Journal of the Society for American Music

Papers
(The median citation count of Journal of the Society for American Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
SAM volume 16 issue 3 Cover and Back matter2
Chronicling Stankonia: The Rise of the Hip-Hop South By Regina N. Bradley. Chapel Hill, NC: University of North Carolina Press, 2021.2
African Diaspora Music Project Videmus Inc. Website. https://africandiasporamusicproject.org/.1
Wonderful Design: Glamour in the Hollywood Musical By Lloyd Whitesell. New York: Oxford University Press, 2018.1
Leonard Bernstein and Washington, D.C.: Works, Politics, Performances Edited by Daniel Abraham, Alicia Kopfstein-Penk, and Andrew H. Weaver. Eastman Studies in Music. Rochester, NY: University of Roch1
Opera and Land: Settler Colonialism and the Geopolitics of Music at the Carlisle Indian Industrial School1
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White By Kimberly Mack. University of Massachusetts Press, 2020.1
SAM volume 17 issue 2 Cover and Back matter1
Curricular Reform and a Culture of Listening: Lessons from the Rosedale Freedom Project1
SAM volume 16 issue 1 Cover and Front matter1
SAM volume 18 issue 1 Cover and Back matter1
Crossing Bar Lines: The Politics and Practices of Black Musical Space By James Gordon Williams. Jackson: University Press of Mississippi, 20210
“I'm Workin’ on My Buildin”: Freedom and Foundation-Building in Florence Price's Two Violin Fantasies0
Panpipes and Ponchos: Musical Folklorization and the Rise of the Andean Conjunto Tradition in La Paz, Bolivia By Fernando Rios. New York: Oxford University Press, 2020.0
Unbinding Gentility: Women Making Music in the Nineteenth Century South By Candace Bailey. Urbana: University of Illinois Press, 2021.0
Forging a Lineage: Kinship, Mobility, and the Zildjian Cymbal0
Affective Interruptions: Political Collectivity in Halftime0
More Than One “Double Life”: Artistic Conceptions, Networks, and Negotiations in Benny Goodman's Commissions to Paul Hindemith and Darius Milhaud0
Stephanie Economou. Assassin's Creed Valhalla: Dawn of Ragnarok. Ubisoft Music, 20220
Coleccionistas de Sonido Website. 2022. https://www.coleccionistasdesonidos.com/0
“I Just Told Them Like It Was”: Performance and History at Colonial Williamsburg0
Institute for Composer Diversity, https://www.composerdiversity.com/0
Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora By Kay Kaufman Shelemay. London and Chicago, IL: University of Chicago Press, 2022.0
The Court as Concert Hall: Music at the U.S. Supreme Court0
Bernice Johnson Reagon's Musical Coalition Politics, 1966–810
A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial By Steven P. Garabedian. Amherst: University of Massachusetts Press, 2020.0
Los Rurales Y Los Amigos de Buena Vista. Ocotitia. Released February 26, 2021. Cugate Clásicos Latinos, LC 08867, 2021. CD.0
Media Editors' Note0
Leonard Bernstein and the Language of Jazz By Katherine A. Baber. Urbana: University of Illinois Press, 2019.0
Two Adaptations, Both Alike in Dignity: West Side Story and the Cinematic Impact of an American Film Musical0
Got To Be Something Here: The Rise of the Minneapolis Sound By Andrea Swensson. Minneapolis: University of Minnesota Press, 2021.0
Sell a Song of Safety: Children, Radio, and the Safety Patrol0
Groundhog Summers and the Search for the Black Messiah Noname. “Song 33.” Song 33—Single. Noname, 2020. - Adia Victoria. “South Gotta Change.” South Gotta Change—Single. Atlantantic Recording Corporat0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras By Joel Rubin. Rochester, NY: University of Rochester Press, 2020.0
George C. Wolfe. Ma Rainey's Black Bottom Netflix, 2020. 1 hr, 34 min - Dee Rees. Bessie HBO Films, 2015. 1 hr, 55 min.0
Historical Records: Reissuing as Curatorial Practice in Harry Smith's Anthology of American Folk Music0
Are Popular Music Curricula Antiracist?: The CCNY Music Department as a Case Study0
The Velvet Underground Todd Haynes, director. Criterion Collection Blu-ray. 2021.0
Blending the Popular and the Profound: Organ Concerts at the 1893 World's Columbian Exposition0
Televising Talent: Musicality, Meritocracy, and the Aesthetics of Exclusion0
SAM volume 18 issue 1 Cover and Front matter0
Caroline Shaw and Sō Percussion. Let the Soil Play its Simple Part Released June 25, 2021. Nonesuch Records, SKU#075597915891, 2021. CD0
SAM volume 16 issue 1 Cover and Back matter0
American Harmony: Inspired Choral Miniatures from New England, Appalachia, the Mid-Atlantic, the South, and the Midwest Edited by Nym Cooke. Boston: David R. Godine, 2017.0
