Critical Studies in Television

Article	Citations
A perspective on BBC television news in India	53
Book Review: Global TV Horror	37
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series	30
Spaces for criticism: the Play for Today Viewing Group on work, gender and the body in The Bevellers (1974) and Not for the	15
Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico	10
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era	8
Editorial	7
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)	7
EastEnders and the environment: Communicating the planetary crisis in prime time?	6
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market	6
Netflix original series, global audiences and discourses of streaming success	5
Netflix’s high-end global telefantasy: Conspicuous and virtual localism	5
Book Review: Television and the Genetic Imaginary	4
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits	4
Book Review: Moments in Television: Complexity/simplicity	4
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change	4
The ‘Netflix Original’ and what it means for the production of European television content	4
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s	3
Editorial	3
Book Review: A European television fiction renaissance: Premium production models and transnational circulation	3
Graphic design, music and sound in the BBC’s channel idents, 1991–2021	2
‘It started with a kiss’ EastEnders and subversion from within: Domestic ‘queer’ star persona and British social realism	2
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama	2
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem	2
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe	2

Book Review: An Analysis of Minute-by-Minute Television in Norway	2
Editorial	2
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand	2
Let the people speak – The Community Programmes Unit 1972–2002	2
Book Review: Her Stories: Daytime Soap Opera & US Television History	2
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE	2
Broadcasting change: An aerial overview of South African television debates in an age of constant transition	2
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series	2
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision	2
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series	2
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice	1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media	1
The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel	1
Book Review: Screen Plays: Theatre Plays on British Television	1
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)	1
Following the recipe: Producing The Great British Bake Off in Flanders	1
Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media	1
Book Review: Figures of Time: Affect and the Television of Preemption	1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era	1
Global platforms, new media generations and Anglo-American hegemony: An exploration of young audience viewing and language preferences in four European countries	1
‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty	1
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations	1
Book Review: Reclaiming Popular Documentary	1
Voices from the emptiness. Developing the agentic rural on Spanish television	1
Deconstruction of the superhero subgenre in The Boys : A social satire through characters with mental disorders	1
Televisual transformations: The making of (media) citizens in interventional television productions	1
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity	1
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences	1
Book Review: Independent Women: From Film to Television	1
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture	1
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’	1
Editorial	1
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python	1
Television beyond the pleasure principle: The death drive in The Office (UK) and other cringe comedy	0
Book Review: From Telenovelas to Netflix: Transnational, Transverse Television in Latin America	0
BBC television news in the world: An introduction	0
Book Review: Gender and Seriality: Practices and Politics of Contemporary US Television	0
Book Review: Television and the Afghan Culture Wars Brought to You by Foreigners, Warlords, and Activists	0
Syndication in a FAST world: Lineages and ruptures	0
Book Review: Fanvids: Television, Women, and Home Media Re-Use	0
Book Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem WyattJustin, Creating the Viewer: Market Research and the Evolving Media Ecosystem. Austin: University of Texas Press	0
Book Review: Armchair Cinema – A History of Feature Films on British Television 1929–1981 Sheldon Hall, Armchair Cinema – A History of Feature Films on British Television 1929-1981, Edinburgh: Edinbur	0
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity	0
Book Review: Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars	0
Sheilas and the Beeb: How the BBC provided liberating pathways for ABC women in the early years of television	0
Engineering nationalism: Popular TV, ideological work, and the cultural politics of state propaganda in China	0
“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad	0
‘What do you think it is that makes them who they are’? The connections between Latinx stereotypes, claims of white difference, and characters’ deaths in Breaking Bad	0
On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives	0
Book Review: Nordic Noir, Adaptation, Appropriation	0

‘I miss when my problems were about nothing’: Millennial angst, neoliberal feminism, and paratexts in Search Party (2016–2022)	0
Book Review: Biographical Television Drama	0
Book Review: Film and television production in the age of climate crisis towards a greener screen	0
Book Review: Lesbians on Television: New Queer Visibility & the Lesbian Normal	0
