OOIR: Observatory of International Research

Papers

(The median citation count of Early Popular Visual Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Asta Nielsen film trade in Great Britain: pioneering the exclusive long feature star series before the First World War	2
Painting words: aesthetics and the relationship between image and text	1
Robert Seymour and nineteenth – century print culture: sketches by Seymour and comic illustration	1
Not only divas: special features of films in cinema advertising in Trieste before the First World War	1
Shedding fresh light on lanterns	1
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation	1
MoMA goes to Paris in 1938: building and politicizing American Art	1
Gender and the Nasty Women of history	0
‘Twelve thrills for the screen’ or a ‘ludicrous travesty’? Harry A. Berg’s Cosmopolitan Productions Limited and Haunted Houses and Castles of Great Britain (1926)	0
Generic overlap as a mode of (social) production in Portuguese silent non-fiction film: the case of A Covilhã Industrial, Pitoresca e seus Arredores (1921)	0
Putting imperial time on show: visual culture in the mid-nineteenth-century anniversaries of Singapore and Batavia	0
Boarding house blues	0
Silent film era and marginalised spectatorship	0
Early British animation and cartoonal ‘co-conspiracy’: the case of Jerry the Troublesome Tyke (1925–1927)	0
Maurice Elvey and Hindle Wakes : ‘the greatest English play ever written’	0
Between defiance and control: wild animal performance in the interwar circus	0
Transfixed by prehistory: an inquiry into modern art and time	0
Pictures of poverty: the works of George R. Sims and their screen adaptations	0
The silent muse: the memoirs of Asta Nielsen The silent muse: the memoirs of Asta Nielsen , edited and translated by Julie K. Allen, foreword by Jennifer Bean, Rochester	0
The grammar of typography: The Printers’ International Specimen Exchange and Victorian letterpress design reform	0
The auspicious and the mechanized: exploring transitions in temporalities through the wall paintings of Shekhawati (1750–1940)	0
The early years of television and the BBC	0
Proto-cinephilia: retheorizing working class women’s moviegoing pre-1920	0
In Northcliffe Jail: Iris Barry, film journalist	0
Physical culture, posing, and the medium of fitness magazines	0

Mabel, Marilyn, and Me: writing about Mabel Normand as a feminist film historian	0
Sound arrives at the Tudor, 1927–1931: programming, attendance and the business of cinema exhibition	0
The British Silent Film Festival and Symposium: an Overview	0
Editorial	0
The Man Who Invented Motion Pictures: a true tale of obsession, murder, and the movies	0
A ‘great outrage on human decency’: a trial on lewdness and indecency at a Manchester music hall in 1890	0
ReFocus: the films of Paul Leni	0
Asta Nielsen, the film star system and the introduction of the long feature film	0
The picture postcard: a new window into Edwardian Ireland	0
That Devil’s Trick: hypnotism and the Victorian popular imagination	0
Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett	0
Imagining British film beauty: gender and national identity in 1920s ‘star search’ contests	0
The Asta Nielsen brand: advertising long feature star series in German local newspapers, 1911 to 1914	0
The Gender of Early Cinema	0
Sapho Kiss: Queer Reproduction in Early Cinema	0
Roll of honour films: a reappraisal	0
Sound, image, silence: art and the aural imagination in the Atlantic world	0
TheMaréoramain the 1900 Universal Exhibition: a simulated Mediterranean voyage from the banks of the Seine	0
Speculative landscapes: American art and real estate in the nineteenth century Speculative landscapes: American art and real estate in the nineteenth century , by Ross B	0
Lost literacies: experiments in the nineteenth-century US comic strip	0
Early cinema, modernity and visual culture: the imaginary of the Balkans	0
Women at the wheel: female management and workforce at the nineteenth-century funfair	0
The dainty: the aesthetics of female film stardom in the transitional period	0
‘There is no gallery’: race and the politics of space at the Capitol Theatre, New York	0
Deploying ‘all[-]important moments’: seeing time in Duke University’s collections of early North American advertisements	0
Aeroscopics: media of the Bird’s-Eye View	0
Cinema on the Front Line: British Soldiers and Cinema in the First World War	0
Discomfort food: the culinary imagination in late nineteenth-century French art	0
The Lads of the Village : from stage to screen to court	0
The Victorian idyll in art and literature: subject, ecology, form	0
Ink-Stained Hollywood: the Triumph of the American cinema’s trade press	0
Guest editorial	0
Seeing time	0
Film exhibition for indigenous people in Soviet Siberia: ‘cinema-coming’ and political enlightenment in the red yurt	0
Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture	0
Robb Wilton’s datebook, 1943–1956	0
Serialized space: Chinatown iconography in Universal’s The Master Key	0
Ghosts in the glass: the rise and fall of Victorian autostereoscopic photography	0
Tiger in a photographic gaze: an analysis of early animal photography in India	0
White screens, Black fandom: silent film and African American spectatorship in Harlem	0
Silent film performance: dramatic bodies on screen	0
Mary Pickford’s mugshot: early Hollywood celebrities and San Quentin Prison	0
The tarnished myth of British precedence: William Friese-Greene, Robert Paul and evidence vs. boosterism	0
Motionless pictures: the waiting public in popular American visual culture, 1870-1930	0
Early photographic federations and the pursuit of collaborative education	0
‘A game of hare and hounds with one small terrier puffing well in the rear’: working at the birth of British silent cinema music	0
Cut/copy/paste: fragments from the history of bookwork Cut/copy/paste: fragments from the history of bookwork , by Whitney Trettien, Minneapolis, MN, University of Minne	0
The spectacle of vision: eye and eyesight in the nineteenth-century scientific press	0
Magic lanterns and raree shows: metaphors of financial speculation during the bubbles of 1720	0
Méliès – léger d’écran	0

