Senses & Society

Papers
(The TQCC of Senses & Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Poetic listening, writing, and knowing the cry of the senses: listening to Latinx and Caribbean Poetics12
The sonic spectrums of skateboarding: from polarity to plurality10
“I tasted sweetness, and I tasted affliction”: pleasure, pain, and body in medieval Sufi food practices10
What blind people can teach sighted viewers about art10
Multisensory experience of public interiors8
Mestizaje, transculturation, anthropophagy, and the lower senses8
Adventures in the bodily interior7
Any Port in a Storm; how the sounds of the ocean played through sound conditioners offer more than just a sleep aid7
The tinnital sublime6
Education of the senses: the art of noticing, self-improvement, or the grooming of paying customers?6
Disturbance (The Aesthetics of Tinnitus)5
Picturing sensory moments: an ethnomethodological approach to cheese shop interactions5
Gripping words: sensing the world beyond the page in Victorian literature5
The five senses in the medieval law of evidence5
English Heritage Gardener-Led Immersive Sensory Tours English Heritage Gardener-Led Immersive Sensory Tours , Down House, Kent, and other locations, June 20235
An anaesthesiology of water treatment4
What does lockdown smell like? Understanding the COVID-19 pandemic through smell4
Details of Pollock’s White Light4
Paul B. Preciado’s queer hospital: healthcare architectures for pleasure, transformation and subversion4
Medieval islamicate aromatherapy: medical perspectives on aromatics and perfumes4
Sensory perception in cultural studies—a review of sensorial and multisensorial heritage3
“You were not commanded to stroke it, but to pray nearby it”: debating touch within early Islamic pilgrimage3
Social robots and the futures of affective touch3
Car driving as inverted quarantine and the sensory response to collective threats: challenges for public transport3
Challenging ocularcentric fairness assumptions of the video assistant referee (VAR) system in football3
The senses of cholera: transformations of gustation and olfaction in 19th-century Iran3
Extreme VR: strategies of sensorial immersion and the intensities of experience3
Regina José Galindo: Ríos de Gente, produced by Maiz de vida, for the festival Libertad para el Agua, various locations including Monte Olivo, Comunidad Nuevo Montecristo, Lanquín2
Christina Battle, the air we breathe2
Odor: Immaterial Sculptures2
Matthew Wong: Blue View2
New phenomenologies of pain and the re-conceptualization of health in the digital arts2
Sensitive subjects2
Making and exhibiting: reflections from the sensing spaces of healthcare exhibition2
“To Be so Like a Bird in a Cage”: touch, comfort and connecting with the eighteenth-century madhouse1
Interactive skin through a social- sensory speculative lens1
Material pleasures: the solace of lockdown retail therapy1
The Milk of Dreams1
How can scents enhance the impact of guided museum tours? towards an impact approach for olfactory museology1
“Hearing with the eyes” visual hearing in (a trio) music rehearsals1
Alison O’Daniel, The Tuba Thieves1
Trust as a sensory mode of engaging culturally diverse communities in net zero futures1
Sensing the pandemic: revealing and re-ordering the senses1
The body beyond the face: rethinking multispecies connections through sensory ethnography1
A sense of space: the separation of dress and body in microgravity1
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