Journal of British Cinema and Television

Article	Citations
Living Film Histories: Researching at the Bill Douglas Cinema Museum	3
War and Peace: Play for Today’s Home Front Quintet	2
Doc Martin and Comedy, with an Hegelian Twist	2
Jamie Bennett and Victoria Knight, Prisoners on Prison Films	2
The Diverse Spaces of Play for Today	2
The Prudential Group Archive: Alexander Korda, London Film Productions and Denham Studios	2
Introduction: Play for Today at 50	2
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Front matter	2
Ewa Mazierska (ed.), Blackpool in Film and Popular Culture	1
The Demotic Impulse of the Kitchen-Sink Dramas	1
Back matter	1
Lisa Funnell and Christoph Lindner (eds), Resisting James Bond: Power and Privilege in the Daniel Craig Era	1
Repurposing the Archive: Unmade Films,Vampirellaand Adaptation	1
Richard Weight, Porridge: BFI TV Classics	1
Women Documentary Film-makers and the British Housing Movement, 1930–45	1
Adam Plummer, The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	1
Michael Balcon's Vision of a National Cinema: Propaganda, the Producer and the Market	1
Back matter	1
Paul Dave, Revolutionary Romanticism and Cinema: Country, Land, People	1
Front matter	1
Front matter	1
Writing the British New Wave: David Storey and This Sporting Life	1
Boredom: Mike Leigh’sMeantimeand Working-Class Youth in Thatcher’s Britain	1
Clive Chijioke Nwonka, Black Boys: The Social Aesthetics of British Urban Film	0

‘The same virile ability of Val Guest’: The Film Finances Archive and British Film-makers	0
The New Northern Ireland as a Crime Scene	0
‘Of course it is idealised’: Lindsay Anderson's Every Day Except Christmas	0
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Introduction	0
Play for Today and Northern Ireland in the 1970s	0
Introduction: Revisiting the British New Wave	0
Adam Locks and Adrian Smith, Norman J. Warren, Gentleman of Terror: An Oral History	0
Charles Drazin, Making Hollywood Happen: The Story of Film Finances	0
‘Praise these daring men’: ACT Films Ltd, 1950–1963	0
Geoffrey Macnab, The British Film Industry in 25 Careers: The Mavericks, Visionaries and Outsiders Who Shaped British Cinema	0
The Mistress of Bond: Eileen Sullivan, and the Role of Cutting the Cloth of James Bond's Wardrobe and Beyond	0
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Kevin McNally: Recreating Classic Sitcom Performances	0
‘How to pack a hall’: Civic Film Culture in Wartime Britain and MoI Mobile Film Shows for the Women's Institute	0
The Acting Class and the Myths of Meritocracy	0
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Colin Perry, Radical Mainstream: Independent Film, Video and Television in Britain 1974–90	0
‘New war, same old story’: Gender and War-related Trauma in ITV’s Home Fires	0
New Wave Women: Paying Attention to Brenda and Doreen in Saturday Night and Sunday Morning	0
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Curating the June Givanni Pan-African Cinema Archive: June Givanni in Conversation with Charlotte Brunsdon	0
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Ivan Phillips, Once Upon a Time Lord: The Myths and Stories of Doctor Who	0
Chris Grosvenor, Cinema on the Front Line: British Soldiers and Cinema in the First World War	0
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Stephen Glynn, The British Sitcom Spinoff Film	0
Front matter	0
‘If you don’t ask, you don’t get’: Placing Children at the Centre of Public Service and News Media	0
Llewella Chapman, Fashioning James Bond: Costume, Gender and Identity in the World of 007	0
‘Media for children, to be truly public service, should be about them, with them and to an extent by them’: A Conversation with Greg Childs	0
Television Drama and Northern Ireland: The First Plays 1959–67	0
Johnny Walker, Rewind, Replay: Britain and the Video Boom, 1978–92	0
‘In these postmodern days, I suppose I'm just an old relic of the Enlightenment, so Marx and Freud are very important to me’: Talking TV Drama with Tony Garnett	0
