OOIR: Observatory of International Research

Papers

(The TQCC of Grey Room is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
Atmospheric Regulation in the Panorama	10
The Hot Noise of Open-Air Cinema	9
Mood as the Content of Modern Art	2
Taylorism Transfigured: Industrial Rhythm and the British Factory	1
Mood for Modernists: An Introduction to Three Riegl Translations	1
Quantum Computing and the Analog/Digital Distinction	1
News from Nowhere: Participatory Design in the Scandinavian Workplace	1
Fieldnotes from Solaris: Ship's Logs, Shipwrecks, and Salt Water as Medium	1
Making the “World Spectacle Trial“: Design as Forensic Practice at the Nuremberg Trials	1
The Manufacturer's Signature: Trademarks and Other Signs of Authenticity on Manet's Bar at the Folies-Bergère	1
The Giant's Door of St. Stephen's	1
German Pavilion/German Exhibits: An Almost Forgotten Episode in the History of Modern Architecture	1
Algorithmic Images: Artificial Intelligence and Visual Culture	0
Loquacious Objects: Contemporary Iranian Art, Autotranslation, and the Readings of Benevolence	0
“The Idea Was in the Air”: Nadar's Aerial Media	0
A Partly Vacated Historicism: Artifacts, Architecture, and Time in Nineteenth-Century Papal Rome	0
On Drawing from Memory and from Objects	0
Contributors	0
I.M. Pei's JFK Library, in Poetry, Prose, and Meeting Minutes	0
When Louis Pasteur Taught at the Beaux-Arts	0
Automaton Religion and the National Body: Ajeeb in Brazil	0
Inaugural Medical Disputation on Burning Fever	0
Does Bolsonaro Have a Point? (Or Does He Have a Semicolon?)	0
“What You See Is What You Get”: The Art of Protecting Design in Intellectual Property Law	0
An Introduction to Cultural Heritage Law	0

Pearce v. OMA: Architectural Authorship on the Courtroom Table	0
Nothing to See Here: On the Bracketing of the Spectator in a Hyperrelational Exhibition	0
Liquid History: Millbank, London and the Thames Flood of 1928	0
Contributors	0
Roundtable on Warhol v. Goldsmith: An Introduction to Warhol v. Goldsmith	0
Contributors	0
Observations on Painting	0
Alberti, Ornament, Nature, and Law: A Reading of De re aedificatoria	0
Political Constructivism	0
Contributors	0
If a Painting Is Like a Window, Is It a Means of Ventilation?	0
Learning with Documenta 15: Principles, Practices, Problems	0
Contributors	0
“A Better Idea than the Best Constructed Charts”: Watercolor Views in Early British Hydrography	0
Stacks, Shelves, and the Law: Restructuring the Library of Congress	0
Editors' Introduction: Pious Technologies and Secular Designs	0
A Provocation to Contemporary Art as Place-Making: Some Observations after Documenta 15	0
Contributors	0
Technical Existence	0
Piranesi Slices	0
The Restoration of the Wall Paintings in the Holy Cross Chapel of the Wawel Cathedral in Kraków	0
Death from Above in Minard's Napoleon Map	0
Articulated Flatness: Document Culture and Modernism in the Mundaneum and Beyond	0
By Means of the Line: Meyer Schapiro and Drawing as an Epistemological Tool	0
Contributors	0
The German Campaign against Cultural Freedom: Documenta 15 in Context	0
Missed Encounters: Introduction to Documenta 15 Dossier	0
Moral Rights: The Anti-copyright	0
Self-Suggestion in the Tuskegee Machine: Technical Drawing under Jim Crow	0
Praxis and Action: Toward Building as a Collective Practice in Postwar Yugoslavia	0
The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art	0
Trademark Law and the Contingent Art Object	0
Image/Vessel/Waste	0
Contributors	0
Contributors	0
On Documenta 15	0
Rumor and Media: On Circulations and Credence (via Kant and Marx)	0
Contributors	0
Nicholas Barbon's De febre ardente: Medico-philosophical Grounds of Fire Insurance?	0
A Feedback Situation: Dennis Oppenheim's Cybernetics of the Family	0
The Origin of Geometry	0
On the Graphic Analysis of Forms in Painting	0
Toward a Reappraisal of Comparative Studies: The Case of South American Modernism	0
Notes for Lessons in Physics and Chemistry as Applied to the Arts	0
Michael Rakowitz's The Invisible Enemy Should Not Exist	0
Nation Building in the Philippines and the Racial Ordering of International Architecture	0
Sol Worth, Film Theory, and the Politics of the Bio-Documentary	0
The Word Processing of Watergate and the Metaphysics of Information	0
The Secret History of Science and Modernity: The History of Science and the History of Religion	0
A Black Carpet of Bitumen	0

Editors' Introduction: The Aerial Image	0
Contributors	0
From Paperwork to “Mechanized Administration”: Designing the Bureaucracy of Self-Management in Postwar Yugoslavia	0
On Cristoforo Sorte's Osservationi nella pittura: Water, Fire, and Landscape in Early Modern Venice	0
Evaporating Dürer	0
Plan and Council: Genealogies of Calculation, Organization, and Transvaluation	0
Contributors	0
Order for Profit: On the Architecture of a Nineteenth-Century French Agency	0
Editors' Introduction: Art beyond Copyright	0
The Absent Prince: Reflections on Personality Rights and Andy Warhol Foundation v. Goldsmith	0
Religious Horizons in New York's 1920s	0
The West Berlin Staatsbibliothek and the Sound Politics of Libraries	0
Contributors	0
Reflections on Lumbung, Storytelling, and Collective Learning	0
Letter to an Encyclopedic Museum Curator	0
Socialist Multimedia Warfare: Cine-Exhibition of Class Struggle in 1960s China	0
Extralegal Portraiture: Surveillance, between Privacy and Expression	0
Contributors	0
“The Higher Forms Are Also the Weaker Ones”: Technics and Humanism in Max Bense's “Technical Existence”	0
The Work of Copyright Law in the Age of Generative AI	0
Contributors	0
Contributors	0
Global Patterns: Hannah Höch, Interwar Abstraction, and the Weimar Inflation Crisis	0
Architectures of Captivity	0
Interrelations: The CIAM Grid in 1949	0
Bad Brains: Cybernetics, Paranoia, and the Cognitive Science of Religion	0
Contractual Practices	0
“Terrestrial Not by Nature and Essence”: The Acclimatization Chamber as Surface Technology in South Africa, ca. 1958	0
The Image of the (Inner) City: Frederic D. Moyer and Carceral Aesthetics in the Great Society	0