Television & New Media

Papers
(The median citation count of Television & New Media is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Racism, Hate Speech, and Social Media: A Systematic Review and Critique121
No Grand Pronouncements Here...: Reflections on Cancel Culture and Digital Media Participation80
On Frogs, Monkeys, and Execution Memes: Exploring the Humor-Hate Nexus at the Intersection of Neo-Nazi and Alt-Right Movements in Sweden49
Three Challenges for Media Studies in the Age of Platforms26
SVOD Global Expansion in Cross-National Comparative Perspective: Netflix in Israel and Spain24
Governing Hate: Facebook and Digital Racism23
Pursuing “Wellness”: Considerations for Media Studies20
Spectacularized and Branded Digital (Re)presentations of Black People and Blackness19
The Role of Public Service Media in Sustaining TV Drama in Small Markets15
Decolonising “Data Colonialism” Propositions for Investigating the Realpolitik of Today’s Networked Ecology14
Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama—S.C.I. Mystery14
Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States13
The Public Service Approach to Recommender Systems: Filtering to Cultivate12
In Plain Sight: Online TV Interfaces as Branding11
Gender Essentialism in Chinese Reality TV: A Case Study of You Are So Beautiful10
Branding Kidfluencers: Regulating Content and Advertising on YouTube10
Algorithmic Television in the Age of Large-scale Customization9
Picturing Diversity: Netflix’s Inclusion Strategy and the Netflix Recommender Algorithm (NRA)8
Conceptualizing the Experiential Affordances of Watching Online TV8
Commercialization of Creative Videos in China in the Digital Platform Age7
Field Mapping: What Is the “Media” of Media Studies?7
After Marriage: The Assimilation, Representation, and Diversification of LGBTQ Lives on Irish Television7
“Never Battle Alone”: Egirls and the Gender(ed) War on Video Game Live Streaming as “Real” Work7
DesiringWanghuang: Live Streaming, Porn Consumption and Acts of Citizenship among Gay Men in Digital China7
Interrogating LeftTube: ContraPoints and the Possibilities of Critical Media Praxis on YouTube7
Affective Practice of Soldiering: How Sharing Images Is Used to Spread Extremist and Racist Ethos on Soldiers of Odin Facebook Site7
Situating Representation As a Form of Erasure: #OscarsSoWhite, Black Twitter, and Latinx Twitter7
Digital Intimacy in Real Time: Live Streaming Gender and Sexuality7
Netflix in Mexico: An Example of the Tech Giant’s Transnational Business Strategies7
Paralympic Broadcasting and Social Change: An Integrated Mixed Method Approach to Understanding the Paralympic Audience in the UK6
“What Is This, the Seventies?” Spectres of the Past (and the Future) in Recent Northern Irish Television6
“Talk to Each Other Like It’s 1995”: Mapping Nostalgia for the 1990s in Contemporary Media Culture6
Data Civics: A Response to the “Ethical Turn”6
“Business Inquiries are Welcome”: Sex Influencers and the Platformization of Non-normative Media on Twitter6
Television and the “Honest” Woman: Mediating the Labor of Believability6
When is the “Racist” Designation Truly Applicable? News Media’s Contribution to the Debatability of Racism6
Digitality and Debordered Spaces in the Era of Streaming: A Global South Perspective6
Critical Interpretations of Global-Local Co-Productions in Subscription Video-on-Demand Platforms: A Case Study of Netflix’s YG Future Strategy Office6
Foreign Ownership of Production Companies as a New Mechanism of Internationalizating Television: The Case of Australian Scripted Television5
“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services5
Manufacturing Hate 4.0: Can Media Studies Rise to the Challenge?5
Factors Explaining Grandparental Mediation of Children’s Media Use in Two National Contexts5
Mobilizing Media Studies in an Age of Datafication5
Data Ableism: Ability Expectations and Marginalization in Automated Societies4
Platformization as a Structural Dimension for Public Service Media in Germany: The funk Content Network and the New Interstate Media Treaty4
Media Studies and the Pitfalls of Publicity4
Institutional Polymorphism: Diversification of Content and Monetization Strategies on YouTube4
“This Title Is No Longer Available”: Preserving Television in the Streaming Age4
The Media (Studies) of the Pandemic Moment: Introduction to the 20th Anniversary Issue4
Media Studies Futures: Whiteness, Indigeneity, Multi-modality, and a Politics of Possibility4
The Routinization of Media Events: Televised Sports in the Era of Mega-TV4
Vernacular Feminism: Gendered Media Cultures and Historical Perspectives on Postdiscourse4
Contingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industry4
Shifting Formations, Formative Infrastructures: Nationalisms and Racisms in Media Circulation4
“#Bughead Is Endgame”: Civic Meaning-Making in Riverdale Anti-Fandom and Shipping Practices on Tumblr3
Home Truths: Property TV, Financialization, and the Housing Crisis in Contemporary Ireland3
The Sociological Imagination and Media Studies in Neoliberal Times3
From Open Data to “Grounded Openness”: Recursive Politics and Postcolonial Struggle in Hong Kong3
