Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)
ArticleCitations
Spaces for criticism: the Play for Today Viewing Group on work, gender and the body in The Bevellers (1974) and Not for the46
Book Review: Global TV Horror9
A perspective on BBC television news in India8
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series8
Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico7
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era7
EastEnders and the environment: Communicating the planetary crisis in prime time?6
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits4
Editorial4
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change4
Book Review: Adapting Television and Literature WorthyBlytheSheehanPaul (eds.) Adapting Television and Literature, Cham: Palgrave Macmillan, Springer, 2025: 293pp. ISBN 978-3-031-50831-8 £119.99 (hbk)4
Book Review: Television and the Genetic Imaginary4
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market4
Netflix’s high-end global telefantasy: Conspicuous and virtual localism3
The evolving ecosystem of Chinese children’s television in a regulated environment3
Book Review: An Analysis of Minute-by-Minute Television in Norway3
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand3
Editorial3
Watching TV as a class practice: Brazilian coaches and the therapeutic critique of consumption2
Book Review: A European television fiction renaissance: Premium production models and transnational circulation2
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama2
Let the people speak – The Community Programmes Unit 1972–20022
Broadcasting change: An aerial overview of South African television debates in an age of constant transition2
Disrupting masculinity: Locating Indian OTT web series as quality television and sites of subversive masculine representations2
Editorial2
Book Review: Moments in Television: Complexity/simplicity2
Graphic design, music and sound in the BBC’s channel idents, 1991–20212
‘Worthy female victims’? The rape of a white woman as metaphor for colonialism in two miniseries by Hugo Blick2
Book Review: German Crime Dramas from Network Television to Netflix SimonSunka, German Crime Dramas from Network Television to Netflix, New York: Bloomsbury Academic, 2023; 361 pp. ISBN 9781501368707 2
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series2
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series2
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s2
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE2
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem2
‘It started with a kiss’ EastEnders and subversion from within: Domestic ‘queer’ star persona and British social realism2
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)2
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations1
Book Review: Independent Women: From Film to Television1
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’1
Televisual transformations: The making of (media) citizens in interventional television productions1
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python1
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision1
Book Review: Reclaiming Popular Documentary1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era1
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity1
Young, wild, and free? Rai and its industrial challenges for contemporary Italian teen content1
Book Review: Figures of Time: Affect and the Television of Preemption1
Editorial1
Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media1
Voices from the emptiness. Developing the agentic rural on Spanish television1
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice1
Book Review: Screen Plays: Theatre Plays on British Television1
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture1
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
Book Review: Television Drama from Germany: Production, Storytelling and “Quality” KraußFlorian, Television Drama from Germany: Production, Storytelling and “Quality”, Cham: Palgrave Macmillan, 298pp.1
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe1
Deconstruction of the superhero subgenre in The Boys : A social satire through characters with mental disorders1
Alienating through anger? Diasporic Muslim girls’ coming-of-age in France and Belgium through the white gaze of the SKAM franchise1
0.16492486000061