Television & New Media

Article	Citations
Digital Domestic (Im)material Labor: Managing Waste and Self While Producing Closet Decluttering Videos	31
Streaming Feminism: Women-centered Net Dramas, Global Television Culture, and Feminist Textual Possibilities	23
Institutional Polymorphism: Diversification of Content and Monetization Strategies on YouTube	20
“Cute Goddess is Actually an Aunty”: The Evasive Middle-Aged Woman Streamer and Normative Performances of Femininity in Video Game Streaming	20
Bilingualism and the Televisual Architecture of Linguistic (dis-) Encounters in the Israeli Television Show Arab Labor	17
Automated Parasociality: From Personalization to Personification	15
The Kardashians, Live! Fabricating Liveness in the Sex-Tape-Derived Reality Series	15
Picturing Diversity: Netflix’s Inclusion Strategy and the Netflix Recommender Algorithm (NRA)	14
“‘We Hope They Forget COVID Exists’: Pandemic Dissonance in HGTV’s Evergreen Escapism”	14
First-Run Syndication and Unwired Networks in the 1980s: Viacom’s Superboy and Buena Vista TV’s DuckTales	13
Introduction to the special issue: The Platformization of Cancel Culture	11
Distributing Whiteness: Please Like Me and Global Television Circulation	10
“Every Time I Move My Arm, it Costs the Cartoon Network 42 Bucks”: Remixing Limited Animation in Space Ghost: Coast to Coast	10
“When That Memory Fills Me With Horror and Dread, I Do the Cringe”: Retrospective Temporality in Crazy Ex-Girlfriend and PEN15	9
How Do Black Lives Matter to Hollywood? Marketing Black Trauma and Joy on Streaming Platforms	9
Book Review: Chinese Creator Economies: Labor and Bilateral Creative Workers, by Lin Jian	9
Building the Netflix Brand: Franchise Logic, Authorship, and Distinction in the Promotion of Stranger Things	8
Journalistification, Transnationalism and Critique in Swedish Television’s Cultural Magazine Kobra (2001−2017)	8
The Ethical Cringe, or the Dated Film as Revelatory Genre	7
The Fourth Wall and “The Wall”: GoT’s Reception in Argentina, Spain, and Germany	7
Journalistic Practices in Difficult Times: The Cases of Fictional Television Series Borgen and El Caso in Denmark and Spain	7
“The American Outlaws Are Our People”: Fox Sports and the Branded Ambivalence of an American Soccer Fan at the 2019 FIFA Women’s World Cup	7
Streaming Queer Content: LGBTQ Media on BVOD and SVOD Services in Australia	7
Comparing Populist Media: From Fox News to the Young Turks, From Cable to YouTube, From Right to Left	7
Book Review: Pain Generation, Social Media Feminist Activism, and the Neoliberal Selfie, by L. Ayu Saraswati	6

Political Posters Reveal a Tension in WhatsApp Platform Design: An Analysis of Digital Images From India’s 2019 Elections	6
Data Trafficking and the International Risks of Surveillance Capitalism: The Case of Grindr and China	6
The Masks We Wear: Watchmen, Infrastructural Racism, and Anonymity	6
Optimizing Looking and Buying on Instagram: Tracing the Platformization of Advertising and Retail on Mobile Social Media	6
Cancel Culture and Trigger-Ready Fragmented Interest Groups: The Case of Depp Versus Amber Heard	6
Your Home Made Perfect	5
Global Media Streams: Netflix and the Changing Ecosystem of Anime Production	5
“How to Save a Life”: OnGrey’s Anatomyand the Logics of Televisual Alleviation in a Time of Crisis	5
Making a “Hate-Watch”: Netflix’s Indian Matchmaking and the Stickiness of “Cringe Binge TV”	5
“Love You, Bro”: Performing Homosocial Intimacies on Twitch	5
When Mainstream and Alternative Media Integrate: A Polysystem Approach to Media System Interactions	5
Book Review: Narcomedia by Jason Ruiz	5
The Great Australian TV Delay: Disruption, Online Piracy and Netflix	4
Book Review: TV Snapshots: An Archive of Everyday Life , by Lynn Spigel TV Snapshots: An Archive of Everyday Life, by SpigelLynn. Durham: Duke University Press, 2022, pp	4
The L Word ’s Afterlives: Queer Media Convergence and the Logics of Diversitainment	4
Conceptualizing the Experiential Affordances of Watching Online TV	3
Exploring the Virtual Culture of Reality Television Communities: Lessons From #Date My Family	3
