Animation-An Interdisciplinary Journal

Papers
(The median citation count of Animation-An Interdisciplinary Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Music, Memory and Narrative: The Art of Telling in Tale of Tales8
Disney’s Wagner Aesthetic: Music Drama in Pursuit of the Total Artwork8
Editorial6
Formal Education of Animation Workers in Czechoslovakia: The Case of the Cabinet of Animation at FAMU (1987–1991)6
Editorial5
Dematerialization and Digital Ink-Painting Aesthetics in Contemporary Chinese Animation: Redefining the ‘National Style’ in Deep Sea (2023)3
Cross-species Perception and Ecological Disposition in Animation3
Exploring British Sign Language (BSL) Terminology in Animation and Games3
From Ancient Zhiguai Tales to Contemporary Animation: A Study of Visual Rhetoric in ‘Yao-Chinese Folktales’ (2023)3
Animating Embodied Memories: An Inquiry into Medium-Specificity of Animation in Greatness Code (2020)2
Book review: Contemporary Disney Animation: Genre, Gender and Hollywood BenhamouEve, Contemporary Disney Animation: Genre, Gender and Hollywood. Edinburgh: Edinburgh University Press, 2022. 264 pp. IS2
Decoding Posthuman Imagination in Mediated Space: Tian Xiaolei’s Chinese Contemporary Experimental Animation2
Book review: Animated Film and Disability: Cripping Spectatorship GreenbergSlava, Animated Film and Disability: Cripping Spectatorship. Indiana University Press, 2023. 228 pp.: ISBN 0253064503$28.00 (1
Editorial1
Together at a Different Pace: Career Paths and Production Capacities in Czechoslovak and Polish Animation, 1945–19891
Book review: Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s DuDaisy Yan, Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s. Honolulu: Unive1
Editorial1
Achronologies, Materiality and Mechanics of Time in Optical Moving Image Systems1
The Reconstructed History of the Foundation of the Chinese School of Animation: A Textual Criticism on the ‘Crow Incident’1
Editorial1
Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers1
Animating for Interactivity: The Walk Cycles of Prince of Persia (1989) and Ninja Gaiden (1988)1
Animating Goethe1
Bracing the Opportunities in the Nigerian Animation Industry: Unlocking the Challenging Phase1
Book review: Narodziny i rozkwit Polskiej Rzeczypospolitej Mangowej (The Birth and Flowering of the Polish Manga Republic)1
Book review: Chinese Animation and Socialism: From Animators’ Perspectives DuDaisy Yan (ed.) Chinese Animation and Socialism: From Animators’ Perspectives. Leiden: Brill, 2022. 299pp. ISBN: 97890044991
Editorial1
Reanimating the Master Narrative: How They Shall Not Grow Old Curates the Perception of Common Truth through CGI Animation1
Alive and Lifelike: Theatricality and Animation (through Duck Amuck)0
Modernist Post-Humanism: The Dialectic of Human Automation and Non-Human Animation in the Quay Brothers’ Street of Crocodiles0
Book review: Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft0
Rolling Boil: A Geopolitical Labor History of the Rotoscope0
Book review: Chinese Animation: Multiplicities in Motion DuDaisy YanCrespiJohn A.WangYiman, Chinese Animation: Multiplicities in Motion. Cambridge, MA: Harvard University Asia Center, 2025: 467 pp.: I0
The Phenomenology of Animation0
Editorial0
Between Art and Propaganda: The Rise of Polish Animation 1946–19560
A View of the Definition, Origination and Development of the Term ‘Chinese School of Animation’0
The Demon Child and His Modern Fate: Reconstructing the Nezha Myth in Animated Fabulation0
Chan Aesthetics in Chinese Animation0
Book review: 六个面和一个回声——中国美术电影叙事研究 (Six Dimensions and an Echo: Narration in the Chinese Animated Film)0
Approaching Reflexivity in Animated Documentary through a Spatial Taxonomy: An Analysis of Polonia (2023)0
Animation of Experiment: The Science Education Film and Useful Animation in China0
Exploring the Viewer’s Role in Narrative-Based Animated Virtual Reality Experiences: Strategies for Role Activation and Immersive Storytelling0
‘Boys and girls of every age. Wouldn’t you like to see something strange?’ Uncanniness and The Nightmare Before Christmas0
Laborious Aesthetics: Visible and Invisible Labor in the Spider-Verse franchise0
Far from Houdini: The ‘Magic’ of the VFX Breakdown0
Para-animation in Practice and Theory: The Animateur, the Embodied Gesture and Enchantment0
Editorial0
Implausible Possibility: Freedom and Realism in Live-Action/Animated Gag Comedies0
Outer Worlds: Animated Documentary and Critical Realism0
Editorial0
Narrating Fabrics: Nostalgia in Animated Puppets’ Skin0
Book review: Anime’s Identity: Performativity and Form Beyond Japan SuanStevie, Anime’s Identity: Performativity and Form Beyond Japan.Minneapolis: University of Minnesota Press, 2021. 382 pp. ISBN: 90
Queer Representations in Motion: Documenting Identity through Animation0
Book review: Pulses of Abstraction: Episodes from a History of Animation0
Barthes on Steinberg: Panorama, Play, Paradox0
Book review: Adaptation for Animation: Transforming Literature Frame by Frame RallHannes, Adaptation for Animation: Transforming Literature Frame by Frame. Taylor & Francis Group, 2020.0
Book review: Affect and Embodied Meaning in Animation0
Cosmic Zoom, Powers of Ten and the Contested Politics of Sense0
Dichotomies of Control: Animated Labour, Stoic Philosophy, and the Animatronic0
Book review: Arab Animation: Images of Identity SayfoOmar, Arab Animation: Images of Identity. Edinburgh University Press, 2023: 288 pp. ISBN 978 1 4744 7949 3.0
Editorial0
Book review: Émile Reynaud, Nouveaux Regards RoffatSébastienSaerensSylvieVimenetPascal (eds), Émile Reynaud, Nouveaux Regards. Paris: l’Harmattan, Cinémas d’animations, 2023. 269 pp. ISBN: 978214032030
The Classical Animated Documentary and Its Contemporary Evolution0
Pixar’s Inside Out as a Critique of Disney: Self-alienation and the Culture Industry0
Receiving the Classics: The Curation of Ink Painting Animation in the Early People’s Republic of China0
Walt’s Art History: Late Style, Digital Aesthetics and the ‘Disney Baroque’0
Overcoming the Limits: Zbigniew Rybczyński’s ‘Celluloid Period’ Revisited0
Onomatopoeia, Sound Effects and Humour in Japanese Anime and US Animation Films and Television0
Posthumanism in Recently Animated Adaptations of Chinese Literary Classics0
Tones in the Aesthetic Transition from Disney 2D Animated Features to Their ‘Live-Action’ Remakes: Humour vs. Seriousness0
Useful Animation: Iconography, Infrastructure and Impact0
Posthumous Portraits in Motion: Experimental Animation, Metamorphosis and Reflections on Mortality0
Editorial0
Raising Children for the Communist Party: The Shanghai Animation Film Studio’s Infantilized Style (1950s–1980s)0
The Repressed, the Forgotten, and the Historical Continuity: On the Two Gaps in the Academic History of the Chinese School of Animation0
An Age of Splendour for Contemporary Spanish Animation: Evolution of an Industry Over the Last Four Decades0
Mirosław Kijowicz: Artist versus Production Control System0
The ‘Skills Gap’ in the Animation/VFX Industry in Scotland0
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