Early Popular Visual Culture

Papers
(The TQCC of Early Popular Visual Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
The pasts and prospects of media archaeology4
Film exhibition for indigenous people in Soviet Siberia: ‘cinema-coming’ and political enlightenment in the red yurt2
Media studies as an ‘archaeology’: elements of genealogy1
Mozgó fényképek. The scandal and debate around moving images in early Hungarian cinema1
“Please the women or die”: silent cinema and the construction of female desire1
The dainty: the aesthetics of female film stardom in the transitional period1
Imagining British film beauty: gender and national identity in 1920s ‘star search’ contests1
An irregular fellow: the misogynist in silent comedy1
Invisible hands in the history of the magic lantern: where theatre studies and media archaeology meet1
Early photographic federations and the pursuit of collaborative education1
The panorama in Meiji Japan: horizontal and vertical perspectives1
Antonia Dickson: The kineto-phonograph and the telephony of the future1
Magic lanterns and raree shows: metaphors of financial speculation during the bubbles of 17200
The auspicious and the mechanized: exploring transitions in temporalities through the wall paintings of Shekhawati (1750–1940)0
Camera negatives, releases, and versions of Charlie Chaplin’s Shoulder Arms (1918)0
Provenance and early cinema0
Sapho Kiss: Queer Reproduction in Early Cinema0
The Asta Nielsen brand: advertising long feature star series in German local newspapers, 1911 to 19140
The Gender of Early Cinema0
Robert Paul and the origins of British cinema0
Early cinema, modernity and visual culture: the imaginary of the Balkans0
The moving image as an instrument of oppression and resistance in Jim Crow Era Jacksonville, Florida, 1907–19170
The spectacle of the moon conquest: how visual culture shaped Méliès’ Le voyage dans la Lune and its anti-imperialist satire0
The cinematographic activities of Charles Rider Noble and John MacKenzie in the Balkans (volume two)0
Practical Books on Ventriloquism, 1875 – 19050
The picture postcard: a new window into Edwardian Ireland0
Doing Experimental Media Archaeology: Theory Doing Experimental Media Archaeology: Theory , by Andreas Fickers and Annie van den Oever, De Gruyter Oldenbourg: Berlin, Bo0
Proto-cinephilia: retheorizing working class women’s moviegoing pre-19200
The spectacle of vision: eye and eyesight in the nineteenth-century scientific press0
Between the scene and the silver screen: early Romanian cinema and the rediscovery of the ‘lost’ woman film pioneer Marioara Voiculescu0
Contemplating imperialism: early film reenactments of the South African War0
Acting out: cabinet cards and the making of modern photography0
Transfixed by prehistory: an inquiry into modern art and time Transfixed by prehistory: an inquiry into modern art and time , by Maria Stavrinaki, New York City, Zone Bo0
Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik The Land of Mystery , 1914–19200
Mabel, Marilyn, and Me: writing about Mabel Normand as a feminist film historian0
Early British animation and cartoonal ‘co-conspiracy’: the case of Jerry the Troublesome Tyke (1925–1927)0
The visual culture of Meiji Japan: negotiating the transition to modernity The visual culture of Meiji Japan: negotiating the transition to modernity , edited by Ayelet 0
The early years of television and the BBC0
Fiction & imagination in early cinema: a philosophical approach to film history0
Serialized space: Chinatown iconography in Universal’s The Master Key0
“Whispers Heard at the Pictures”: women’s work in early cinema0
Seeing time0
Muybridge and mobility with an introduction Muybridge and mobility with an introduction by Anthony W. Lee, Berkeley, California, USA, Tim Cresswell, and John Ott, Univer0
Robert Seymour and nineteenth – century print culture: sketches by Seymour and comic illustration0
The art of teaching against the grain: a tribute to Thomas Elsaesser’s media-archaeological methods0
Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags , by Joseph0
The silent muse: the memoirs of Asta Nielsen The silent muse: the memoirs of Asta Nielsen , edited and translated by Julie K. Allen, foreword by Jennifer Bean, Rochester0
