Anna of the Five Towns0
Cycladic Idyll0
All Souls’ Night0
Three or Four Things he didn’t Understand0
Notes on Poems by Ishigaki Rin0
Putting on the Style0
Remembering a Great Love in Letters: Salomón de la Selva to Edna St. Vincent Millay0
In Lieu of a Handshake0
Dorothy Parker Among the Poets0
Doctor Syntax and the Erotics of the Picturesque0
The Green Aevum: Deep Time and Useful Fictions between Frank Kermode, Edmund Spenser, and Ed Roberson0
Francis Bacon, Self-Portrait 1971 (Cr71-11)0
Notes on Contributors0
Moonshot0
Windrows0
Notes on Contributors0
Supermarket Storm0
Find A Face0
Now That I Am Dead0
My Father's Teeth0
The Divided Selves of Edna St Vincent Millay0
Corrigendum to: Plessy v. Ferguson and the Dissenting Opinion in the Classroom0
Audubon Circle0
For Martin Luther King, Jr0
Madame Beck in Villette: A Medical Diagnosis0
Pelt0
Treatise: Toward a Theory of Silence in Modernist American Poetry0
“On Forsakenness”0
Mixed Feelings0
Hairdressers0
Melville’s Lyrical Turn: Prophecies of Populism in Battle Pieces0
Voyager Poems0
A Tale of Two Balls: A Note on Henry James’s Flaubertian Education0
Burning Fallow Fields0
“Track 20”0
A Feminist Critique of J. M. Coetzee’s Waiting for the Barbarians: How One Piece of 1980s Literature Continues to Perpetuate Misogynistic Ideology0
Connecticut, After Dark0
On Looking into the 1950 Census0
Eichmann Teaches Himself Hebrew0
The Fall of France Seen by Max Jacob0
Seafarer0
Wartime and After0
A Little Afternoon Music0
Plessy v. Ferguson and the Dissenting Opinion in the Classroom0
“Butler’s Doubtful Heroism”0
Crying Out for a Companion: Hill’s and Lowell’s Unrhymed Sonnets0
Book Traces Meets the Lost Cause: In the Margins of Edward A. Pollard0
Attention0
Holy Sonnets0
Flowers0
News Cycle0
Notes on Contributors0
Sordello: The Epic of Doubt0
Notes on Contributors0
Harmonium and the Plain Nonsense of Rhyme0
Restrictive Covenant0
Dragonfly0
Travelling On0
Uncertainty Principle0
The Symbolic World of Poetic Fame0
The Fever for Autobiography: Assumption and Confession in Sylvia Plath’s Ariel0
Good Night0
February Rime0
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