Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
A perspective on BBC television news in India58
Book Review: Global TV Horror40
Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico15
Spaces for criticism: the Play for Today Viewing Group on work, gender and the body in The Bevellers (1974) and Not for the10
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series8
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)7
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era7
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market6
Editorial6
EastEnders and the environment: Communicating the planetary crisis in prime time?5
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits5
Book Review: Moments in Television: Complexity/simplicity4
Book Review: Television and the Genetic Imaginary4
The ‘Netflix Original’ and what it means for the production of European television content4
Netflix’s high-end global telefantasy: Conspicuous and virtual localism4
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change4
Editorial3
Book Review: An Analysis of Minute-by-Minute Television in Norway3
Book Review: A European television fiction renaissance: Premium production models and transnational circulation3
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s3
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series2
‘Worthy female victims’? The rape of a white woman as metaphor for colonialism in two miniseries by Hugo Blick2
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama2
‘It started with a kiss’ EastEnders and subversion from within: Domestic ‘queer’ star persona and British social realism2
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe2
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem2
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE2
Broadcasting change: An aerial overview of South African television debates in an age of constant transition2
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series2
Let the people speak – The Community Programmes Unit 1972–20022
Book Review: Her Stories: Daytime Soap Opera & US Television History2
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand2
Graphic design, music and sound in the BBC’s channel idents, 1991–20212
Editorial2
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision2
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)2
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice1
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences1
Book Review: Screen Plays: Theatre Plays on British Television1
Voices from the emptiness. Developing the agentic rural on Spanish television1
Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media1
Book Review: Figures of Time: Affect and the Television of Preemption1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era1
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity1
Global platforms, new media generations and Anglo-American hegemony: An exploration of young audience viewing and language preferences in four European countries1
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations1
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
Deconstruction of the superhero subgenre in The Boys : A social satire through characters with mental disorders1
Televisual transformations: The making of (media) citizens in interventional television productions1
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity1
‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty1
Book Review: Independent Women: From Film to Television1
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture1
Following the recipe: Producing The Great British Bake Off in Flanders1
Editorial1
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python1
Book Review: Reclaiming Popular Documentary1
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