Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
A perspective on BBC television news in India51
Book Review: Global TV Horror34
Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico29
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series15
Spaces for criticism: the Play for Today Viewing Group on work, gender and the body in The Bevellers (1974) and Not for the10
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era8
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market7
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)7
EastEnders and the environment: Communicating the planetary crisis in prime time?6
Editorial6
Netflix’s high-end global telefantasy: Conspicuous and virtual localism5
The ‘Netflix Original’ and what it means for the production of European television content5
Book Review: Television and the Genetic Imaginary4
Book Review: Moments in Television: Complexity/simplicity4
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change4
Netflix original series, global audiences and discourses of streaming success4
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits4
Book Review: A European television fiction renaissance: Premium production models and transnational circulation3
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s2
Graphic design, music and sound in the BBC’s channel idents, 1991–20212
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series2
Let the people speak – The Community Programmes Unit 1972–20022
Editorial2
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand2
Book Review: An Analysis of Minute-by-Minute Television in Norway2
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem2
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama2
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE2
Editorial2
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series2
‘It started with a kiss’ EastEnders and subversion from within: Domestic ‘queer’ star persona and British social realism2
Broadcasting change: An aerial overview of South African television debates in an age of constant transition2
Following the recipe: Producing The Great British Bake Off in Flanders1
Televisual transformations: The making of (media) citizens in interventional television productions1
Book Review: Her Stories: Daytime Soap Opera & US Television History1
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty1
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences1
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations1
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision1
Voices from the emptiness. Developing the agentic rural on Spanish television1
Book Review: Figures of Time: Affect and the Television of Preemption1
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe1
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era1
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity1
Book Review: Independent Women: From Film to Television1
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture1
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’1
Editorial1
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)1
Book Review: Reclaiming Popular Documentary1
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity1
‘The Custodian of the BBC Archives’: The future of BBC Four as an archive channel1
The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel1
Book Review: Screen Plays: Theatre Plays on British Television1
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