OOIR: Observatory of International Research

Papers

(The median citation count of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
When Photographs Fail, When Monuments Fall: Photography and Reparations in Canada	11
What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography	4
Suburban Herbarium	3
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies	2
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside	1
‘Unseeing’ Photography: Academic Freedom and Human Rights after Tiananmen	1
John Møller’s ‘Photographic Memory’ – Professional Photography of Greenlandic Inuit and Danish Administrators at the Turn of the Twentieth Century	1
From the Editors	1
From Pixel to Grain: Pressure and Touch in Rafael Soldi’s CARGAMONTÓN	1
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography	1
From the Editors	1
The Hybrid Dialectics Interview between Warren S. Neidich and Erik Morse	0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials	0
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 1902	0
Being Present: Michael Tsegaye in Addis Ababa	0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal	0
The Legal History of an Alinari Postcard: Photomechanical Reproduction and the Illustrated Postcard Industry at the Turn of the Twentieth Century	0
AI and Photography: An Interview with Brooke Belisle	0
The Narrative across Photographs: The Silk Roads Photography Gallery	0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 1974	0
Photography and 21st-Century Migration	0
Reassembling Commercial Photographic History: The Mulhearn-Hoedt Archive	0
Imagining the Divine	0
Finding You Is My Courage: New Stories of Homecoming in Chinese Photography Since the 2000s	0
“We Live in a Wagon Never Going Anywhere:” The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars	0

Feeding AI, Fed by AI: Cognitive Labor and Reversed Organology	0
Reproducing a Nation: The Photomechanical Construction of Norway 1884–1905	0
Evelyn Hofer and the “Moment of Danger”	0
Infertile Grounds – The Photograph as a Site of Memory	0
The Francis Effect and the Significance of Gestures and Images	0
“The Queer Optics of the Vietnamese Diaspora: Reframing the Visual Archive in ‘The opposite of looking is not invisibility. The opposite of yellow is not gold.’”	0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’	0
Pandemic Photography: Images from COVID-19 in India	0
For Those Who Played: Representing Indigenous Music in The Complete Works of Zhuang Xueben	0
From the Editors	0
Postcards and Japonisme: Visual Representations and Cultural Circulation in Edwardian Britain	0
From the Editors	0
Searching for the Homeland with Stories and Sands: ‘My Tarim’ and ‘Sand, Sand, and Sand’	0
“Multiethnic Pioneers”: Representation of Korean Agrarian Villages inManshū gurafuand the Vision of a Multiethnic State	0
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain	0
Punctuated Land: An Exploration of Conflict Through Photographic Practice	0
Possible Traces of Whiteness	0
Infrastructure Photography and the AI Data Center Building Boom	0
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy	0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images	0
Quarries of Wandering Form: Entanglements and Encounters in Art, History, Geopolitics and the Spatial Relations of the Occupied Palestinian Territories	0
Seen, of Light and Legacy : Abstraction, Archive, and Representation	0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution	0
Landmarks	0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity	0
Messenger, Archive and Memory: Photography as Hermes	0
Secondhand Tang Poems : Gazing at Passing Traditions	0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War	0
Untitled #310	0
Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography	0
Border Matters and Metaphors	0
Get in: Rhetoric and Realities of Diversity in the Global University	0
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 4	0
From the Editors	0
Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works	0
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography	0
Amateurism: An Alternative Narrative of Photography in China, Part I	0
Crime Scenes: Landscape, Memory and Atrocity in Jorge Barbi’s El Final, Aquí	0
Tethered Lamb in the Flow: The Tension Between Historical Contemplation and Present Aliveness in the Odes of Taca Sui	0
Negative/Positive: A History of Photography	0
Us in Relation to the Universe—Collaborative North-South Photographic Practice Research	0
Theorizing New Photographies in Contemporary China: An Introduction	0
Countless Ways of Knowing: Looking at Images beyond the Frame as a Practice of Liberatory Pedagogy	0
Staircase Modernism– Moholy-Nagy’s English Photobooks	0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography	0
Kodachrome Plantation: Bruce Jackson’s Color Prison Photographs	0
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour	0
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John	0
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography	0
Nadar’s Aerial Photography: Science, Ecstasy, Projection	0

Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery	0
A Photographic Archive in the Network of Migration: A Case Study of the Archive of the Northern and Western Territories at the Institute for Western Affairs in Poznań, Poland	0
Indigenous Cultures and Post-Mortem Photography	0
Reframing the Invention of Photography	0
Claiming Truth, Picturing Doubt, or: When Knowledge and Ignorance Meet in an ‘Empty’ Picture	0
Wartime Manchukuo’s Photography Registration System: Mutō Tomio’s Bureaucratic Approach to Photography	0
Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949)	0
Documents from the Edges of Conflict	0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America	0
Computational Photography: The Production of Perpetual Targets	0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-8	0
The North Pole	0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain	0
Chircales , the City, and the Peasant’s Dreams of Buenvivir	0
The Bruckmann Image Archive at the Central Institute for Art History in Munich, Germany	0
Looking into Themselves. Women Documenting Wars and Their Aftermath	0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team	0
Photographic Education in Uganda	0
Anna Fox, Jenny Matthews and Susan Meiselas in Conversation	0
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-16	0
Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility	0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico	0
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs	0
(De)Colonial Positioning	0
Abundance and Absence in AI: A Review of ‘Missing Mirror: Photography through the lens of AI’	0
Paraska Plytka-Horytsvit: Ukrainian Photographer’s Recovered Archive	0
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home	0
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)	0
From the Editors	0
#Ingrid	0
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives	0
From the Editors	0
Days of Isolation: Queering a Pandemic - Playing Myself/Selves	0
From the Editors	0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman	0
A Portfolio from the Series Drift Alignment	0