OOIR: Observatory of International Research

Papers

(The TQCC of Victorian Poetry is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
Excelsior! Inspirational Verse, the Victorian Working-Class Poet, and the Case of Longfellow	1
Fact, Rhythm, and Resistance in The Ring and the Book	0
Swinburne	0
Contributors	0
D. G. Rossetti and William Morris	0
Becoming a Name	0
Understanding Media with L.E.L.: Women Poets, New Media, and the Petrarchan Gaze	0
Victorian Poetry Index: Volume 59, 2021	0
Socializing Maud: Tennyson's Recitations	0
Christina Rossetti’s Questions: Riddles, Catechisms, and Mystery	0
Keble Quoting: Citations, Invention, and Poetry	0
Poetry and the Visual Dynamics of Race in the West Indian Readers	0
Tennyson's Lancet Touches: The Rape of the Lock and The Princess	0
Robert Browning	0
Algernon Charles Swinburne	0
Lyric Moments and the Historicity of the Verse Novel: Amours de Voyage	0
Dissonant Poetics in George Eliot's "A College Breakfast Party"	0
"Faithful...In My Fashion[ing]": Shades of Association in Ernest Dowson's Poetry	0
Hopkins’s “Ribblesdale”: Sifts and Riddles	0
The Victorian Salon and Pre-Raphaelite Melopoetics	0
Elizabeth Barrett Browning	0
Victorian Women Poets	0
Christ Among the Decadents: Re-encountering Religion in Edwin Arnold’s The Light of the World	0
Tennyson	0
Gerard Manley Hopkins	0

Wise Women and Strange Men: The Book of Proverbs in “Goblin Market”	0
"The passion-flower at the gate": Tennyson's Poetry in the "Annals" of Julia Margaret Cameron	0
Assume the Globe: Tennyson's Jubilee Ode and the Institutions of Imperialism	0
Seeing Inversnaid: Gerard Manley Hopkins, "Inversnaid," and the Ecological Eye	0
Miscellany as Method: A Trio of Approaches to "The Runaway Slave at Pilgrim's Point" and the 1848 Liberty Bell Gift Book	0
Introduction: A Discursive Duet	0
"I Sappho": A Case for Character in the Early Writings of Algernon Swinburne	0
Victorian Women Poets	0
Elizabeth Barrett Browning	0
Ghostly Selves in Augusta Webster’s Poetry	0
Afterword: Victorian Salons and Forms of Poetic Sociability	0
Contributors	0
Unique Forms of Ekphrasis: The Keepsake and the Illustrative Poetry of the Literary Annuals	0
Victorian Women Poets	0
Locomotive Breath: The Living Machines and Railway Dreams of Alexander Anderson's Working-Class Verse	0
Contributors	0
General Materials	0
Christina Rossetti's Sing-Song: Three Illustrators, Three Readings of Image and Text	0
Thomas Hardy	0
King Poppy : An Association Copy: An Addendum to McCormack	0
Named Places in Lear's Limericks	0
Tennyson's Phantom Ballads	0
Robert Browning	0
Love in a Time of Extinction: Poetic Category and Temporal Impasse in Robert Browning’s “Love Among the Ruins”	0
Walking Sideways into Paradise: Desire and Degeneration in Lord Alfred Douglas's Animal Nonsense	0
Form Unformed: Elizabeth Siddall's Poetics of Decreation	0
Swinburne	0
Contributors	0
Contributors	0
Verse Arabesque	0
Contributors	0
Thomas Hardy	0
Gerard Manley Hopkins in Dialogue with Felicia Hemans	0
General Materials	0
Poetry at the Priory: George Eliot and "Benevolent" Imperialism	0
Introduction: Poetry and the Victorian Visual Imagination	0
Contributors	0
"A larger vision": William Blake, Phoebe Anna Traquair, and the Visual Imagination in EBB's Sonnets from the Portuguese	0
Hopkins and Hardy: Shipwreck, Knowing, and Not Knowing	0
Lyric Duration: Waiting in the Poetry of Thomas Hardy	0
Writing for Relief: Poetry, Labor, and the Lancashire Cotton Famine (1861–1865)	0
"I trust that I am a Liberal": The Politics and Poetics of Elizabeth Barrett Browning's Early Antislavery Verse	0
Tennyson	0
Gerard Manley Hopkins	0
Pre-Raphaelitism, D. G. Rossetti, and the Morris Circle	0
Elizabeth Barrett Browning	0
Contributors	0
Danger Lurks in the Darkness: The Ruskin/Burne-Jones Medieval Poetry Salon for Girls	0
Tennyson	0
Haunting Voices: Thomas Hardy's Boer War Poetry	0

Contributors	0
Introduction: Tennyson and the Allegory of Art	0
The "diaphanous veil" of Edward Lear's Tennyson Songs	0
“The child’s sob in the silence curses deeper”: Language of Voice and Dialogue of Reform in Elizabeth Barrett Browning’s “The Cry of the Children”	0
Placing Tennyson, Tennyson's Place: Memory, Elegy, and Geography in "Frater Ave atque Vale"	0
"The Mournful Echo": Intimacy in American Recitations and Periodical Reprinting of "Mother and Poet," 1861–1879	0
Project Muse: Ernest Dowson and "the Right Type of Girl"	0
Queer Poetry and Darwin at the fin de siècle: Mathilde Blind, Constance Naden, and Laurence Hope	0
Contributors	0
Gerard Manley Hopkins	0
Dante Rossetti, Pre-Raphaelitism, and the Morris Circle	0
On Peacocks: Feathered Re-encounters in the 1890s	0
Contributors	0
Victorian Poetry Index: Volume 60, 2022	0
Hopkins Unselved	0
Disabled Visions: Eugene Lee-Hamilton, Physical Disability, and Poetic Identity in the Later Victorian Imagination	0
The Charm of Tennyson	0
Robert Browning	0
General Materials	0
Going Back and Going On: The Uses of Re-encounter	0
"Thunders of White Silence": Racialized Ways of Seeing and "Hiram Powers' Greek Slave"	0
Tennyson and the Gleam	0
“Clutch[ing] Gold”: Wives, Mothers, and Property Law in The Ring and the Book	0
“Having dared to touch with bloody hands the verses”: Elizabeth Barrett Browning’s Embodied Approach to the Homeric Corpus	0