OOIR: Observatory of International Research

Papers

(The median citation count of Grey Room is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Does Bolsonaro Have a Point? (Or Does He Have a Semicolon?)	9
Plan and Council: Genealogies of Calculation, Organization, and Transvaluation	2
Socialist Multimedia Warfare: Cine-Exhibition of Class Struggle in 1960s China	2
Contributors	1
Nothing to See Here: On the Bracketing of the Spectator in a Hyperrelational Exhibition	1
Anthony Vidler, “All My Work Is Accidental”	1
Geo-psychiatry: Media and the Ecologies of Madness	1
Contributors	1
Out of Reach: Photographs of Child Nudists	1
Praxis and Action: Toward Building as a Collective Practice in Postwar Yugoslavia	1
Political Constructivism	0
Nation Building in the Philippines and the Racial Ordering of International Architecture	0
Nicholas Barbon's De febre ardente: Medico-philosophical Grounds of Fire Insurance?	0
Contributors	0
Sol Worth, Film Theory, and the Politics of the Bio-Documentary	0
Taylorism Transfigured: Industrial Rhythm and the British Factory	0
Pearce v. OMA: Architectural Authorship on the Courtroom Table	0
Bad Brains: Cybernetics, Paranoia, and the Cognitive Science of Religion	0
Artificial Worlds and Perceptronic Objects: The CIA's Mid-century Automatic Target Recognition	0
Inaugural Medical Disputation on Burning Fever	0
Editors' Introduction: Pious Technologies and Secular Designs	0
Contributors	0
Contributors	0
The German Campaign against Cultural Freedom: Documenta 15 in Context	0
Trademark Law and the Contingent Art Object	0

Learning with Documenta 15: Principles, Practices, Problems	0
Automaton Religion and the National Body: Ajeeb in Brazil	0
The Origin of Geometry	0
Manual Operations: Joan Lyons's Haloid Xerox Works and Feminized Labor	0
By Means of the Line: Meyer Schapiro and Drawing as an Epistemological Tool	0
Editors' Introduction: Art beyond Copyright	0
Stripped-Down Painting	0
From Paperwork to “Mechanized Administration”: Designing the Bureaucracy of Self-Management in Postwar Yugoslavia	0
Contributors	0
On Documenta 15	0
Quantum Computing and the Analog/Digital Distinction	0
Contributors	0
A Postmortem Biography, or, The Adventures of a Snowy Owl	0
In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976–77)	0
Michael Rakowitz's The Invisible Enemy Should Not Exist	0
Letter to an Encyclopedic Museum Curator	0
Global Patterns: Hannah Höch, Interwar Abstraction, and the Weimar Inflation Crisis	0
Extralegal Portraiture: Surveillance, between Privacy and Expression	0
Interrelations: The CIAM Grid in 1949	0
The Manufacturer's Signature: Trademarks and Other Signs of Authenticity on Manet's Bar at the Folies-Bergère	0
Figures of Closure: Circles and Cycles in the History of Ecological Knowledge	0
Order for Profit: On the Architecture of a Nineteenth-Century French Agency	0
Liquidity Modernism: Modern Art in the Secondary Market	0
Missed Encounters: Introduction to Documenta 15 Dossier	0
Reflections on Lumbung, Storytelling, and Collective Learning	0
Loquacious Objects: Contemporary Iranian Art, Autotranslation, and the Readings of Benevolence	0
The Absent Prince: Reflections on Personality Rights and Andy Warhol Foundation v. Goldsmith	0
Contributors	0
Contributors	0
The West Berlin Staatsbibliothek and the Sound Politics of Libraries	0
Anthony Vidler and the Occasional Writing of Architectural Theory	0
On Drawing from Memory and from Objects	0
Piranesi Slices	0
On Environmentalities	0
The Secret History of Science and Modernity: The History of Science and the History of Religion	0
On the Graphic Analysis of Forms in Painting	0
Roundtable on Warhol v. Goldsmith: An Introduction to Warhol v. Goldsmith	0
Contractual Practices	0
The Work of Copyright Law in the Age of Generative AI	0
Forgery, Facsimile, and the Fabrication of Credit: The Case of William Wynne Ryland	0
Algorithmic Images: Artificial Intelligence and Visual Culture	0
When Louis Pasteur Taught at the Beaux-Arts	0
Notes for Lessons in Physics and Chemistry as Applied to the Arts	0
The Image of the (Inner) City: Frederic D. Moyer and Carceral Aesthetics in the Great Society	0
Contributors	0
Coming Attraction: The Event of Color, Techniques of Screening and Filtering in Early “Natural” Color Film and Photography	0
Contributors	0
Liquid History: Millbank, London and the Thames Flood of 1928	0
Rumor and Media: On Circulations and Credence (via Kant and Marx)	0
Alberti, Ornament, Nature, and Law: A Reading of De re aedificatoria	0

Contributors	0
A Black Carpet of Bitumen	0
Moral Rights: The Anti-copyright	0
Self-Suggestion in the Tuskegee Machine: Technical Drawing under Jim Crow	0
Uneven Environmentality: The Discordance of Cybernetic Control at the Centro de Arte y Comunicación, 1971-1973	0
Contributors	0
An Introduction to Cultural Heritage Law	0
Photography and the Domestication of History at the Margins of Empire	0
Religious Horizons in New York's 1920s	0
The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art	0
A Provocation to Contemporary Art as Place-Making: Some Observations after Documenta 15	0
“What You See Is What You Get”: The Art of Protecting Design in Intellectual Property Law	0