Karlyn [J.F. Burrows], The Stage Artist: Lightning sketches, cartoons, smoke, rag and sand pictures and how to do them (c.1912)0
Poachers in view: the representation of poaching in early British film, c.1903-140
A companion to D. W. Griffith0
Big cat acts and big men: performing power and gender in South Africa’s circus industry, c.1888–19160
The legacy of the Jesuits: the practice and social influence of magic lantern projectors and films of the T’ou-Se-We Orphan Arts and Crafts Institute in Shanghai0
Shifting scenes of colouration and illumination: the narrative and temporal fluidities of tissue paper stereoviews0
The British Silent Film Festival and Symposium: an Overview0
Between stage and screen: female European stars of early feature films in Australasia0
That Devil’s Trick: hypnotism and the Victorian popular imagination0
Designing Russian cinema: the production artist and the material environment in silent era film Designing Russian cinema: the production artist and the material environment in silent er0
Discomfort food: the culinary imagination in late nineteenth-century French art Discomfort food: the culinary imagination in late nineteenth-century French art , by Marn0
The Man Who Invented Motion Pictures: a true tale of obsession, murder, and the movies0
Cinema on the Front Line: British Soldiers and Cinema in the First World War0
The kinematograph theatre arrives: part III of the London county council and the cinematograph0
Physical characteristics of early films as aids to identification0
The early transnational Chinese cinema industry0
Asta Nielsen, the film star system and the introduction of the long feature film0
Tracing the Australasian Asta Nielsen Boom in Trove and Papers Past: a tool for recreating the circulation histories of silent films0
An archeological survey - the Norden collection at the cinema museum0
An amusing optical toy for the hands?: reassessing nineteenth-century British paper peepshows through embodied knowledge0
Variations on media thinking0
Public spectacles of violence: sensational cinema and journalism in early twentieth-century Mexico and Brazil0
Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett0
ReFocus: the films of Paul Leni0
Seeing by electricity: the emergence of television, 1878-19390
Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas0
Working on marginalised cinema audiences with the Jewish historical press website: illustrated on the quest for Jewish patrons of the palace venue in 1920s Warsaw0
Clothing and landscape in Victorian England: working-class dress and rural life0
Special effects and German silent film: techno-romantic cinema0
Editorial0
Méliès – léger d’écran0
Augmenting cinema: the Kino-Variété (1913-14)0
Victorian photography, literature, and the invention of modern memory: already the past0
‘Twelve thrills for the screen’ or a ‘ludicrous travesty’? Harry A. Berg’s Cosmopolitan Productions Limited and Haunted Houses and Castles of Great Britain (1926)0
Silent film performance: dramatic bodies on screen Silent film performance: dramatic bodies on screen , by Elisabetta Girelli, Cham, Switzerland, Palgrave Pivot Series, 0
Shedding fresh light on lanterns0
The art of picturing in early modern English literature The art of picturing in early modern English literature , edited by Camila Caporicci and Armelle Sabatiere, Abing0
Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture 0
Our Lady Cinema0
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation0
The grammar of typography: The Printers’ International Specimen Exchange and Victorian letterpress design reform0
‘The Admiralty has been keeping its pictures’: photography and the British Arctic Expedition, 1875–18760
Between defiance and control: wild animal performance in the interwar circus0
Playful visions: optical toys and the emergence of children’s media culture0
Not only divas: special features of films in cinema advertising in Trieste before the First World War0
Silent Serial Sensations: the Wharton Brothers and the Magic of Early Cinema0
Visions of electric media: television in the Victorian and machine ages0
Early British animation: from page and stage to cinema screens0
《百苗图汇考》(Systematic textual analysis of the Miao albums)0
Guest editorial0
Deploying ‘all[-]important moments’: seeing time in Duke University’s collections of early North American advertisements0
