Photography and Culture

Papers
(The median citation count of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Landmarks11
Infertile Grounds – The Photograph as a Site of Memory6
What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography4
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 44
Ottomar Anschütz’s Animal Photography through the Lens of Darwinism3
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy2
Reborn-Digital Tutankhamun: Howard Carter and an Egyptian Archaeologist, Name Unknown2
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain1
Photographic Digital Heritage in Cultural Conflicts: A Critical Introduction1
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman1
Operation Overlord: Civilian Photography and Artistic Mediation1
“The Queer Optics of the Vietnamese Diaspora: Reframing the Visual Archive in ‘The opposite of looking is not invisibility. The opposite of yellow is not gold.’”1
Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography1
From the Editors1
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)0
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour0
“Grateful” Children and “Humanitarian” Marines: Georgette “Dickey” Chapelle’s Vietnam Photography, 19620
The Legal History of an Alinari Postcard: Photomechanical Reproduction and the Illustrated Postcard Industry at the Turn of the Twentieth Century0
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives0
Indigenous Uses of Photographic Digital Heritage in Postcolonizing Australia0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity0
Punctuated Land: An Exploration of Conflict Through Photographic Practice0
Theorizing New Photographies in Contemporary China: An Introduction0
Get in: Rhetoric and Realities of Diversity in the Global University0
The Francis Effect and the Significance of Gestures and Images0
The Narrative across Photographs: The Silk Roads Photography Gallery0
Negative/Positive: A History of Photography0
“We Live in a Wagon Never Going Anywhere:” The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars0
Photography and 21st-Century Migration0
The North Pole0
Photographic Education in Uganda0
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs0
From the Editors0
Infrastructure Photography and the AI Data Center Building Boom0
Pandemic Photography: Images from COVID-19 in India0
Seen, of Light and Legacy : Abstraction, Archive, and Representation0
The UNRWA Film and Photo Archive0
Nadar’s Aerial Photography: Science, Ecstasy, Projection0
The Bruckmann Image Archive at the Central Institute for Art History in Munich, Germany0
Documents from the Edges of Conflict0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain0
Suburban Herbarium0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials0
Days of Isolation: Queering a Pandemic - Playing Myself/Selves0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-80
Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery0
Wartime Manchukuo’s Photography Registration System: Mutō Tomio’s Bureaucratic Approach to Photography0
(De)Colonial Positioning0
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography0
Finding You Is My Courage: New Stories of Homecoming in Chinese Photography Since the 2000s0
The National is Personal: Domestic Photographs in Israel’s Authorized Digital Heritage0
Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works0
Amateurism: An Alternative Narrative of Photography in China, Part I0
Possible Traces of Whiteness0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 19740
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home0
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography0
Anna Fox, Jenny Matthews and Susan Meiselas in Conversation0
A Portfolio from the Series Drift Alignment0
Sheltering the Ghosts? Digitized Photographs of Political Victims and World War II Veterans on Russian Online Databases0
Punjabi Migration to the Black Country: A Photographic Journey through History, Cultures and Digital Technology0
Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949)0
Reassembling Commercial Photographic History: The Mulhearn-Hoedt Archive0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico0
Postcards and Japonisme: Visual Representations and Cultural Circulation in Edwardian Britain0
The Hybrid Dialectics Interview between Warren S. Neidich and Erik Morse0
“Multiethnic Pioneers”: Representation of Korean Agrarian Villages inManshū gurafuand the Vision of a Multiethnic State0
From the Editors0
For Those Who Played: Representing Indigenous Music in The Complete Works of Zhuang Xueben0
Feeding AI, Fed by AI: Cognitive Labor and Reversed Organology0
Crime Scenes: Landscape, Memory and Atrocity in Jorge Barbi’s El Final, Aquí0
From the Editors0
When Photographs Fail, When Monuments Fall: Photography and Reparations in Canada0
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside0
Paraska Plytka-Horytsvit: Ukrainian Photographer’s Recovered Archive0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images0
From the Editors0
Staircase Modernism– Moholy-Nagy’s English Photobooks0
‘Unseeing’ Photography: Academic Freedom and Human Rights after Tiananmen0
Chircales , the City, and the Peasant’s Dreams of Buenvivir0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution0
Looking into Themselves. Women Documenting Wars and Their Aftermath0
Indigenous Cultures and Post-Mortem Photography0
Kodachrome Plantation: Bruce Jackson’s Color Prison Photographs0
From Pixel to Grain: Pressure and Touch in Rafael Soldi’s CARGAMONTÓN0
Us in Relation to the Universe—Collaborative North-South Photographic Practice Research0
Countless Ways of Knowing: Looking at Images beyond the Frame as a Practice of Liberatory Pedagogy0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team0
#Ingrid0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal0
Digital Visual Activism: Photography and the Re-Opening of the Unresolved Truth and Reconciliation Commission Cases in Post-Apartheid South Africa0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America0
From the Editors0
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 19020
Searching for the Homeland with Stories and Sands: ‘My Tarim’ and ‘Sand, Sand, and Sand’0
Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility0
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography0
Tethered Lamb in the Flow: The Tension Between Historical Contemplation and Present Aliveness in the Odes of Taca Sui0
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John0
Border Matters and Metaphors0
Evelyn Hofer and the “Moment of Danger”0
From the Editors0
Reframing the Invention of Photography0
John Møller’s ‘Photographic Memory’ – Professional Photography of Greenlandic Inuit and Danish Administrators at the Turn of the Twentieth Century0
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies0
Humanism after the Human: An Introduction0
Secondhand Tang Poems : Gazing at Passing Traditions0
Quarries of Wandering Form: Entanglements and Encounters in Art, History, Geopolitics and the Spatial Relations of the Occupied Palestinian Territories0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’0
Being Present: Michael Tsegaye in Addis Ababa0
The Kashmir Conflict Archive0
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-160
Imagining the Divine0
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