Ian Christie, Robert Paul and the Origins of British Cinema	0
Beyond the Pastoral Paradise: Orienting Black and Muslim People in British Rural Space	0
Front matter	0
Emily Caston, British Music Video, 1966–2016: Genre, Authenticity and Art	0
Yuval Gozansky (ed.), Histories of Children's Television Around the World	0
Charles Barr, British Cinema: A Very Short Introduction	0
The BFI, Cultural Diversity and its Faltering Response to Social and Epistemic Injustice	0
Sarah Godfrey, Masculinity in British Cinema, 1990–2010	0
Space Age Cinema: The Rise and Fall of Cinecenta	0
Barbara Broccoli and the Popular Image of the Bond Producer	0
Chris Pallant, Beyond Bagpuss: A History of Smallfilms Animation Studio	0
Jack Ellitt as Director: Documentary Films of the 1940s	0
Matthew Smith, The Child in British Cinema	0
Sheldon Hall, Armchair Cinema: A History of Feature Films on British Television, 1929–1981	0
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Angus MacPhail's Frozen Credits: Film Authorship and Collaboration in British Middlebrow and Celebrity Culture	0
Victoria Lowe, Adapting Performance Between Stage and Screen	0
Obituary: ‘The role and importance of institutions’: Tony Smith	0
Bryony Dixon, The Story of Victorian Film	0
Tim Snelson, William Macauley and David Allen Kirby, Demons of the Mind: Psychiatry and Cinema in the Long 1960s	0
Speaking with One Voice – The Future of UK Children's PSB Provision and Policy Making, Updated	0
‘Bridal Outfits from the Heart of Filmland’: Clothes Rationing, Wartime Film Production and Gainsborough Pictures’ Studio Hire Service	0
Ken Loach and the Comedians: The Politics of ‘Acting’	0
Framing the Non-human: American Honey as Eco-Road Movie	0
Equity, Diversity and Inclusion: Class Inequalities within the British Documentary Film Industry	0
Broadcasting the Life and Death of Victorian Cities: Urban Heritage in Ken Russell's Early BBC Shorts, 1959–61	0
‘The Billings verdict’:Kine Weeklyand the British Box Office, 1936–62	0
‘I am not particularly despondent yet’: The Political Tone of Jill Craigie's Equal Pay FilmTo Be a Woman	0
Scotch Missed: Play for Today and Scotland	0
Jamie Medhurst, The Early Years of Television and the BBC	0
Fight Like Girls: The Stuntwomen of Bond	0
‘A very unusual self’: Queering the Home in Saturday Night and Sunday Morning and A Taste of Honey	0
Back matter	0
Peter Hutchings, Hammer and Beyond: The British Horror Film	0
The Left Behind: Precarity, Place and Racial Identity in the Contemporary ‘Serious Drama’	0
Josephine Botting, Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags	0
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Back matter	0
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Music Hall, Revue and Modernity in Victor Saville'sEvergreen	0
David Anderson, Landscape and Subjectivity in the Work of Patrick Keiller, W.G. Sebald, and Iain Sinclair	0
Lindsey Decker, Transnationalism and Genre Hybridity in New British Horror Cinema	0
Introduction	0
Front matter	0
‘Once you are in number 9 you are stuck in this space’: Constraint, Creativity and Inside No. 9	0
James Leggott, In Fading Light: The Films of the Amber Collective	0
Sarah Hill, Young Women, Girls and Postfeminism in Contemporary British Film	0
Retraction Notice: ‘“The Desert and the Dream”: Film in Wales since 2000’	0
Out of Time: BBC Northern Ireland and the Paradoxes of Partition	0
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Jingan Young, Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948–1963	0
Matthew Melia, ed, ReFocus: The Films of Ken Russell	0
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Oliver Reed: ‘I’m Mr England!’	0
Laura Minor, Reclaiming Female Authorship in UK Television Comedy	0
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‘They know my face’: Surveillance Comedy in Scot Squad	0
Memories of Home: The Belfast Films of Mark Cousins and Kenneth Branagh	0
