Journal of the Audio Engineering Society

Papers
(The TQCC of Journal of the Audio Engineering Society is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Expanding the Frontiers of Web Audio With Autoencoders and JavaScript39
Aluminum-Based Push-Pull Electrostatic MEMS Transducer for Earphones22
New Analytical Results for Löfgren C Tonearm Alignment19
Intelligent Control Method for the Dynamic Range Compressor: A User Study17
Comparison of Full Factorial and Optimal Experimental Design for Perceptual Evaluation of Audiovisual Quality16
Evaluating Localization Accuracy of Dynamic Binaural Synthesis: Differences Between Individual, Estimated, and Generic HRTFs16
Predicting Perceptual Transparency of Head-Worn Devices16
Identification of Discriminative Acoustic Dimensions in Stereo, Surround and 3D Music Reproduction15
Voltage-Controlled Amplifier Designs for a Field-Programmable Analog Array14
Real-Time Transient Reduction in Higher-Order Time-Varying Musical Filters11
Dual Task Monophonic Singing Transcription11
Spatial Sound, Part 1: Exploring the Impact of Listening Room on Perceptual Immersion10
Reluctance Force Modeling and Compensation9
Evaluation of Active Occlusion Effect Cancellation in Earphones by Subjective, Real-Ear and Coupler Measurements9
Disembodied Timbres: A Study on Semantically Prompted FM Synthesis9
Blackmer’s VCA Cell Implemented Using Subthreshold MOSFETs8
DDSP-Piano: A Neural Sound Synthesizer Informed by Instrument Knowledge8
Multi-Layered Architecture for Efficient and Accurate HRTF Rendering7
Synthetic Transaural Audio Rendering (STAR): A Perceptive 3D Audio Spatialization Method7
Recordings of a Loudspeaker Orchestra With Multichannel Microphone Arrays for the Evaluation of Spatial Audio Methods7
The Ability to Memorize Acoustic Features in a Discrimination Task7
Diffusion-Based Denoising of Historical Recordings7
Practical Implementation of Automated Next Generation Audio Production for Live Sports6
Enhanced Fuzzy Decomposition of Sound Into Sines, Transients, and Noise6
Letting Pulsars Sing: Sonification With Granular Synthesis6
Issues and Challenges of Audio Technologies for the Musical Metaverse6
Influence of the Relative Height of a Dome-Shaped Diaphragm on the Directivity of a Spherical-Enclosure Loudspeaker6
Investigating individual, loudness-dependent equalization preferences in different driving sound conditions6
Automatic Quality Assessment of Digitized and Restored Sound Archives5
Flexible Temperature Sensor for Voice Coils5
Managing the Live-Sound Audio Engineer’s Most Essential Critical Listening Tool5
Method for Noise Reduction in Receiving FM Stereo Signals5
Perceptual Evaluation of Dynamic Sound Zones, Part 1: Audio Quality of Experience in a Simulated Home Environment5
Influence of Head Rotation Speed and Individual Head-Related Transfer Functions on Latency Detection Threshold in Dynamic Binaural Rendering5
Binaural Reproduction of Microphone Array Recordings With 2D Video in Mixed Reality4
A Pilot Study of an Acoustic Calibration and Psychoacoustic Validation of a Binaural-Rendered Neuroengineering Laboratory4
Vertical Direction Control Using Difference-Spectrum Filters in Stereophonic Loudspeaker Reproduction4
HRTF Clustering for Robust Training of a DNN for Sound Source Localization4
Characteristics of Personal Sound and Noise Exposure at Large-Scale Music Events4
Euterpe: A Web Framework for Interactive Music Systems4
Full Two-Port Vector-Corrected Network Analyzer in the Acoustic Domain3
Dual-Residual Transformer Network for Speech Recognition3
Spatial Sampling of Binaural Room Transfer Functions for Head-Tracked Personal Sound Zones3
A Perceptual Model of Spatial Quality for Automotive Audio Systems3
Disc and Ring Exciter Shape Effects on Flat-Panel Loudspeakers3
Effects of Head-Tracking Artefacts on Externalization and Localization in Azimuth With Binaural Wearable Devices3
Object-Based Six-Degrees-of-Freedom Rendering of Sound Scenes Captured with Multiple Ambisonic Receivers3
Spatial Matrix Synthesis3
3D Microphone Array Comparison: Objective Measurements3