Screenwriting teachers 1910–1922: origins, contribution and legacy0
Bringing the world to the child. Technologies of global citizenship in American education0
Boarding house blues0
Queer Timing: The Emergence of Lesbian Sexuality in Early Cinema0
Moving at the speed of sight: before-and-after imagery in nineteenth-century American print culture and the acceleration of visual time0
Victorian negatives: literary culture and the dark side of photography in the nineteenth century0
Inventing cinema: machines, gestures and media history0
Movie Mavens: US newspaperwomen take on the movies, 1914-19230
Japonisme and the birth of cinema0
Gender and the Nasty Women of history0
The spectacle of illusion: magic, the paranormal, and the complicity of the mind0
Réveiller l’archive d’une guerre coloniale: photographies et écrits de Gaston Chérau correspondant de guerre en Libye (1911-1912)0
‘In the world of movies and talkies’: Hollywood in the Yiddish Forverts , 1920-19350
‘Cinema: Today’s Theatre’ – Images from the 1914 Cologne Rose Monday Parade0
Motionless pictures: the waiting public in popular American visual culture, 1870-19300
City of second sight: nineteenth-century Boston and the making of American visual culture0
Class, stardom and film: how early film stars were portrayed in The Red Letter0
Dialogical kinesis: Edison and the ‘print’ appearance of Blacksmiths in the Balkans0
Castan’s Panopticum: Ein Medium wird besichtigt0
Early cinema in Asia0
Walter Benjamin and the aesthetics of film0
White screens, Black fandom: silent film and African American spectatorship in Harlem0
‘There is no gallery’: race and the politics of space at the Capitol Theatre, New York0
Composing ‘the artistic projection of the future’: the religious life model slide sets of Maison de la Bonne Presse0
Cultural syncretism: an investigative study of nineteenth century Sikh Fresco paintings in Baba Sir Khem Singh Bedi’s Haveli in Punjab/Pakistan0
In Northcliffe Jail: Iris Barry, film journalist0
A ‘great outrage on human decency’: a trial on lewdness and indecency at a Manchester music hall in 18900
A million pictures: magic lantern slides in the history of learning0
Ink-Stained Hollywood: the Triumph of the American cinema’s trade press Ink-Stained Hollywood: the Triumph of the American cinema’s trade press , by Eric Hoyt, Oakland, 0
Silent film era and marginalised spectatorship0
TheMaréoramain the 1900 Universal Exhibition: a simulated Mediterranean voyage from the banks of the Seine0
MoMA goes to Paris in 1938: building and politicizing American Art0
Women at the wheel: female management and workforce at the nineteenth-century funfair0
Drawing time: Winsor McCay’s lightning sketches on stage and screen0
Speculative landscapes: American art and real estate in the nineteenth century Speculative landscapes: American art and real estate in the nineteenth century , by Ross B0
Painting words: aesthetics and the relationship between image and text0
Spezial-Nummer der Asta Nielsen-Zeitung from 11 November 19110
Robb Wilton’s datebook, 1943–19560
Mary Pickford’s mugshot: early Hollywood celebrities and San Quentin Prison0
Translation of Charles Cros, ‘process for recording and reproducing colors, forms and movements’ (1867) with an introduction0
Asta Nielsen film trade in Great Britain: pioneering the exclusive long feature star series before the First World War0
Pictures of poverty: the works of George R. Sims and their screen adaptations0
The art of objects: the birth of Italian industrial culture, 1878-19280
Media archaeology and intermedial performance: deep time of the theatre0
Trick automatons as media archaeology: Antonio Diavolo0
Sound arrives at the Tudor, 1927–1931: programming, attendance and the business of cinema exhibition0
Aeroscopics: media of the Bird’s-Eye View0
Early film culture in Hong Kong, Taiwan, and Republican China: kaleidoscopic histories0
Cut/copy/paste: fragments from the history of bookwork Cut/copy/paste: fragments from the history of bookwork , by Whitney Trettien, Minneapolis, MN, University of Minne0
Putting imperial time on show: visual culture in the mid-nineteenth-century anniversaries of Singapore and Batavia0
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