Book Review: Media and the Affective Life of Slavery, by Allison Page	3
Crash Landing on the Philippines: Transnational Korean Drama and Internet Infrastructural Desires	3
Anticipation as Platform Power: The Temporal Structuring of Digital Everyday Life	3
Television Production of Yesteryears, Today and in the Future: Impact of Reduced Collaboration in TV News Production on Job Satisfaction in Nigeria	3
“Let’s Go Make Some Videos!”: Post-Feminist Digital Media on Tween-Coms	3
Spanish-Language Television and Diaspora in Detroit and Los Angeles: Toward Latinx Media Enfranchisement	3
Introduction to the special issue: Genres of Rape and Putting Rape Into Genre: Sexual Violence and TV After #MeToo	3
Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States	2
Nationalization of Spatiotemporal Artifacts: National Chronotope, Authenticity, and Local Colors in Danish TV Dramas	2
Memes, National Identity and National Belonging: Visual “Nation-Talk” on Indian Social Media Pages	2
Introduction to the Special Issue: Pandemic TV, Then and Now	2
Book Review: Talking Back to the West: How Turkey Uses Counter-Hegemony to Reshape the Global Communication Order , by Bilge Yesil Talking Back to the West: How Turkey U	2
Parenting a New Moral Panic: Anti-Queer Digital Activism and Reactionary Media Ecologies	2
A Labor of (Queer) Love: Maintaining “Cozy Wholesomeness” on Twitch During COVID-19 and Beyond	2
Review Essay: Feminist Television Studies of Complex and Disruptive Women	2
Post-Procedural Form and Rape Ambiance: Policing Sexual Violence in Mare of Easttown	2
Between Escapism and Social Engagement: Ted Lasso and the Privileges of Comfort Viewing in 2020	2
Understanding Genre as Atmospheric Assemblage: The Case of Videogames	2
Gender Essentialism in Chinese Reality TV: A Case Study of You Are So Beautiful	1
Book Review: Not My Type: Automating Sexual Racism in Online Dating, by Williams	1
Stuck in a cul de sac of care: Therapy Assistance Online and the platformization of mental health services for college students	1
“Worlds. . .[of] Contingent Possibilities”: Genderqueer and Trans Adolescents Reading Fan Fiction	1
Book Review: The Authenticity Industries: Keeping It “Real” in Media, Culture, and Politics	1
“How Can You Be a Feminist if You’re Always Online?” Online Activisms, Ambivalence, and Dis/Connection	1
Boxed In: Pandemic TV as Intersectional Renegotiation of Feminist Attitudes Toward the Home	1
The Refractive Comic: Nanette and Comedy From Inside Identity	1
Book Review: Translation Studies on Chinese Films and TV Shows, by Feng Yue	1
Neo-Cult and the Altered Audience: Reviving Cult TV for the Post-TV Age	1
Independent Sports Television in the Networked Era	1
“‘Trust the Process’: Reality TV, Cable News, and the Politics of Reassurance”	1
Disability Dates as Microgenre: 1990s Sitcoms and Backlash to the Americans with Disabilities Act	1
Book Review: Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Activists, by Wazhmah Osman	1
“Hip Hop and the Televisual Global South: Atlanta and Sintonia”	1

Dewesternizing Precarity in Turkish TV Drama Production through the Body and the Law	1
“Block (封杀)!”: State-Netizen Constructions of Cancel Culture in China	1
Just on the Right Side of Wrong: (De)Legitimizing Feminism in Video Game Live Streaming	1
Book Review: Producing Feminism: Television Work in the Age of Women’s Liberation, by Jennifer S. Clark	1
Always-On: The Gendered Economies of Filipina Migrant Care Work and Social Media Platforms	1
Galinha Pintadinha Runs the World: A Made-for-Children Brazilian Cartoon in the Global Flow of Television Content	1
Francesco Spampinato, Art vs. TV: A Brief History of Contemporary Artists’ Responses to Television (Bloomsbury Publishing, New York-London-Dublin, 2022, pp. 352)	1
How Not to Be Seen: Notes on the Gendered Intimacy of Livestreaming the Covid-19 Pandemic	1
The Theme Park as Simulation of American Rape Culture: #MeToo and the Problem of Justice in HBO’s Westworld	1
A View from the Top (Dog): Intersections of Incarceration, Motherhood, and Trauma on Foxtel’s Wentworth	0
The Politics of Female Anger in Older Age: The Good Fight, Older Femininity and Political Change	0
