Photography and Culture

Papers
(The median citation count of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
When Photographs Fail, When Monuments Fall: Photography and Reparations in Canada11
What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography6
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies4
Suburban Herbarium4
From the Editors3
‘Unseeing’ Photography: Academic Freedom and Human Rights after Tiananmen2
From the Editors2
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography1
Tethered Lamb in the Flow: The Tension Between Historical Contemplation and Present Aliveness in the Odes of Taca Sui1
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home1
John Møller’s ‘Photographic Memory’ – Professional Photography of Greenlandic Inuit and Danish Administrators at the Turn of the Twentieth Century1
Pandemic Photography: Images from COVID-19 in India1
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs1
From Pixel to Grain: Pressure and Touch in Rafael Soldi’s CARGAMONTÓN1
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside1
Countless Ways of Knowing: Looking at Images beyond the Frame as a Practice of Liberatory Pedagogy1
Secondhand Tang Poems : Gazing at Passing Traditions0
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-160
Reassembling Commercial Photographic History: The Mulhearn-Hoedt Archive0
Infertile Grounds – The Photograph as a Site of Memory0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War0
“We Live in a Wagon Never Going Anywhere:” The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars0
Nadar’s Aerial Photography: Science, Ecstasy, Projection0
The Bruckmann Image Archive at the Central Institute for Art History in Munich, Germany0
Evelyn Hofer and the “Moment of Danger”0
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 40
Amateurism: An Alternative Narrative of Photography in China, Part I0
Theorizing New Photographies in Contemporary China: An Introduction0
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography0
Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility0
Postcards and Japonisme: Visual Representations and Cultural Circulation in Edwardian Britain0
Negative/Positive: A History of Photography0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography0
“Grateful” Children and “Humanitarian” Marines: Georgette “Dickey” Chapelle’s Vietnam Photography, 19620
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain0
Being Present: Michael Tsegaye in Addis Ababa0
Sheltering the Ghosts? Digitized Photographs of Political Victims and World War II Veterans on Russian Online Databases0
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives0
Searching for the Homeland with Stories and Sands: ‘My Tarim’ and ‘Sand, Sand, and Sand’0
Days of Isolation: Queering a Pandemic - Playing Myself/Selves0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images0
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy0
Possible Traces of Whiteness0
The National is Personal: Domestic Photographs in Israel’s Authorized Digital Heritage0
Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works0
Wartime Manchukuo’s Photography Registration System: Mutō Tomio’s Bureaucratic Approach to Photography0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’0
Reframing the Invention of Photography0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America0
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)0
Photographic Digital Heritage in Cultural Conflicts: A Critical Introduction0
Documents from the Edges of Conflict0
Get in: Rhetoric and Realities of Diversity in the Global University0
Seen, of Light and Legacy : Abstraction, Archive, and Representation0
Photography and 21st-Century Migration0
From the Editors0
The Legal History of an Alinari Postcard: Photomechanical Reproduction and the Illustrated Postcard Industry at the Turn of the Twentieth Century0
Border Matters and Metaphors0
Crime Scenes: Landscape, Memory and Atrocity in Jorge Barbi’s El Final, Aquí0
Landmarks0
Infrastructure Photography and the AI Data Center Building Boom0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain0
The UNRWA Film and Photo Archive0
Us in Relation to the Universe—Collaborative North-South Photographic Practice Research0
Kodachrome Plantation: Bruce Jackson’s Color Prison Photographs0
(De)Colonial Positioning0
From the Editors0
From the Editors0
For Those Who Played: Representing Indigenous Music in The Complete Works of Zhuang Xueben0
“Multiethnic Pioneers”: Representation of Korean Agrarian Villages inManshū gurafuand the Vision of a Multiethnic State0
Punctuated Land: An Exploration of Conflict Through Photographic Practice0
From the Editors0
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John0
Reborn-Digital Tutankhamun: Howard Carter and an Egyptian Archaeologist, Name Unknown0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-80
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 19020
Anna Fox, Jenny Matthews and Susan Meiselas in Conversation0
Paraska Plytka-Horytsvit: Ukrainian Photographer’s Recovered Archive0
A Portfolio from the Series Drift Alignment0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials0
AI and Photography: An Interview with Brooke Belisle0
Staircase Modernism– Moholy-Nagy’s English Photobooks0
Indigenous Uses of Photographic Digital Heritage in Postcolonizing Australia0
Operation Overlord: Civilian Photography and Artistic Mediation0
The Narrative across Photographs: The Silk Roads Photography Gallery0
Looking into Themselves. Women Documenting Wars and Their Aftermath0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team0
The North Pole0
Photographic Education in Uganda0
Imagining the Divine0
Finding You Is My Courage: New Stories of Homecoming in Chinese Photography Since the 2000s0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico0
Reproducing a Nation: The Photomechanical Construction of Norway 1884–19050
“The Queer Optics of the Vietnamese Diaspora: Reframing the Visual Archive in ‘The opposite of looking is not invisibility. The opposite of yellow is not gold.’”0
Feeding AI, Fed by AI: Cognitive Labor and Reversed Organology0
The Francis Effect and the Significance of Gestures and Images0
Abundance and Absence in AI: A Review of ‘Missing Mirror: Photography through the lens of AI’0
#Ingrid0
Punjabi Migration to the Black Country: A Photographic Journey through History, Cultures and Digital Technology0
Digital Visual Activism: Photography and the Re-Opening of the Unresolved Truth and Reconciliation Commission Cases in Post-Apartheid South Africa0
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour0
Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949)0
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography0
Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery0
Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography0
From the Editors0
Indigenous Cultures and Post-Mortem Photography0
Chircales , the City, and the Peasant’s Dreams of Buenvivir0
The Hybrid Dialectics Interview between Warren S. Neidich and Erik Morse0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 19740
Quarries of Wandering Form: Entanglements and Encounters in Art, History, Geopolitics and the Spatial Relations of the Occupied Palestinian Territories0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution0
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