Journal of Modern Craft

Papers
(The median citation count of Journal of Modern Craft is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Beyond Craft: Textile Practices in the Art Museum13
Woody De Othello: Hope Omens4
Works in Thread and the Emergence of Israeli Fiber Art2
Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw The New-York 2
Queer ThreadsThe San Jose Museum of Quilts and Textiles, May 12–August 20, 2023 Curated by John Chaich Queer Threads1
Faith Ringgold: American People1
Introduction1
Commentary1
Hear Me Now: The Black Potters of Old Edgefield, South Carolina1
Made for European Trade by Prisoners in Java: Batik Production in the Women’s Prisons of Semarang and Yogyakarta in the Early Twentieth Century1
Exhibiting Know-How: Curatorial Strategies for the Display of Artisanal Technical Gestures0
Obscured Brilliance: Modern and Contemporary Vietnamese Lacquer0
A Collective Fabric on a Cane Loom: a Weaving Workshop by Marta Palau in the 1986 Bienal de La Habana0
Indisposable: Tactics for Care and MourningFord Foundation Gallery, New York City, 1 October 1, 2022 - December 10, 2022 Indisposable: Tactics for Care and Mourning0
Ceramics in the Expanded Field0
Gendered Work in Former Portuguese Colonial Africa: Mass Labor and Public Works0
Commentary0
So Far and Yet So Near: The Artistic Residencies of Contextile Biennale Amidst a Pandemic0
More Than a Marginal Man in a Marginal History: Craftsman Roj and Regionalist Architecture in Zakopane0
No por natural es sostenible: Experiencias desde el arte popular (Not for natural is sustainable: Experiences from folk art)0
Commentary0
“Weaving Workshop Proposal,” c.19860
Introduction: Disrupting Boundaries: The Politics of Craft Exhibitions0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
The Exhibition as Critical Craft Practice: London’s Little Gallery in 19390
Extracts from “A Civilization of Technics” (1945)0
Objects of Contention: Art and Craft in the French Penal Colony of New Caledonia0
Curating Work: A Series of Exhibitions at the Musée des arts et métiers (2017–2021)0
Craft, Crises and Colonialism: Reimagining Puerto Rico0
Redesigning Hereke Carpets: A Modernization Path Through Patterns and Compositions at Sümerbank in 1960s Turkiye0
Material Intelligence0
Simon Olding (1954–2022): a Reflection0
Soil and Life in the Field of Craft Studies0
Working the Fabric: Resourcefulness, Belonging and Island Life in Scotland’s Harris Tweed Industry0
Craft, Carcerality, Empire0
The Nineteenth-Century Industrial Worker as Exhibition Visitor: Ways of Engaging with Making0
Cape Verdean Tapestry and the Artistic Renewal of a Nation: Don’t Let the Weaving Die0
Hear Me Now: The Black Potters of Old Edgefield, South CarolinaHear Me Now: The Black Potters of Old Edgefield, South CarolinaMetropolitan Museum of Art, New York City, NY, USA. September 9, 2022–Febr0
Black Clay: Black Women, Ceramics and Contemporary Art0
Studio CeramicsAlun Graves, Studio Ceramics . London: Thames & Hudson/V&A Museum, 2023. 415pp, 918 illustrations. ISBN 97805004808920
Selling Italy: Craft and Italianness in Italy at Work: Her Renaissance in Design Today (1950–53)0
Tender Loving Care0
Conversing in Clay: Ceramics from the LACMA Collection0
On Dullness: A Sensory Portrait0
Strange Clay: Ceramics in Contemporary Art0
“Your Body is the Loom”: Weaving, Carceral Craft, and Filipino Diaspora with Artist Bhen Alan0
Katie Schwab: small wares0
Darkhouse Lighthouse Darkhouse Lighthouse Troy Hill Art Houses. Pittsburgh, PA. Permanent installation0
Sangre de Nopal/Blood of the Nopal: Tanya Aguiñiga & Porfirio Gutiérrez en Conversación/in Conversation0
