Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
A perspective on BBC television news in India51
Book Review: Global TV Horror34
Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico28
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series19
Spaces for criticism: the Play for Today Viewing Group on work, gender and the body in The Bevellers (1974) and Not for the18
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era15
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market10
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)10
Editorial8
Netflix original series, global audiences and discourses of streaming success7
The ‘Netflix Original’ and what it means for the production of European television content7
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits7
EastEnders and the environment: Communicating the planetary crisis in prime time?7
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change6
Netflix’s high-end global telefantasy: Conspicuous and virtual localism6
Book Review: Television and the Genetic Imaginary6
Book Review: A European television fiction renaissance: Premium production models and transnational circulation5
Book Review: Moments in Television: Complexity/simplicity5
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s4
Editorial4
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand4
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE4
Book Review: An Analysis of Minute-by-Minute Television in Norway4
The ‘youthification’ of television3
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python2
Broadcasting change: An aerial overview of South African television debates in an age of constant transition2
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series2
Graphic design, music and sound in the BBC’s channel idents, 1991–20212
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)2
Televisual transformations: The making of (media) citizens in interventional television productions2
Let the people speak – The Community Programmes Unit 1972–20022
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama2
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem2
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe2
Book Review: Figures of Time: Affect and the Television of Preemption2
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision2
Editorial2
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series2
‘It started with a kiss’ EastEnders and subversion from within: Domestic ‘queer’ star persona and British social realism2
Book Review: Her Stories: Daytime Soap Opera & US Television History2
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’1
Voices from the emptiness. Developing the agentic rural on Spanish television1
Book Review: Independent Women: From Film to Television1
Book Review: Geopolitics, Northern Europe, And Nordic Noir: What Television Series Tell Us About World Politics1
Book Review: Television and the Afghan Culture Wars Brought to You by Foreigners, Warlords, and Activists1
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany1
Editorial1
Book Review: Screen Plays: Theatre Plays on British Television1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
Book Review: Reclaiming Popular Documentary1
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice1
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity1
Book Review: Their Own Best Creations: Women Writers in Postwar Television1
Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War1
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences1
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era1
Following the recipe: Producing The Great British Bake Off in Flanders1
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture1
The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel1
Women and activism in the screen industries: a discussion prompted by Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries 1
‘The Custodian of the BBC Archives’: The future of BBC Four as an archive channel1
‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty1
Editorial1
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity1
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