James Downs, Anton Walbrook: A Life of Masks and Mirrors	0
Amelia Watts and Phil Wickham (eds), Bill Douglas: A Film Artist	0
‘Is it any good? Why does it matter?’ Issues of Quality and Value in Children's Television	0
Nigel Mather: Sex and Desire in British Films of the 2000s: Love in a Damp Climate	0
Reith and the Pre-television Child: The BBC’s Struggle to Understand Britain’s First Generation of Child Radio Listeners through Children’s Hour (1922–7)	0
Catherine Elwes, Landscape and the Moving Image	0
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Jill Craigie, Post-war British Film Culture and the British Film Academy	0
Kristyn Gorton and Joanne Garde-Hansen, Remembering British Television: Audience, Archive and Industry	0
Reflections in a Golden Eye: Exploring the Photographic Art of Margaret Nolan and Shirley Eaton	0
The Vampire Lovers and Hammer's Post-1970 Production Strategy	0
Hannah Andrews, Biographical Television Drama	0
Patrick Barwise and Peter York, The War Against the BBC: How an Unprecedented Combination of Hostile Forces Is Destroying Britain's Greatest Cultural Institution … And Why You Should Care	0
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Frances C. Galt, Women's Activism Behind the Scenes: Trade Unions and Gender Inequality in the British Film and Television Industries	0
‘Something like the truth’: Confronting the Honesty of Brutalism and Post-War Planning in The Offence	0
London Spyas a Subversive Spy Thriller	0
‘They wanted a bigger, more ambitious film’: Film Finances and the American ‘Runaways’ That Ran Away	0
Viewing I, Daniel Blake in the English Regions: Towards an Understanding of Realism through Audience Interpretation	0
Melanie Williams, A Taste of Honey	0
Debbie McWilliams and the Elusive Role of the Casting Director in the Bond Franchise	0
Tony Dalton, Terence Fisher: Master of Gothic Cinema	0
‘The highest salary ever paid to a human being’: Creating a Database of Film Costs from the Bank of England Archive	0
Kate Egan and Jeffrey Andrew Weinstock, And Now for Something Completely Different: Critical Approaches to Monty Python	0
Quentin Falk, Charles Crichton	0
Louis Bayman and K. J. Donnelly (editors), Folk Horror on Film: Return of the British Repressed	0
Form, Time and Trauma: The Terence Davies Triptych and Queer Temporalities	0
A Historical Framework for Understanding Public Service Media and Children’s Education in the UK: BBC School Broadcasting 1924–2008	0
British Quota Production and Film Costs in the Early 1930s	0
The World Turned Upside Down, Again: Hauntings of the English Revolution and Archaeologies of Futures Past in Contemporary British Films	0
Unproductive Co-production: European Integration, the British Film Industry and the Franco-British Co-production Agreement of 1965	0
Nathalie Morris and Claire Smith (eds), The Cinema of Powell and Pressburger	0
Rapid Evidence Analysis of Diversity in UK Public Service Television: What Do We Know and What Should We Find Out?	0
Alex Rock, The Metropolitan Police and the British Film Industry, 1919–1956: Public Relations, Collaboration and Control	0
Claire Hines, Terence McSweeney and Stuart Joy (eds), James Bond Will Return: Critical Perspectives on the 007 Film Franchises	0
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Feelings and Facts: Agency in Northern Irish Cinema	0

Jez Stewart, The Story of British Animation	0
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Andrew Spicer, Sean Connery: Acting, Stardom and National Identity	0
Melanie Bell, Movie Workers: The Women Who Made British Cinema	0
Confident Rogue and Anguished Conformist: The Career Paths of Northern Irish Actors Liam Neeson and James Nesbitt	0
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Return, Remembrance and Redemption: Hauntology and the Topography of Trauma inThe VirtuesandThis Is England ’88	0
Benjamin Halligan, Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society	0
Liminality and the End of Empire inThe 7thDawn	0