“Domestic Feminism”: The Politics of Reproduction and Motherhood in Hulu’s The Handmaid’s Tale	0
Person of Interest as Media Technology of Surveillance: A Cautionary Tale for the Future of the National Security State With Diegetic Big Data Surveillance, Algorithmic Security, and Artificial	0
Book Review: Border Tunnels: A Media Theory of the U.S. Mexico Underground, by Juan Llamas-Rodriguez	0
Reaction Media: Archeology of an Intermedium	0
Book Review: Trolling Ourselves to Death: Democracy in the Age of Social Media, by Jason Hannan	0
Branding Kidfluencers: Regulating Content and Advertising on YouTube	0
“My Life, on Zoom TV”	0
Economies of Difference and Identity-based Content on a Digital Platform: The Case Study of “Emily in Korea” on TikTok	0
Creative Genre Matters: Trendy Drama and the Rise of the East Asian Global Media Market	0
“Alex, DO NOT BACKPEDAL ON SANDY HOOK!”: Reactionary Fandom, Cancel Culture, and the Possibility of ‘Audience Capture’ on YouTube	0
Book Review: Easy Living: The Rise of the Home Office, by Elizabeth A. Patton	0
“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services	0
What’s So Great About GTO ?: Evolving Discourses of Japanese Masculinity in Great Teacher Onizuka	0
The Idea of Genre in the Algorithmic Cinema	0
De-/Re-Whitening Russianness: A Liminal Space of White Privileges Represented in Non-Summit	0
History, Horror, and Peak TV: Experimental History Series	0
Music Video, Remediation, and Generic Recombination	0
Invisible Roots: Re-examining Soap Opera’s Influence on the Narrative Complexity of Contemporary Television Drama	0
Dual Exploitation and the Long Tail Effect: The Affective Labor of Chinese Real Person Slash Fan Production	0
Digital Intimacy in Real Time: Live Streaming Gender and Sexuality	0
Electronics and Expertise: Constructing the Smart TV on the Retail Sales Floor	0
“Never Battle Alone”: Egirls and the Gender(ed) War on Video Game Live Streaming as “Real” Work	0
“Genre as Feminist Platform: Diagnosis, Anger, and Serial T.V.”	0
The Contemporary Afterlives of Serial Drama: Considering New Audience Readings of “Old” Television	0
Book Review: Art vs. TV, A Brief History of Contemporary Artists’ Response to Television, by Francesco Spampinato	0
BSkyB and the 1991 World Student Games: The Transformation of Live Sports Television Acquisition and Coverage in the UK in the Early 1990s	0
The Datafication of Intimacy: Mobile Dating Apps, Dependency, and Everyday Life	0
Getting NIL for Unpaid Labor: Self-Branding U.S. “Student-Athletes” in the Influencer Marketplace	0
Televisual Drag: Reimagining South Asian Film and Media Studies	0
Emplacement and Emplotment: Media Production in Pandemic Times	0
Book Review: Sports TV	0
Book Review: Social Media in the Lives of Young Connected Migrants by Xinyu Zhao	0
Book Review: Push the Button: Interactive Television and Collaborative Journalism in Japan , by Elizabeth Rodwell Push the Button: Interactive Television and Collaborati	0
“#Bughead Is Endgame”: Civic Meaning-Making in Riverdale Anti-Fandom and Shipping Practices on Tumblr	0
Netflix in Mexico: An Example of the Tech Giant’s Transnational Business Strategies	0
The Fantasy of Do What You Love and Ludic Authoritarianism in the Videogame Industry	0
The Ambivalence of Mother Love: Navigating Maternal Subjects Through the TV Drama A Love for Dilemma	0
Netflix and the Transnationalisation of Teen Television	0
Cultural Diversity in Canadian Television: The Case of CBC’s Kim’s Convenience	0
Why Do We Only Get Anime Girl Avatars? Collective White Heteronormative Avatar Design in Live Streams	0
Introduction to the special issue Genre After Media	0
Review: Televising Chineseness: Gender, Nation, and Subjectivity, by Geng Song	0
Dealing With Dissonance: The Appropriation of Temptation Island as a Dissonant Practice Within Media Repertoires	0
Book Review: Transmitted Wounds: Media and the Mediation of Trauma, by Amit Pinchevski	0
Immigrants on Chinese Television and Limitations of China’s Globalist Discourse	0
Desiring Wanghuang: Live Streaming, Porn Consumption and Acts of Citizenship among Gay Men in Digital China	0