The Last Broadcast: Reflections on the life and legacy of BBC Four	0
Queen of Netflix: Streaming Shondaland	0
Book Review: Fighting for the Future: Essays on Star Trek: Discovery	0
Gay as cute: Unpacking cuteness in contemporary gay teen drama series	0
Book Review: Special Issue of Journal of Popular Television on ‘Histories and new directions: Soap opera/serial narrative research’	0
Book Review: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand	0
Producing zombie television: AMC,The Walking Dead, and the institutional dynamics of green-lighting hard-edged horror on cable	0
Binge-watching and mental illness versus comfort TV and mental health in WandaVision	0
Banal Koreanness: National imagery in multicultural-themed television shows	0
History and Place in Television Drama: Liverpool in Cilla and Boys From the Blackstuff	0
Streaming difference(s): Netflix and the branding of diversity	0
Analysing the melancholy of Nordic Noir as stimmung: Affective world-building inThe Bridge	0
Book Review: Transnational Strategies and Digital Production Cultures at the NRK	0
‘Recommended for you’: A distant reading of BBC iPlayer	0
Book Review: Transnational Korean Television: Cultural Storytelling and Digital Audiences	0
‘In on the ground floor’: Women and the early BBC television service, 1932–1939	0
Book Review: Down in Treme; Race, Place and New Orleans on Television	0
Death of a matriarch: Soap opera aesthetics, space and memory	0
Stretching authenticity in times of restricted mobility: Transtextuality, place anchoring, and boredom in romance reality show 90 Day Fiancé: Self-Quarantined	0
Finding words: Aesthetic criticism and television	0
Book Review: Woman Up: Invoking Feminism in Quality Television	0
Within power constraints: Forty years of the successes and failures of talent shows in China	0
Book Review: Horrible White People: Gender, Genre, and Television’s Precarious Whiteness	0
Book Review: Television Goes to the Movies	0
Deterritorialisation of Korean TV dramas in “Netflix Originals”: “We are living in the Squid Game world”	0
Screening Greenland in Borgen—Power & Glory: The on- and off-screen contestedness of Arctic landscapes and locations	0
Strategic sisterhood and the girlfriend gaze: Representation of girlfriendship in the Chinese TV drama Ode to Joy	0
Book Review: Binge-Watching and Contemporary Television Studies	0
Book Review: Their Own Best Creations: Women Writers in Postwar Television	0
Editorial	0
Is prompt engineering the future of screenwriting? Views of professional screenwriters and commissioners about the impact of AI technologies on their profession	0
Book Review: Television before TV: New media and exhibition culture in Europe and the USA, 1928–1939	0
Reality television and the politics of mass surveillance in channel 4’s Hunted	0
Book Review: Indie TV: Industry, Aesthetics and Medium Specificity	0
‘Are we having fun yet?’: The Starz television network and Party Down as indie TV	0
Book Review: Sporting Realities. Critical Readings of the Sports Documentary	0
Time and timing–A methodological perspective on production analysis	0
Editorial	0
Book Review: Public Television in Poland: Political Pressure and Public Service Media in a Post-communist Country	0
Medicalized reality weight-loss television and the negotiation of neoliberalism on My 600 Pound Life	0
Editorial	0
Victim behaviour and trauma recovery: Representing black British femininity through fantasy in Michaela Coel’s I May Destroy You	0
Book Review: Geopolitics, Northern Europe, And Nordic Noir: What Television Series Tell Us About World Politics	0
Book Review: Twin Peaks	0
Autism spectrum disorder in contemporary American sitcoms: Narrative and social implication	0
Book Review: Mothers on American Television: From Here to Maternity AkassKim, Mothers on American Television: From Here to Maternity, Manchester: Manchester University Press, £85; 194 pp. ISBN: 978-1-	0
Book Review: Television’s Spatial Capital Location, Relocation, Dislocation	0
Book Review: Rethinking horror in the new economies of television GaynorStella Marie, Rethinking Horror in the New Economies of Television, Cham: Palgrave Macmillan, 2022; 261 pp. ISBN 978-3-030-97588	0
Book Review: Telly-Guillotined: How Television Changed India	0
Book Review: Friends: A Reading of the Sitcom	0
Book Review: Watching Game of Thrones: How Audiences Engage with Dark Television	0
A modern version of restoration comedy? Double entendre, objectification, fearful men and rakes manqué in the television work of Benny Hill	0
A future without homophobia? Gay men and personal responsibility in the Chilean telenovela Casa de Muñecos	0
Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag	0
Provocation: An agenda for the future of TV studies: Technology, audiences, stakeholders	0
Book Review: European Television Crime Drama and Beyond	0
Re-heating the “First” Thanksgiving: the Thanksgiving episode as settler colonial narrative	0
Book Review: The Early Years of Television and the BBC	0
Pleasure’s ascendancy: Against queer youth panic	0
‘Nation shall speak peace unto nation’? The BBC and the nations	0
‘How the Music was Made’: Television, musicology and BBC Four	0
Supporting children’s drama in the on demand age: Assessing the efficacy of forty years of Australian policy frameworks and funding schemes	0
‘What are people watching in your area?’: Interrogating the role and reliability of the Netflix top 10 feature	0
Book Review: Documentaries and China’s National Image	0
Female audiences for true crime television: Popular discourse, feminism and the politics of ‘ethical viewing’	0
BeastEnders: Pets and Soap Opera	0
Book Review: Babylon Berlin German Visual Spectacle and Global Media Culture BaerHesterSmithJill Suzanne (eds), Babylon Berlin German Visual Spectacle and Global Media Culture. London: Bloomsbury, 202	0
Landscapes in the frame: Anthropocene screens	0