Clive Nwonka and Anamik Saha (eds), Black Film British Cinema II	0
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Unpiecing the Jigsaw: Compulsive Heterosexuality, Sex Crime, Class and Masculinity in Early 1960s British Cinema	0
Play for Today: A Statistical History	0
Mark McKenna, Nasty Business: The Marketing and Distribution of the Video Nasties	0
Front matter	0
Introduction	0
Startling or Seductive? An Analysis of Play for Today’s Title Sequences	0
The C. A. Lejeune Archive: Film Criticism for The Observer, The Sketch and Britain To-day	0
Bringing ‘the whole world on to the British screen’: Back Projection and British Film Studios in the 1930s and 1940s	0
Melvyn Stokes, Matthew Jones and Emma Pett, Cinema Memories: A People’s History of Cinema-going in 1960s Britain	0
Mary Irwin and Jill Marshall (eds), UK and Irish Television Comedy: Representations of Region, Nation, and Identity	0
‘Like a velvet whisper’: Nikki van der Zyl – The Voice of James Bond's Women	0
‘Regarded as children’: The Home Office Responds to the London Workers’ Film Society	0
UK Broadcasting and Media for Children: Past, Present and Looking to the Future	0
Film in the Workplace: Exploring the Film Holdings of the Marks and Spencer Company Archive	0
‘Lewd, pornographic filth’: Managing Culture through Local Film Censorship in Britain, 1948–1968	0
Alan Lovell 1935–2021	0
‘Treading on sacred turf’: History, Femininity and the Secret War in the Plays for Today Licking Hitler, The Imitation Game and Rainy Day Women	0
Baroness Floella Benjamin, What Are You Doing Here? My Autobiography	0
Claire Mortimer, Spinsters, Widows and Chars: The Ageing Woman in British Film	0
Local Television, Public Service Broadcasting and Local Community Climate Action	0
Introduction: Film, Television and Northern Ireland	0
‘Skip the warts’: Personal Branding and Pornification inThe Look of Love	0
A Profound Legacy: Vincent Porter	0
Independent Miss Craigie: Narration and the Archive in a Documentary Biopic	0
Tony Garnett, The Day the Music Died: A Memoir	0
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Building Reputations: The Careers of Mary Field, Margaret Thomson and Kay Mander	0
Brian Desmond Hurst (author), Caitlin Smith and Stephen Wyatt (eds), Allan Esler Smith (Foreword), Hurst on Film 1928–1970; Lance Pettitt, The Last Bohemian: Brian Desmond Hurst, Irish Film,	0
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Jaap Verheul (ed.), The Cultural Life of James Bond: Spectres of 007	0
Kieran Foster, Hammer Goes to Hell: The House of Horror's Unmade Films	0
From Costume Romps to Queer Milestones: Adaptation, Collaboration, Queerness and Modernism in the ‘Long New Wave’ of Richardson, Schlesinger and Reisz	0
Revisiting Sex, Class and Realism: British Cinema 1956–1963	0
No Time to Die, the Bond Franchise and Global Hollywood: Film Release Patterns during Covid-19	0
Women Writers and Writing Women into Histories of Play for Today	0
Unionist Screws: Depictions of Northern Irish Unionists in British and Irish Cinema	0
Greg M. Colón Semenza and Garrett A. Sullivan, Jr, Powell and Pressburger’s War: The Art of Propaganda, 1939–1946	0
Cat Mahoney, Women in Neoliberal Postfeminist Television Drama: Representing Gendered Experiences of the Second World War	0
James Chapman, The Money Behind the Screen: A History of British Film Finance, 1945–1985	0
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Laura Mulvey (author), Peter Wollen (author), Oliver Fuke (editor), The Films of Laura Mulvey and Peter Wollen: Scripts, Working Documents, Interpretation	0
‘I owe it to those women to own it’: Women, Media Production and Intergenerational Dialogue through Oral History	0
Laura Mayne, Channel 4 and the British Film Industry, 1982–1998	0
Alma's (Not) Normal: Normalising Working-Class Women in/on BBC TV Comedy	0
Inequalities in Regional Film Exhibition: Policy, Place and Audiences	0
Nathan Townsend, Working Title Films: A Creative and Commercial History	0