OOIR: Observatory of International Research

Papers

(The median citation count of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography	8
From the Editors	3
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies	2
From the Editors	2
From the Editors	2
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour	1
Constructed Realities (2019–2022)	1
From Pixel to Grain: Pressure and Touch in Rafael Soldi’s CARGAMONTÓN	1
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside	1
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives	1
Punctuated Land: An Exploration of Conflict Through Photographic Practice	1
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography	1
Tethered Lamb in the Flow: The Tension Between Historical Contemplation and Present Aliveness in the Odes of Taca Sui	1
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home	1
The ‘Museum of Photographs’: Photomechanical Reproductions of Artworks in the Conway Collection, University of Melbourne	1
AI and Photography	1
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs	1
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John	0
Secondhand Tang Poems : Gazing at Passing Traditions	0
Introduction: Shaping Cultural Identities Through Photomechanical Reproduction	0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman	0
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy	0
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography	0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’	0
Claiming Truth, Picturing Doubt, or: When Knowledge and Ignorance Meet in an ‘Empty’ Picture	0

Staircase Modernism– Moholy-Nagy’s English Photobooks	0
Nadar’s Aerial Photography: Science, Ecstasy, Projection	0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team	0
The Work of Art in the Age of Computational Creativity	0
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 4	0
Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works	0
Border Matters and Metaphors	0
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography	0
Finding You Is My Courage: New Stories of Homecoming in Chinese Photography Since the 2000s	0
Reassembling Commercial Photographic History: The Mulhearn-Hoedt Archive	0
The Francis Effect and the Significance of Gestures and Images	0
From the Editors	0
Revealing a Colorized Past from a Family Portrait	0
The North Pole	0
From the Editors	0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images	0
Evelyn Hofer and the “Moment of Danger”	0
A Photographic Archive in the Network of Migration: A Case Study of the Archive of the Northern and Western Territories at the Institute for Western Affairs in Poznań, Poland	0
Seen, of Light and Legacy : Abstraction, Archive, and Representation	0
Postcards and Japonisme: Visual Representations and Cultural Circulation in Edwardian Britain	0
Quarries of Wandering Form: Entanglements and Encounters in Art, History, Geopolitics and the Spatial Relations of the Occupied Palestinian Territories	0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity	0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials	0
Portrait Photography from China’s Xinjiang: Capturing Geopolitics and Ethnic Identities on the Frontier	0
Paraska Plytka-Horytsvit: Ukrainian Photographer’s Recovered Archive	0
Truth and False in Portraits: Analysis of the Mechanism of ID Portraits in Forged Cards in Rome Under Nazi Occupation	0
Fashion Photographers in the AIGC Era: Changes in the Jurisdiction and Creativity from the Perspective of the Sociology of Professions	0
Being Present: Michael Tsegaye in Addis Ababa	0
Facing the Sun	0
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain	0
The Legal History of an Alinari Postcard: Photomechanical Reproduction and the Illustrated Postcard Industry at the Turn of the Twentieth Century	0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America	0
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 1902	0
Photography and 21st-Century Migration	0
Computational Photography: The Production of Perpetual Targets	0
Chircales , the City, and the Peasant’s Dreams of Buenvivir	0
Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility	0
Landmarks	0
Amateurism: An Alternative Narrative of Photography in China, Part I	0
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-16	0
Infrastructure Photography and the AI Data Center Building Boom	0
Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery	0
Negative/Positive: A History of Photography	0
Abundance and Absence in AI: A Review of ‘Missing Mirror: Photography through the lens of AI’	0
From the Editors	0
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)	0
With Its Many Eyes: Opening Remarks to AI and Photography	0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-8	0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico	0
Searching for the Homeland with Stories and Sands: ‘My Tarim’ and ‘Sand, Sand, and Sand’	0

Wartime Manchukuo’s Photography Registration System: Mutō Tomio’s Bureaucratic Approach to Photography	0
Discussing Shared Heritage: Politics of Photomechanically Illustrated Publications on Synagogues in Poland (1895–1957)	0
Reframing the Invention of Photography	0
Looking into Themselves. Women Documenting Wars and Their Aftermath	0
Untitled #310	0
AI and Photography: An Interview with Brooke Belisle	0
Feeding AI, Fed by AI: Cognitive Labor and Reversed Organology	0
Infertile Grounds – The Photograph as a Site of Memory	0
Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography	0
Lompatan di Ambang Batas : Agency, Risk, and The Photo Narrative of Three Acts in One Frame at Lake Toba	0
Anna Fox, Jenny Matthews and Susan Meiselas in Conversation	0
From the Editors	0
Photographic Firsts, Seen from a Distance: Adult Memories of Childhood Camera Experiences	0
Politics Unseen: Group f.64 Photography and the Problem of Purity	0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 1974	0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War	0
Imagining the Divine	0
#Ingrid	0
The Bruckmann Image Archive at the Central Institute for Art History in Munich, Germany	0
Reproducing a Nation: The Photomechanical Construction of Norway 1884–1905	0
The Narrative across Photographs: The Silk Roads Photography Gallery	0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain	0
Messenger, Archive and Memory: Photography as Hermes	0
The Art Book Wit Stwosz. Ołtarz Krakowski (1951) in the Snares of Ideology: Art Reproduction Between Agency and Appropriation	0
For Those Who Played: Representing Indigenous Music in The Complete Works of Zhuang Xueben	0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography	0
Indigenous Cultures and Post-Mortem Photography	0
Photographic Education in Uganda	0
From the Editors	0
Between Politics and Fine Arts: Archiving “New China” in “Origin: The Chinese Photography Collection Exhibition, 1957–1980”	0
The Hybrid Dialectics Interview between Warren S. Neidich and Erik Morse	0
Theorizing New Photographies in Contemporary China: An Introduction	0
A Portfolio from the Series Drift Alignment	0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal	0
Constructing Knowledge Between East and West: The Photographic Books of Ogawa Kazumasa	0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution	0
Images from Images: Generative AI and the Reconfiguration of the ‘Photographic’	0