Book Review: Performing Fear in Television Production: Practices of an Illiberal Democracy, by Siao Yuong Fong	0
Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure	0
“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services	0
Emerging Queer Sister Studies: The Transmedia Futurity of Adult Lesbianism From the “Sister-Kid Literature” to the “Older Sister”-Centered TV in Post-2010 China	0
Living the American Dream? Satirizing Neoliberal Capitalism in Killing It and Severance	0
Ideology as/of Platform Affordance and Black Feminist Conceptualizations of “Canceling”: Reading Twitter	0
Film Heritage on Demand? Curation and Discoverability of “Classic Movies” on Netflix	0
Streaming K-dramas and C-dramas: The Different Paths of Korean and Chinese Online Television Distribution Overseas	0
“Regression/Progression: Two Cases of COVID Television”	0
Book Review: Comedy Book: How Comedy Conquered Culture—And the Magic that Makes it Work, by Jesse David Fox	0
“Wrap You Up in My Blue Hair”: Vocaloid, Hyperpop, and Identity in “Ashnikko Feat. Hatsune Miku – Daisy 2.0”	0
When Brands Become Stans: Netflix, Originals, and Enacting a Fannish Persona on Instagram	0
From Apollo to the ISS: The Televisual Image in Human Spaceflight	0
Foreign Ownership of Production Companies as a New Mechanism of Internationalizating Television: The Case of Australian Scripted Television	0
Curating a Scopic Contact Zone: Short Video, Rural Performativity, and the Mediatization of Socio-Spatial Order in China	0
The Lure of Cultural Authenticity: Netflix and Speculative Koreanness in the Global Media Market	0
The Production of Locality During the Pandemic: Feel the Rhythm of Korea and “Dynamite”	0
“Post-Pandemic Political Television and the End of One Day at a Time”	0
Contesting Captions: Netflix, Fan Campaigns, and the Labor of Access	0
Book Review: Uncomfortable Television, by Hunter Hargraves	0
“Speak For Yourself”: Fox Sports 1, Reframing Sporting Conservatism, and “Sticking to Sports” in the Age of Trump	0
The Public Service Approach to Recommender Systems: Filtering to Cultivate	0
Book Review: Latino TV: A History, by Mary Beltrán	0

Unplayable: Why Video Games Can’t and Won’t Be Played	0
Rethinking Docudrama and its Origins From Radio and Film to Streaming Media	0
Book Review: #HashtagActivism: Networks of Race and Gender Justice, by Sarah J. Jackson, Moya Bailey, and Brooke Foucault Welles	0
Where are the Women? Gendered Indian Digital Production Cultures Post #metoo	0
Make Room for VR: Constructing Domestic Space and Accessibility in Virtual Reality Headset Tutorials	0
Book Review: Slow TV: An Analysis of Minute-by-Minute Television in Norway, by Puijk Roel	0
Whiteness Makes the Laughs Possible: A Sitcom’s Representations of Sexual Violence	0
Genre in Transnational Television: A Case of Netflix Originals Korean Dramas	0
A Different Kind of Transgender Celebrity: From Entertainment Narrative to the “Wrong Body” Discourse in Japanese Media Culture	0
Contingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industry	0
Commodifying Diversity in the Marketing of a Digital Hearing Start-Up	0
Book Review: The Podcaster’s Dilemma: Decolonizing Podcasters in the Era of Surveillance Capitalism, by Nicholas L. Baham III & Nolan Higdon	0
“Business Inquiries are Welcome”: Sex Influencers and the Platformization of Non-normative Media on Twitter	0
The Magical Work of Brand Futurity: The Mythmaking of Disney+	0
Online Performance of Civic Participation: What Bot-like Activity in the Persian Language Twittersphere Reveals About Political Manipulation Mechanisms	0
The Netflix Paradox in the Middle East: Diversity, Inclusivity, and Authenticity?	0
Gender and Genre in Hannah Gadsby’s Nanette	0
“‘As In Life, So in Drama’: COVID, the NHS and the ‘Very Special’ Return of Casualty”	0
“Action on the Game”: Sports Gambling as Fan Identity and Transactional Participation	0
The Routinization of Media Events: Televised Sports in the Era of Mega-TV	0
The Millennial Medium: The Interpretive Community of Early Podcast Professionals	0
Data Ableism: Ability Expectations and Marginalization in Automated Societies	0
Calling out Feminists: Antifeminist Hijacking of Cancel Culture in South Korea	0
