Television & New Media

Papers
(The TQCC of Television & New Media is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Bilingualism and the Televisual Architecture of Linguistic (dis-) Encounters in the Israeli Television Show Arab Labor37
Data Trafficking and the International Risks of Surveillance Capitalism: The Case of Grindr and China23
Book Review: Pain Generation, Social Media Feminist Activism, and the Neoliberal Selfie, by L. Ayu Saraswati19
The Kardashians, Live! Fabricating Liveness in the Sex-Tape-Derived Reality Series18
Your Home Made Perfect16
Introduction to the Special Issue: Pandemic TV, Then and Now15
“Love You, Bro”: Performing Homosocial Intimacies on Twitch15
Post-Procedural Form and Rape Ambiance: Policing Sexual Violence in Mare of Easttown14
Book Review: The Authenticity Industries: Keeping It “Real” in Media, Culture, and Politics13
Just on the Right Side of Wrong: (De)Legitimizing Feminism in Video Game Live Streaming12
Book Review: Translation Studies on Chinese Films and TV Shows , by Feng Yue Translation Studies on Chinese Films and TV Shows, edited by YueFeng, Singapore, SG, Springe12
Gender Essentialism in Chinese Reality TV: A Case Study of You Are So Beautiful11
The Theme Park as Simulation of American Rape Culture: #MeToo and the Problem of Justice in HBO’s Westworld9
The Millennial Medium: The Interpretive Community of Early Podcast Professionals9
Make Room for VR: Constructing Domestic Space and Accessibility in Virtual Reality Headset Tutorials9
The Haunted Broadcast: Using Static to Understand Broadcast’s History and Present9
Calling out Feminists: Antifeminist Hijacking of Cancel Culture in South Korea9
The Contemporary Afterlives of Serial Drama: Considering New Audience Readings of “Old” Television9
Music Video, Remediation, and Generic Recombination8
Politics As Fun: Countering Indian Digital Nationalism With Viral Videos7
“Post-Pandemic Political Television and the End of One Day at a Time”7
Era of the Individual Viewer? Taste, Value, and Creative Media Work in India’s Streaming Industries7
The Netflix Paradox in the Middle East: Diversity, Inclusivity, and Authenticity?6
Online Performance of Civic Participation: What Bot-like Activity in the Persian Language Twittersphere Reveals About Political Manipulation Mechanisms6
The Technological Carnivalesque in Niantic’s Pokémon Go6
Why Do We Only Get Anime Girl Avatars? Collective White Heteronormative Avatar Design in Live Streams6
Invisible Roots: Re-examining Soap Opera’s Influence on the Narrative Complexity of Contemporary Television Drama6
Living the American Dream? Satirizing Neoliberal Capitalism in Killing It and Severance6
Emplacement and Emplotment: Media Production in Pandemic Times6
“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services6
Genre in Transnational Television: A Case of Netflix Originals Korean Dramas6
The Politics of Female Anger in Older Age: The Good Fight, Older Femininity and Political Change5
The Lure of Cultural Authenticity: Netflix and Speculative Koreanness in the Global Media Market5
Ideology as/of Platform Affordance and Black Feminist Conceptualizations of “Canceling”: Reading Twitter5
Immigrants on Chinese Television and Limitations of China’s Globalist Discourse5
De-/Re-Whitening Russianness: A Liminal Space of White Privileges Represented in Non-Summit5
Digital Domestic (Im)material Labor: Managing Waste and Self While Producing Closet Decluttering Videos4
Journalistic Practices in Difficult Times: The Cases of Fictional Television Series Borgen and El Caso in Denmark and Spain4
First-Run Syndication and Unwired Networks in the 1980s: Viacom’s Superboy and Buena Vista TV’s DuckTales4
Book Review: TV Snapshots: An Archive of Everyday Life , by Lynn Spigel TV Snapshots: An Archive of Everyday Life, by SpigelLynn. Durham: Duke University Press, 2022, pp3
Galinha Pintadinha Runs the World: A Made-for-Children Brazilian Cartoon in the Global Flow of Television Content3
Review Essay: Feminist Television Studies of Complex and Disruptive Women3
The L Word ’s Afterlives: Queer Media Convergence and the Logics of Diversitainment3
Always-On: The Gendered Economies of Filipina Migrant Care Work and Social Media Platforms3
Book Review: Pandemics in the Age of Social Media: Information and Misinformation in Developing Nations, Vikas Kumar and Mohit Rewari3
Introduction to the special issue Genre After Media2
When Brands Become Stans: Netflix, Originals, and Enacting a Fannish Persona on Instagram2
Book Review: Art vs. TV, A Brief History of Contemporary Artists’ Response to Television, by Francesco Spampinato2
(De-)Stigmatizing Teen Moms: Contentious Teenage Parents and Policy Shift Reflecting After Neoliberalism in South Korea2
Book Review: Food Instagram: Identity, Influence & Negotiation2
Film Heritage on Demand? Curation and Discoverability of “Classic Movies” on Netflix2
Netflix and the Transnationalisation of Teen Television2
Creative Genre Matters: Trendy Drama and the Rise of the East Asian Global Media Market2
“Insensitivity Training”2
Review: Televising Chineseness: Gender, Nation, and Subjectivity, by Geng Song2
The “Unsing Heroes” of the “Infocalypse”: Company Representations of Commercial Content Moderators2
Audiovisual Self-Confrontation: Psychiatric and Psychotherapeutic Uses of Television and Video in (West) Germany 1970s–1990s2
Contingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industry2
Unplayable: Why Video Games Can’t and Won’t Be Played2
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