Whose History?: The Americas and Music Curricula in the United States0
Met Opera on Demand https://www.metopera.org/season/on-demand/0
Atmospheric Noise: The Indefinite Urbanism of Los Angeles By Marina Peterson. Durham, NC: Duke University Press, 2021.0
Ginger Smock: Narratives of Perpetual Discovery, Jazz Historiography, and the “Swinging Lady of the Violin”0
The Karl Muck Scandal: Classical Music and Xenophobia in World War I America by Melissa D. Burrage, Rochester: University of Rochester Press, 2019.0
Samantha Ege, piano, with John Paul Ekin, piano. Black Renaissance Woman: Piano Music by Florence Price, Margaret Bonds, Nora Holt, Betty Jackson King, Helen Hagan Lontano Records Ltd, 2022, CD0
SAM volume 17 issue 2 Cover and Front matter0
“All I See Is Your Booty and Cleavage”: Sex and the Contemporary Gospel Song (1988–2017)0
Hillbilly Maidens, Okies, and Cowgirls: Women's Country Music, 1930–1960 By Stephanie Vander Wel. Urbana: University of Illinois Press, 2020.0
SAM volume 17 issue 3 Cover and Back matter0
Darby Wheeler, dir. Hip-Hop Evolution Banger Films, 2016. Streaming0
Defining the Songs of Incarceration: The Lomax Prison Project at a Critical Juncture0
Music is a Place: Oprys and the Rural Working-Class Constitution of Public Space0
Songbooks: The Literature of American Popular Music By Eric Weisbard. Durham, NC, and London: Duke University Press, 2021.0
American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL: University of Illinois Press, 2020.0
Christian Sacred Music in the Americas Edited by Andrew Shenton and Joanna Smolko. Lanham, Maryland: Rowman & Littlefield, 2021.0
“VeryFemale, with the Allure of a Foreign Aura”: Vocality, Gender, and European Exoticism in the US Careers of Alice Babs and Caterina Valente0
Zenaida Romeu, Camerata Romeu. La Bella Habana CD. Habana, Cuba: Cugate Classics, 2019.0
A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.20
George Frederick Bristow By Katherine K. Preston. Urbana, IL: University of Illinois Press, 2020.0
Lying in the Middle: Musical Theater and Belief at the Heart of America By Jake Johnson. Urbana, IL: University of Illinois Press, 2021.0
SAM volume 18 issue 2 Cover and Front matter0
Noble Sissle and Eubie Blake: Shuffle Along Music of the United States Volume 29. Recent Researches in American Music Volume 85. Edited by Lyn Schenbeck and Lawrence Schenbeck. Middleton, WI: A-R Edit0
Dvořák's Prophecy: A New Narrative for American Classical Music Produced by Joseph Horowitz. Naxos, 20210
Preaching from the Choir: Music Departments and Their Discontents0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–19200
Against the Grain Theatre'sMessiah/Complexand Indigenous Sovereignty0
God Rock, Inc.: The Business of Niche Music By Andrew Mall. Oakland, CA: University of California Press, 2021.0
All Rights Reserved: Behind the Strategic Copyright of “We Shall Overcome”0
Record Cultures: The Transformation of the U.S. Record Industry By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020.0
Aaron Copland in Latin America: Music and Cultural Politics By Carol A. Hess. Urbana, IL: University of Illinois Press, 2023.0
SAM volume 17 issue 1 Cover and Front matter0
The Spiritualist Ear0
SAM volume 18 issue 3 Cover and Back matter0
Heitor Villa-Lobos and the Traces of Coloniality in Andrés Segovia's Guitar Repertoire0
SAM volume 18 issue 2 Cover and Back matter0
Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition0
West Is Up, How to Get to The Suburbs, and Other Spatial Logics of DC's Punk Scene0
Ornette Coleman: The Territory and the Adventure By Maria Golia. London: Reaktion Books, 2020.0
SAM volume 16 issue 2 Cover and Front matter0
Dancers on a Grid: Musical Minimalism Arrives at New York City Ballet in 19830
Ry Cooder and Taj Mahal. Get on Board. Nonesuch/Warner Records, 2022, CD.0
Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath0
Haunthenticity: Musical Replay and the Fear of the Real By Tracy McMullen. Middletown, CT: Wesleyan University Press, 2019.0
Live Music in America. A History from Jenny Lind to Beyoncé By Steve Waksman. New York, NY: Oxford University Press, 2022.0
Encanto (Original Motion Picture Soundtrack). Walt Disney Records, B09GYH5WK6, 2021, Streaming.0
SAM volume 16 issue 4 Cover and Back matter0
Home is Together: Sounds of Belonging in the Correspondence of Two Japanese American Families Separated by Wartime Incarceration0
Citations, Misunderstandings, and Authenticity in Coleridge-Taylor's Spiritual Arrangements0