Temporal Dispersions of Disgust: Or, Reconceiving Genre Through Direct-to-Video Horror	0
The Place of Convergent Audiences in the Small Industry Market	0
From After School Specials to After School Threesomes: Industrial Shifts in the Depiction of Sex on Teen TV and its Formation of the Sex Positive Teen Girl	0
“Inter-Inner-Personal Archives: Pandemic-Induced Introspection and Television Studies (A Dialogue)”	0
Digitality and Debordered Spaces in the Era of Streaming: A Global South Perspective	0
Seeking Deep Relations in a Precarious Industry: Addressing Mental Health through Independent Videogame Development	0
“I Love My Kids, This Abortion is not Because I Don’t”: The Meanings of Motherhood and Abortion on U.S. Television, 2013—2023	0
Book Review: Food Instagram: Identity, Influence & Negotiation	0
The Try Guys: Making Their Brand Through Direct Address and Cancellation With Feelings	0
There’s Certainly a Lot of History Here, But We’re Here to Roast Oysters: Afterlives of Trans-Atlantic Exchange in Top Chef: Charleston	0
From Brand to Genre: The Hallmark Movie	0
The “Unsing Heroes” of the “Infocalypse”: Company Representations of Commercial Content Moderators	0
Platformization as a Structural Dimension for Public Service Media in Germany: The funk Content Network and the New Interstate Media Treaty	0
Audiovisual Self-Confrontation: Psychiatric and Psychotherapeutic Uses of Television and Video in (West) Germany 1970s–1990s	0
Politics As Fun: Countering Indian Digital Nationalism With Viral Videos	0
On Digital Reproductive Labor and the “Mother Commodity”	0
“Insensitivity Training”	0
Era of the Individual Viewer? Taste, Value, and Creative Media Work in India’s Streaming Industries	0
Book Review: The Delight of Turkish Dizi: Memory, Genre and Politics of Television in Turkey, by Arzu Öztürkmen	0
“I’m Neither a Slut, Nor Am I Gonna Be Shamed”: Sexual Violence, Feminist Anger, and Teen TV’s New Heroine	0
Why Can’t We Believe in That? Partisan Political Entertainment in the Mexican YouTube Sphere	0
Search Engines and Free Speech: A Historical Analysis of Editorial Analogies and the Position of Media Companies and Users in US Free Speech Discourse	0
Can Rick and Morty Save the Planet? Re-Politicizing Climate Change Through Humor and Animation	0
Understanding Online Safety Through Metaphors: UK Policymakers and Industry Discourses About the Internet	0
Book Review: Pandemics in the Age of Social Media: Information and Misinformation in Developing Nations, Vikas Kumar and Mohit Rewari	0
Psychic TV: The Paranormal as Popular Culture in Japanese Television of the 1990s	0
Forming the Self: Self-Representation and Reality TV Form	0
“Anything That Can Be Traded, Will Be Traded”: The Contests to Automate and Financialize Advertising Futures Markets	0
A Commemoration of Memory: HBO’s “Band of Brothers Podcast,” Authenticity, and Fan-Based Intimate Publics	0
Liminality, Niche Television Programming, and the Adventure Drama Series	0
Tencent’s Road to a Gaming Giant: Chinese Video Game Companies’ Development Trajectory in the Reconfiguration of Transnational Capitalism	0
Reclaiming the People: Counter-Populist Algorithmic Activism on Israeli Facebook	0
Managing compassion: The affective dynamics of rural representation in the Chinese reality TV show X-Change	0
The Technological Carnivalesque in Niantic’s Pokémon Go	0
Beauty From the Waist Up: Twitch Drag, Digital Labor, and Queer Mediated Liveness	0
Book Review: Machine Vision: How Algorithms are Changing the Way We See the World, by Jill Walker Rettberg	0
Netflix & Big Data: The Strategic Ambivalence of an Entertainment Company	0
Television and the “Honest” Woman: Mediating the Labor of Believability	0
Book Review: New Media in the Margins: Lived Realities and Experiences From the Malaysian Peripheries by Benjamin YH Loh and James Chin	0
Rip It Up and Start Again: Creative Labor and the Industrialization of Remix	0
Humor, Ridicule, and the Far Right: Mainstreaming Exclusion Through Online Animation	0
Historical Drama in the Time of Global Streaming Platforms: Envisioning Transition in Mr. Sunshine	0