On the Impact of Audio Characteristics to the Quality of Musicians’ Experience in Network Music Performance3
Ambisonics Room Impulse Response Estimation From a Single Omnidirectional Measurement Using Deep Neural Networks3
Comparison of Different Methods to Measure Acoustical Impedance of Horns3
Active Voice Amplifier: On-Device Noisy Environment-Aware Solution for Dialogue Enhancement in Real Time3
Real-time binaural room modelling for augmented reality applications3
Four-Directional Ambisonic Spatial Decomposition Method With Reduced Temporal Artifacts3
Electric Truck Sound Design: A User-Centered Psychoacoustic Approach to Acoustic Vehicle Alerting Systems3
JSPatcher, a Visual Programming Environment for Building High-Performance Web Audio Applications3
Machine Learning–Based Splicing Detection in Digital Audio Recordings for Audio Forensics3
Quantifying Loudspeakers’ Power Consumption3
Style Transfer of Audio Effects with Differentiable Signal Processing3
The SONICOM HRTF Dataset3
Giant FFTs for Sample-Rate Conversion2
Spatial Sound, Part 2: Exploring the Impact of Listening Room on Sound Character2
Grouped Feedback Delay Networks for Modeling of Coupled Spaces2
Head-Related Transfer Function Upsampling Using an Autoencoder-Based Generative Adversarial Network With Evaluation Framework2
Audio Signal Processing in the Artificial Intelligence Era: Challenges and Directions2
Cylindrical Radial Filter Design With Application to Local Wave Field Synthesis2
Sound Level Monitoring at Live Events, Part 1–Live Dynamic Range2
A High-Resolution Boundary Element Method Suitable Full Torso Mesh of KEMAR2
Audio’s Impact on Immersive Experience in Extended Reality and Digital Games: A Systematic Review2
A Multi-Angle, Multi-Distance Dataset of Microphone Impulse Responses2
Auralization of Measured Room Transitions in Virtual Reality2
Linear-Phase Octave Graphic Equalizer2
A Curvilinear Transfer Function for Wide Dynamic Range Compression with Expansion2
Six-Degrees-of-Freedom Parametric Spatial Audio Based on One Monaural Room Impulse Response2
Comparison of Non-Parametric Interpolation Techniques for Sparsely Measured Binaural Room Impulse Responses2
A Design Model for Systemic Sonification2
Toward an Improved Auditory Model for Predicting Binaural Coloration2
Resynthesis of Spatial Room Impulse Response Tails With Anisotropic Multi-Slope Decays2
Physical Modeling of a Spring Reverb Tank Incorporating Helix Angle, Damping, and Magnetic Bead Coupling2
Recent Advances in an Open Software for Numerical HRTF Calculation2
Spatial Audio and Parameter Mapping Experiments for the Auditory Display of Coral Bleaching Data2
Estimation and Restoration of Unknown Nonlinear Distortion Using Diffusion2
Multimodal Loudspeaker Based on a Dielectric Elastomer Roll Actuator2
Speech Intelligibility and Quality Evaluation of Automotive Microphones Using Different Test Metrics and Their Correlation2
A Virtual Reality Interface for the Creation of 3D Spatial Audio Trajectories2
A Comparative Study of Multichannel Microphone Arrays Used in Classical Music Recording2
Auralization of Finite-Element and Boundary Element Vibroacoustic Models With Wave Field Synthesis2
Schottky’s Law of Low-Frequency Reception for Modern Sensitivity Conventions2
Warped, Kautz, and Fixed-Pole Parallel Filters: A Review2
Automatic Generation of Virtual Analog Audio Plug-ins based on Wave Digital Filters2
Spatial Integration of Dynamic Auditory Feedback in Electric Vehicle Interior2
Copy-Move Audio Forgery Detection Using Dominant Resonance Frequencies and Dynamic Time Warping2
The Web Audio API as a Standardized Interface Beyond Web Browsers2
Neural Proxies for Sound Synthesizers: Learning Perceptually Informed Preset Representations2
Modeling the Effect of Eddy Currents on the Inductance of Loudspeaker Motors Using the Method of Lines2
Six-Degrees-of-Freedom Binaural Reproduction of Head-Worn Microphone Array Capture2
On the Lack of a Perceptually Motivated Evaluation Metric for Packet Loss Concealment in Networked Music Performances2
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