The cinematographic activities of Charles Rider Noble and John MacKenzie in the Balkans (volume two)	0
‘In the world of movies and talkies’: Hollywood in the Yiddish Forverts , 1920-1935	0
‘Cinema: Today’s Theatre’ – Images from the 1914 Cologne Rose Monday Parade	0
Bringing the world to the child. Technologies of global citizenship in American education	0
The spectacle of the moon conquest: how visual culture shaped Méliès’ Le voyage dans la Lune and its anti-imperialist satire	0
Mozgó fényképek. The scandal and debate around moving images in early Hungarian cinema	0
Designing Russian cinema: the production artist and the material environment in silent era film	0
The kinematograph theatre arrives: part III of the London county council and the cinematograph	0
Our Lady Cinema	0
Working on marginalised cinema audiences with the Jewish historical press website: illustrated on the quest for Jewish patrons of the palace venue in 1920s Warsaw	0
Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags , by Joseph	0
Karlyn [J.F. Burrows], The Stage Artist: Lightning sketches, cartoons, smoke, rag and sand pictures and how to do them (c.1912)	0
Endless intervals: cinema, psychology, and semiotechnics around 1900	0
Class, stardom and film: how early film stars were portrayed in The Red Letter	0
‘A window of the world’: itinerant silent cinemas in rural Australia	0
Provenance and early cinema	0
Colonial film markets in the early 20 ^th century Mediterranean	0
‘The Admiralty has been keeping its pictures’: photography and the British Arctic Expedition, 1875–1876	0
Between stage and screen: female European stars of early feature films in Australasia	0
“Please the women or die”: silent cinema and the construction of female desire	0
The moving image as an instrument of oppression and resistance in Jim Crow Era Jacksonville, Florida, 1907–1917	0
William Friese-Greene & the art of collaboration	0
Antonia Dickson: The kineto-phonograph and the telephony of the future	0
Franco-Indian exchanges from 1905 to the early 1920s: Pathé, Legrand and Madan	0
A companion to D. W. Griffith	0
Drawing time: Winsor McCay’s lightning sketches on stage and screen	0
Spezial-Nummer der Asta Nielsen-Zeitung from 11 November 1911	0
The visual culture of Meiji Japan: negotiating the transition to modernity The visual culture of Meiji Japan: negotiating the transition to modernity , edited by Ayelet	0
Physical characteristics of early films as aids to identification	0
Special effects and German silent film: techno-romantic cinema	0
Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik The Land of Mystery , 1914–1920	0
Ireland Bros.’ Pan-American Electric Carnival: Canadians’ border-crossing circuits of early cinema	0
Fiction & imagination in early cinema: a philosophical approach to film history	0
Contemplating imperialism: early film reenactments of the South African War	0
Practical Books on Ventriloquism, 1875 – 1905	0
The British Silent Film Festival and Symposium: Part Two	0
Movie Mavens: US newspaperwomen take on the movies, 1914-1923	0
An archeological survey - the Norden collection at the cinema museum	0
Doing Experimental Media Archaeology: Theory Doing Experimental Media Archaeology: Theory , by Andreas Fickers and Annie van den Oever, De Gruyter Oldenbourg: Berlin, Bo	0
Early cinema in Asia	0
Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas	0
Queer Timing: The Emergence of Lesbian Sexuality in Early Cinema	0
Between the scene and the silver screen: early Romanian cinema and the rediscovery of the ‘lost’ woman film pioneer Marioara Voiculescu	0
City of second sight: nineteenth-century Boston and the making of American visual culture	0
Moving at the speed of sight: before-and-after imagery in nineteenth-century American print culture and the acceleration of visual time	0
Tracing the Australasian Asta Nielsen Boom in Trove and Papers Past: a tool for recreating the circulation histories of silent films	0
Shifting scenes of colouration and illumination: the narrative and temporal fluidities of tissue paper stereoviews	0
Aesthetic and moral objections to hand-painted films in the Scottish Highlands	0
An amusing optical toy for the hands?: reassessing nineteenth-century British paper peepshows through embodied knowledge	0
Twelve Caesars: images of power from the ancient world to the modern	0
The art of picturing in early modern English literature The art of picturing in early modern English literature , edited by Camila Caporicci and Armelle Sabatiere, Abing	0
Muybridge and mobility with an introduction Muybridge and mobility with an introduction by Anthony W. Lee, Berkeley, California, USA, Tim Cresswell, and John Ott, Univer	0
Keystone’s mystical sphere: covert transgressions within a disciplinary regime	0
“Whispers Heard at the Pictures”: women’s work in early cinema	0
Was Sultan Abdülhamid II suspicious of the cinema? A study of cinema in the Hamidian era (1876–1908)	0
Techniques of Illusion: a cultural and media history of stage magic in the late nineteenth century	0
Representing the past in the art of the long nineteenth century: historicism, postmodernism, and internationalism	0