Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
The ‘Netflix Original’ and what it means for the production of European television content32
The appisation of television: TV apps, discoverability and the software, device and platform ecologies of the internet era19
Transnational co-production, multiplatform television andMy Brilliant Friend18
Netflix original series, global audiences and discourses of streaming success14
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany13
Youthification of television through online media: Production strategies and narrative choices in DRUCK/SKAM Germany12
Generation Z’s screen culture: Understanding younger users’ behaviour in the television streaming age – The case of post-crisis Greece11
Researching Binge-Watching11
Streaming difference(s): Netflix and the branding of diversity10
‘Youthification’ of drama through real-time storytelling: A production study ofblankand the legacy ofSKAM9
‘Recommended for you’: A distant reading of BBC iPlayer6
‘Shoulda, Coulda, Woulda’: Young Swiss audiences’ attitudes, expectations and evaluations of audiovisual news and information content and the implications for public service television5
‘Queering’ TV, one character at a time: How audiences respond to gender-diverse TV series on social media platforms5
The ‘youthification’ of television5
Co-creating content with children to avoid ‘Uncle Swag’: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra5
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem4
Provocation: Why I want to talk television with global platform representatives4
Provocations, I: What do we need in a crisis? Broadcast TV!4
Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag3
Upending the status quo: Power-sharing and community building inSchitt’s Creek3
A Class Act: An interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama3
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits3
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)3
‘SKAM Italiadid it again’. The multiple lives of a format adaptation from production to audience experience2
Book Review: An Analysis of Minute-by-Minute Television in Norway2
Curation as methodological enhancement in researching production cultures behind screen content about displaced children in Europe2
You get to stop him! Gendered violence and interactive witnessing in Netflix’sKimmy vs The Reverend2
Introducing quantitative reception aesthetics: Television reception and textual engagement2
“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad2
“Down-to-Earth TV dramas”: The reception of authenticity, reality, and modality in Danish TV dramas2
Strategic sisterhood and the girlfriend gaze: Representation of girlfriendship in the Chinese TV drama Ode to Joy2
Berlin as location and production site for transnational TV drama2
Voices from the emptiness. Developing the agentic rural on Spanish television2
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series1
Book Review: Television and Totalitarianism in Czechoslovakia. From the First Democratic Republic to the Fall of Communism1
Time and timing–A methodological perspective on production analysis1
BBC Africa Eye and changing perceptions of Western media among Nigerian audiences1
Banal Koreanness: National imagery in multicultural-themed television shows1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era1
A perspective on BBC television news in India1
Finding words: Aesthetic criticism and television1
Editorial1
Book Review: Online TV1
On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives1
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE1
‘What are people watching in your area?’: Interrogating the role and reliability of the Netflix top 10 feature1
Dutch television studies and the reinvention of television as a medium in practice1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
Trans TV dossier, III: Trans TV re-evaluated, part 11
Crossing the Borders of Queer TV: Depictions of migration and (im)mobility in contemporary LGBTQ television1
Drugs, Death, Denial and Cancer Care: Using Breaking Bad in the spiritual care of cancer patients1
Queen Sono: Netflix Original as postfeminist South African spy thriller1
Book Review: Twin Peaks1
Netflix and Over the Top Politics? The Mechanism TV series and the dynamics of entertainment intervention1
Broadcasting and devolution: Radical future?1
‘What do you think it is that makes them who they are’? The connections between Latinx stereotypes, claims of white difference, and characters’ deaths inBreaking Bad1
‘Time to Ranch it Up!’: Ethics and satire in new media1
An academic study of research literature on Czech television: The dawn of taking TV seriously1
Putting the black in Britain back on the BBC1
Graphic design, music and sound in the BBC’s channel idents, 1991–20211
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