The Philippine Craftsman: Empire, Education, and the 1915 Panama-Pacific International Exposition0
Traditional Women’s Arts (1978)0
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
The Carrier Bag Theory of Convict Craft: The Sullivan Bay Tea Caddy, Port Phillip District, ca. 18030
Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makers; New Women’s Work: Reimagining “Feminine” Craft in Contemporary Art0
Sabotage: The Conscious Withdrawal of the Workers’ Industrial Efficiency (1917)0
Craft Knowledge and Performance Through Fiber Arts at the John C. Campbell Folk School0
“Freedom is Our Medicine”: An Interview with Joël Tjibaou0
Marcia Tucker’s Domestic Politics: Art and Craft in the 1990s0
Reprising Craftsmanship: An Expressive Approach to Skill0
“Modern Stained Glass in France and Holland,” Art Notes (1940)0
Fabric of a Nation: American Quilt Stories0
Equally Present Temporalities: Craft and the Contemporary at the Museo del Barro, Paraguay0
Sharing Honors and Burdens: Renwick Invitational 20230
Encountering Craft: Methodological Approaches from Anthropology, Art History, and Design0
Objects of Confinement: A Roundtable on Convict and Prisoner of War Craft from the Late Eighteenth to the Mid-Twentieth Century0
Making Trouble: Design and Material Activism0
Chinese Architecture Made by the Tushanwan Workshop in World Exhibitions, 1900–19450
Introduction: Exhibiting Craft: Histories, Contexts, Practices Exhibiting Making: Gesture, Skill and Process0
Editorial0
Crafting Disability: Re-envisioning Indian Textile Traditions0
Anne Dangar0
Magdalena Suarez Frimkess: The Finest Disregard0
Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen0
Craft on the Dirt Circuit: Commerce and Community at a Contemporary Renaissance Festival0
Lost Weavings of Atlanta: A Report0
How a Town of Craft Might be Planned (2011)0
The Persian Carpet in Crisis: The Emergence of Modern Dyeing Education in Qajar Iran (1882–1922)0
Commentary0
Islamicate Textiles. Fashion, Fabric and Ritual0
Cannupa Hanska Luger: Sé’sh Shóto’sh Psí’sh0
Drystane Dyking: an Interview with Martin Tyler0
“The Gesture Is Everything”: Interview with the Artisan Isabel Oliveira0
Body Vessel Clay: Black Women, Ceramics & Contemporary Art0
Editorial0
Material Agency and Mutual Transformation: Found Objects as Materials for Making0
Cultural Artefacts as the Transmission of Socio-Cultural Experience: Exploring the Role of the Pashmina Shawl as a Repository of Memory0
Inadvertent Archives: Black Craftspeople in the American Index of Design0
Thread Control: The Future of Digital Weaving0
Constructive Craft and Contested Regionalities0
Jacqueline Poncelet: In the Making0
Amazonian Indigenous Cultures in Art and Anthropological Exhibitions0
Theaster Gates: A Clay Sermon0
Precious Threads and Precarious Lives: Histories of Shawl and Silk Industries of Kashmir, 1846–19500
Textile Makerspace: Digital Humanities Meets Craft0
Between Conventional Borders: Excerpts from the {Queer} + {Metals} Project0
To Know Every Part: Theorizing Craft Narratives Via Fae Myenne Ng’s Bone0
Radical Stitch0
Teresa Lanceta: Weaving as Open SourceMuseu d’Art Contemporani de Barcelona, April 8–September 11, 2022; Instituto Valenciano de Arte Moderno, October 6, 2022–April 16, 2023. Curated by Nuria Enguita 0
Would You Like a Sealskin Suitcase? Convict Craft and Carceral Labor on Sakhalin Island0
Where Craft Starts0
Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Julia Skelly, London:0
Editorial0
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin0
Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Michele Avi0
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