Curating a Scopic Contact Zone: Short Video, Rural Performativity, and the Mediatization of Socio-Spatial Order in China3
Just on the Right Side of Wrong: (De)Legitimizing Feminism in Video Game Live Streaming2
Heroism as Narrative Strategy: Children’s Animation and Modernity in Chinese TV2
Beauty From the Waist Up: Twitch Drag, Digital Labor, and Queer Mediated Liveness2
Why Do We Only Get Anime Girl Avatars? Collective White Heteronormative Avatar Design in Live Streams2
Trauma, Motive and the Post-Troubles Psychopath inThe Fall2
Get Up, Stand Up? Theorizing Mobilization in Creative Work2
Television Production of Yesteryears, Today and in the Future: Impact of Reduced Collaboration in TV News Production on Job Satisfaction in Nigeria2
The Masks We Wear: Watchmen, Infrastructural Racism, and Anonymity2
“Wrap You Up in My Blue Hair”: Vocaloid, Hyperpop, and Identity in “Ashnikko Feat. Hatsune Miku – Daisy 2.0”2
Online Performance of Civic Participation: What Bot-like Activity in the Persian Language Twittersphere Reveals About Political Manipulation Mechanisms2
“I’m Neither a Slut, Nor Am I Gonna Be Shamed”: Sexual Violence, Feminist Anger, and Teen TV’s New Heroine2
The MAAFiA Mystique2
“Worlds. . .[of] Contingent Possibilities”: Genderqueer and Trans Adolescents Reading Fan Fiction2
From Boyfriend to Boy’s Love: South Korean Male ASMRtists’ Performances of Digital Care2
Comparing Populist Media: From Fox News to the Young Turks, From Cable to YouTube, From Right to Left2
Destigmatization Strategies of Serbian Londoners on Social Media2
The Datafication of Intimacy: Mobile Dating Apps, Dependency, and Everyday Life2
“We Should Have Had a Historian”: Live Television and the Accident of the Moon Landing Tapes2
“Anything That Can Be Traded, Will Be Traded”: The Contests to Automate and Financialize Advertising Futures Markets2
Why Can’t We Believe in That? Partisan Political Entertainment in the Mexican YouTube Sphere1
The Millennial Medium: The Interpretive Community of Early Podcast Professionals1
Nationalization of Spatiotemporal Artifacts: National Chronotope, Authenticity, and Local Colors in Danish TV Dramas1
Spanish-Language Television and Diaspora in Detroit and Los Angeles: Toward Latinx Media Enfranchisement1
“Cute Goddess is Actually an Aunty”: The Evasive Middle-Aged Woman Streamer and Normative Performances of Femininity in Video Game Streaming1
Immigrants on Chinese Television and Limitations of China’s Globalist Discourse1
Recasting Life Is Strange: Video Game Voice Acting during the 2016–2017 SAG-AFTRA Strike1
First-Run Syndication and Unwired Networks in the 1980s: Viacom’s Superboy and Buena Vista TV’s DuckTales1
A Real American Hero: WWE Wrestling from American Exceptionalism to Commercial Transnationalism1
“Genre as Feminist Platform: Diagnosis, Anger, and Serial T.V.”1
Historical Drama in the Time of Global Streaming Platforms: Envisioning Transition in Mr. Sunshine1
Social Solidarity and Generational Exchange in Post-Celtic Tiger Reality Television1
“Action on the Game”: Sports Gambling as Fan Identity and Transactional Participation1
The Refractive Comic:Nanetteand Comedy FromInsideIdentity1
Anticipation as Platform Power: The Temporal Structuring of Digital Everyday Life1
The Angelus: Devotional Television, Changing Times1
Bilingualism and the Televisual Architecture of Linguistic (dis-) Encounters in the Israeli Television Show Arab Labor1
“It’s [Not] Like a Racist Thing”: Producing Controversial Racial Representations in Postapartheid South Africa1
The Magical Work of Brand Futurity: The Mythmaking of Disney+1
“The American Outlaws Are Our People”: Fox Sports and the Branded Ambivalence of an American Soccer Fan at the 2019 FIFA Women’s World Cup1
Understanding Online Safety Through Metaphors: UK Policymakers and Industry Discourses About the Internet1
“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services1
Search Engines and Free Speech: A Historical Analysis of Editorial Analogies and the Position of Media Companies and Users in US Free Speech Discourse1
Sporting Community: Activism and Responsibility in Turbulent Times1
When Brands Become Stans: Netflix, Originals, and Enacting a Fannish Persona on Instagram1
Technological Developments and Transitions in Israel’s Preschool Television Industry1
What Roseanne Barr Meant to Media Studies1
Online Patriarchal Bargains and Social Support: Struggles and Strategies of Unwed Single Mothers in China1
Political Posters Reveal a Tension in WhatsApp Platform Design: An Analysis of Digital Images From India’s 2019 Elections1
The Fourth Wall and “The Wall”: GoT’s Reception in Argentina, Spain, and Germany1
Netflix & Big Data: The Strategic Ambivalence of an Entertainment Company1
The Great Australian TV Delay: Disruption, Online Piracy and Netflix1
Cultural Diversity in Canadian Television: The Case of CBC’s Kim’s Convenience1
The Illusion of Control: History and Criticism of Interactive Television1
Telling Stories About Farming: Mediated Authenticity and New Zealand’s Country Calendar1
What’s New?1
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