Book Review: Celebrity Chefs, Food Media and the Politics of Eating	0
TV drama production studios of Istanbul: From empty sound stages to standing sets	0
Book Review: Television and the Embodied Viewer: Affect and Meaning in the Digital Age	0
The underground and end of geologic imaginations in the Finnish/Swedish TV Series White Wall	0
Women’s broadcasting histories and the archive: National, transnational and transmedial entanglements	0
Book Review: Cinematic digital television: negotiating the nexus of production, reception and aesthetics	0
Book Review: Homicide: Life on the Street	0
New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark	0

‘Make sense of it’: Cult and complex TV fandoms, post-Truth discourse and an excess of meaning in Twin Peaks: Season 3	0
Interview with David Waine (1944–2021) Head of Network Production Centre/Head of Broadcasting, BBC Pebble Mill, 1983–1994	0
Putting the black in Britain back on the BBC	0
Book Reviews: Convergent Chinese Television Industries: An Ethnography of Chinese Production Cultures	0
Beyond stealing: The determinants/motivations of Czech audiences to pay for audiovisual content	0
‘SKAM Italia did it again’. The multiple lives of a format adaptation from production to audience experience	0
From traditional regionalism to national distinction: German television co-productions through time	0
Women and activism in the screen industries: a discussion prompted by Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries	0
Queen Sono: Netflix Original as postfeminist South African spy thriller	0
Book Review: UK and Irish Television Comedy Representations of Region, Nation and Identity IrwinMaryMarshallJill (Eds). UK and Irish Television Comedy Representations of Region, Nation and Identity. C	0
Provocation: Why I want to talk television with global platform representatives	0
Book Review: On Living with Television	0
Book Review: Telenovelas and Transformation: Saving Brazil’s Television Industry	0
A See change? The problematic (visual) politics of screening the Anthropocene	0
Book Review: North East of England on Film and Television	0
BBC Africa Eye and changing perceptions of Western media among Nigerian audiences	0
‘The Custodian of the BBC Archives’: The future of BBC Four as an archive channel	0
Enraptured by this Glorious Media Landscape: Anne with an E and cross-platform coproduction	0
Favourite books about the BBC: Archives, anecdotes, policies and programmes	0
Scandalous romantic refraction: Reframing rape culture and coercive control on television	0
Youthification of television through online media: Production strategies and narrative choices in DRUCK/SKAM Germany	0
‘It was Bauhaus without realising we were Bauhaus:’ BBC women and Youth and Entertainment programming in the North	0
Book Review: Television studies in Queer times	0
Book Review: Writings on Media: History of the Present	0
From paleo- to neo-television: A semio-pragmatic approach	0
Editorial	0
Broadcasting and devolution: Radical future?	0
Editorial	0
Book Review: Contemporary British Television Drama	0
Book Review: Television and Repetition	0
Book Review: Danish Television Drama: Global Lessons from a Small Nation	0
Book Review: Television/Death WheatleyHelen, Television/Death, Edinburgh: Edinburgh University Press, 2024; 292 pp. ISBN 9781474451727 £90 (hbk), 9781474451758 £22.50 (ePub), 9781474451741 £22.50 (PDF	0
Book Review: Turkish drama serials the importance and influence of a globally popular TV phenomenon	0
Book Review: The Scandinavian Invasion: Nordic Noir and Beyond McCullochRichardProctorWilliam (eds), The Scandinavian Invasion: Nordic Noir and Beyond. Lausanne: Peter Lang, 2023; 340 pp. ISBN 9781788	0
Notes on the state of Brazilian television archives: From scattered initiatives to an uncertain future	0
Book Review: Gender and Early Television. Mapping Women’s Role in Emerging US and British Media, 1850-1950	0
Why translations matter – An introduction to Critical Studies in Television’s new section ‘In Translation’	0
Book Review: TV snapshots: An archive of everyday life	0
Television will archive itself: Channel 4’s role in revalorising ‘old’ TV	0
‘That’s good’: An industrial, ethics-focused analysis of the televised works of Anthony Bourdain	0
Solving ‘The Six’: EastEnders , convergence culture, and ‘forensic fandom’	0
Book Review: Histories of Children’s Television Around the World GozanskyYuval (ed), Histories of Children’s Television Around the World. New York: Peter Lang Publishing, 2023; 289 pp. ISBN 9781433196	0
Editorial	0
US television’s expanding modes of industrial practice	0
Cultural Diversity in Internationally Coproduced High-end Drama	0
Editorial	0
Book Review: Monsters on Maple Street: The Twilight Zone and the Postwar American Dream	0
Editorial	0
‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations	0
Book Review: Period Drama	0
Jill Craigie and the BBC: Postwar television, feminist histories and modern femininities	0
The endeavour for political and professional freedom in Hungarian television during the 1956 October revolution	0
“Down-to-Earth TV dramas”: The reception of authenticity, reality, and modality in Danish TV dramas	0
Book Review: Broadcasting for Wales: The Early Years of S4C	0
Government public relations, audiovisual communication and the informalisation of Sweden	0
Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia	0
Book Review: Sesame Street: A Transnational History JensenHelle Strandgaard, Sesame Street: A Transnational History, New York, Oxford University Press, 2023: 288 pp. ISBN 9780197554159 (hbk), 97801975	0
Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War	0
An ( EastEnders ) education: Social interventions, collective proselytising, male fandom and EastEnders	0
Editorial	0
Bitesizes, battlegrounds and bedtimes: Children at the BBC	0
Book Review: Between Habit and Thought in the New Serial Drama	0