Animation-An Interdisciplinary Journal

Papers
(The median citation count of Animation-An Interdisciplinary Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Music, Memory and Narrative: The Art of Telling in Tale of Tales16
Disney’s Wagner Aesthetic: Music Drama in Pursuit of the Total Artwork6
Editorial4
Editorial4
Cross-species Perception and Ecological Disposition in Animation4
From Ancient Zhiguai Tales to Contemporary Animation: A Study of Visual Rhetoric in ‘Yao-Chinese Folktales’ (2023)3
‘One Out of Harmony with Her Own Time’: Lotte Reiniger, Anachronism and Doing Animation History through Film Society Reconstruction3
Book review: Contemporary Disney Animation: Genre, Gender and Hollywood BenhamouEve, Contemporary Disney Animation: Genre, Gender and Hollywood. Edinburgh: Edinburgh University Press, 2022. 264 pp. IS3
Decoding Posthuman Imagination in Mediated Space: Tian Xiaolei’s Chinese Contemporary Experimental Animation2
Achronologies, Materiality and Mechanics of Time in Optical Moving Image Systems2
Scotland’s History of Animation: An Exploratory Account of the Key Figures and Influential Events2
Dematerialization and Digital Ink-Painting Aesthetics in Contemporary Chinese Animation: Redefining the ‘National Style’ in Deep Sea (2023)2
Animating Goethe2
Book review: Narodziny i rozkwit Polskiej Rzeczypospolitej Mangowej (The Birth and Flowering of the Polish Manga Republic)1
Editorial1
Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers1
‘The Blackest Disney Movie of All Time!’: A Goofy Movie and the Production of ‘Film Blackness’1
Plasmatic and Metamorphic Movement: The Materiality of the Moving Idea1
The Reconstructed History of the Foundation of the Chinese School of Animation: A Textual Criticism on the ‘Crow Incident’1
Book review: Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s DuDaisy Yan, Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s. Honolulu: Unive1
Editorial1
Bracing the Opportunities in the Nigerian Animation Industry: Unlocking the Challenging Phase1
Reanimating the Master Narrative: How They Shall Not Grow Old Curates the Perception of Common Truth through CGI Animation1
Discovering Animation Manuals: Their Place and Role in the History of Animation1
‘Boys and girls of every age. Wouldn’t you like to see something strange?’ Uncanniness and The Nightmare Before Christmas0
Book review: Batman: The Animated Series0
Editorial0
The Discourse of Independent Animation in the Contemporary Chinese Context0
A Study of the Influence of Music on Audiences’ Cognition of Animation0
A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’0
Book review: 六个面和一个回声——中国美术电影叙事研究 (Six Dimensions and an Echo: Narration in the Chinese Animated Film)0
Editorial0
Walt’s Art History: Late Style, Digital Aesthetics and the ‘Disney Baroque’0
Book review: Playful Visions: Optical Toys and the Emergence of Children’s Media Culture0
Between Art and Propaganda: The Rise of Polish Animation 1946–19560
Useful Animation: Iconography, Infrastructure and Impact0
The Demon Child and His Modern Fate: Reconstructing the Nezha Myth in Animated Fabulation0
Book review: Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft0
Contemporizing the National Style in Chinese Animation: The Case of Nezha (2019)0
Towards a Conceptual Framework for Abstracted Animation Derived from Motion Captured Movements0
Showing How They Made Them Move: Early Making-of Documentaries on the Production of Animated Films0
Introduction to the Special Issue: New Perspectives on Animation Historiography0
Mirosław Kijowicz: Artist versus Production Control System0
Corrigendum to Editorial0
The Classical Animated Documentary and Its Contemporary Evolution0
From ‘Trucfilm’ to ‘Animatiefilm’: How the Emergence of Animation as a New Artistic Form Is Reflected in Dutch Terminology0
Animating for Interactivity: The Walk Cycles of Prince of Persia (1989) and Ninja Gaiden (1988)0
Book review: Affect and Embodied Meaning in Animation0
An Age of Splendour for Contemporary Spanish Animation: Evolution of an Industry Over the Last Four Decades0
The Kraft of Labour, Labour as Craft: Hayao Miyazaki’s Images of Work0
Book review: Anime’s Identity: Performativity and Form Beyond Japan SuanStevie, Anime’s Identity: Performativity and Form Beyond Japan.Minneapolis: University of Minnesota Press, 2021. 382 pp. ISBN: 90
Editorial0
Approaching Reflexivity in Animated Documentary through a Spatial Taxonomy: An Analysis of Polonia (2023)0
Narrating Fabrics: Nostalgia in Animated Puppets’ Skin0
Chained Animation: Collaborative Forms of Filmmaking in Education0
The Ever-Expanding Scope of Animation Historiography: A Discussion of Interdisciplinary Approaches and Methods0
Chan Aesthetics in Chinese Animation0
Editorial0
Editorial0
Editorial0
Exploring the Viewer’s Role in Narrative-Based Animated Virtual Reality Experiences: Strategies for Role Activation and Immersive Storytelling0
Raising Children for the Communist Party: The Shanghai Animation Film Studio’s Infantilized Style (1950s–1980s)0
Reanimating the History and the Forgotten Characteristics of the Zoetrope0
Book review: Émile Reynaud, Nouveaux Regards RoffatSébastienSaerensSylvieVimenetPascal (eds), Émile Reynaud, Nouveaux Regards. Paris: l’Harmattan, Cinémas d’animations, 2023. 269 pp. ISBN: 978214032030
Far from Houdini: The ‘Magic’ of the VFX Breakdown0
Editorial0
The ‘Skills Gap’ in the Animation/VFX Industry in Scotland0
Animated Film and Socialist Realism in Poland, 1949–19550
A View of the Definition, Origination and Development of the Term ‘Chinese School of Animation’0
Modernism and Discourses on Animation in 1930s Portugal: The Case of José de Almada Negreiros0
Onomatopoeia, Sound Effects and Humour in Japanese Anime and US Animation Films and Television0
Posthumanism in Recently Animated Adaptations of Chinese Literary Classics0
The Phenomenology of Animation0
Grains of Sound: Visual and Sonic Textures in Sand or Peter and the Wolf0
Book review: Aardman Animations: Beyond Stop-Motion0
Book review: Pulses of Abstraction: Episodes from a History of Animation0
Book review: Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels0
Implausible Possibility: Freedom and Realism in Live-Action/Animated Gag Comedies0
Posthumous Portraits in Motion: Experimental Animation, Metamorphosis and Reflections on Mortality0
Cosmic Zoom, Powers of Ten and the Contested Politics of Sense0
Animation of Experiment: The Science Education Film and Useful Animation in China0
Laborious Aesthetics: Visible and Invisible Labor in the Spider-Verse franchise0
Virtual Production and the Transformation of Cameras Mechanical, Virtual, and Actual0
Dichotomies of Control: Animated Labour, Stoic Philosophy, and the Animatronic0
Para-animation in Practice and Theory: The Animateur, the Embodied Gesture and Enchantment0
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