Soul on Soul: The Life and Music of Mary Lou Williams By Tammy L. Kernodle. Urbana, IL: University of Illinois Press, 2020, 2nd edition.0
Archives of African American Music and Culture, Indiana University, https://aaamc.indiana.edu/0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–1920—CORRIGENDUM0
“Feel The Tears I Cried Today”: Barbra Streisand and the Sentimental Mode0
SAM volume 17 issue 3 Cover and Front matter0
Queers of Steel: Camp in John Williams's Superman (1978) and Jerry Goldsmith's Supergirl (1984)0
Sonic Domination and the Politics of Race in Southern Antebellum Hymnody0
PUBLIQuartet, What Is American. Bright Shiny Things, BSTC-0171, 2022, CD.0
Listen But Don't Ask Question: Hawaiian Slack Key Guitar Across the TransPacific By Kevin Fellezs. Durham: Duke University Press, 2019.0
Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture By Mark R. Villegas. Urbana: University of Illinois Press, 2021.0
SAM volume 17 issue 1 Cover and Back matter0
Fuser. Harmonix. Windows PC, Nintendo Switch, PlayStation 4, and Xbox One. 20200
SAM volume 17 issue 4 Cover and Back matter0
“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy0
Jon Batiste. WE ARE Verve Records, 20210
The Passions of Peter Sellars: Staging the Music By Susan McClary. Ann Arbor, MI: University of Michigan Press, 2019.0
Hearing Epistemic Sound in Experimental (Music) Systems, 1958–730
The Lady Swings: Memoirs of a Jazz Drummer By Dottie Dodgion and Wayne Enstice. Urbana: University of Illinois Press, 2021.0
SAM volume 15 issue 3 Cover and Front matter0
Songs of Slavery and Emancipation By Mat Callahan. Jackson, MS: University of Mississippi Press, 2022.0
“The Hall Does Not Make the Space”: Disrupting Concert Hall Norms in Hannibal's One Land, One River, One People0
Teaching Freedom Song as Antiracist Praxis0
SAM volume 15 issue 4 Cover and Back matter0
Leonard Feather and the Gender Ignorant Language of Jazz Mastery0
Bad Infrastructure, Good Craic: Affective Transformation at Irish Traditional Music Festivals in the Catskills0
“A Most Valuable Curiosity”: Music Manuscripts, Authorship, Composition, and Gender at the Ephrata Cloister in Eighteenth-Century Pennsylvania0
Music and Deafness in the Nineteenth-Century U.S. Imagination0
SAM volume 15 issue 4 Cover and Front matter0
The Padrone By George Whitefield Chadwick. Edited by Marianne Betz. Music of the United States of America. Madison, WI: A-R Editions, 2017.0
Músicas coloniales a debate: Procesos de intercambio euroamericanos Edited by Javier Marín López. Madrid: Instituto Complutense de Ciencias Musicales, 2018. - El villancico en la encrucijada: Nuevas p0
Five Years Ahead of My Time: Garage Rock from the 1950s to the Present By Seth Bovey. London: Reaktion Books, 2019.0
Private Equity Blues: Warner Music Group, Nonesuch Records, and Jazz in the Era of Financialization0
“A Much More Valuable Signature”: Gender, Factory Labor, and the Mythology of Builder-Signed Amplifiers from Fender's “Tweed” Era, 1948–600
SAM volume 18 issue 3 Cover and Front matter0
Racism on Trial in U.S. Symphony Orchestras0
Remembering the Cotton Screwmen: Inter-racial Waterfront Labor and the Development of Sailors’ Chanties0
What We Talk about When We Talk about Live Smooth Jazz: Sonic Suburbanization, Multipurpose Places of Assembly, and Collective Memory in Regional Cleveland0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania By Sarah Justina Eyerly. Bloomington, IN: Indiana University Press, 2020.0
Joshua McCarter Simpson's Songs and Mid-Nineteenth Century Antislavery Activism0
Between Beats: The Jazz Tradition and Black Vernacular Dance By Christi Jay Wells. New York: Oxford University Press, 2021.0
Philippa Duke Schuyler. Seven Pillars of Wisdom Sarah Masterson, piano. Centaur Records 3944, 20220
Desert Specters: Commemoration and Myth in Doctor Atomic and Oppenheimer0
Leslie Uggams, Sing Along with Mitch (1961–64), and the Reverberations of Minstrelsy0
Singing Out: GALA Choruses and Social Change By Heather MacLachlan. Ann Arbor: University of Michigan Press, 2020.0
Hungry Listening: Resonant Theory for Indigenous Sound Studies By Dylan Robinson. Minneapolis: University of Minnesota Press, 2020.0
Rethinking Reich Edited by Sumanth Gopinath and Pwyll ap Siôn. New York: Oxford University Press, 2019.0
The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics By Robin James. Durham: Duke University Press, 2019.0
Accountability and Imagination in Undergraduate Curricular Reform0
SAM volume 16 issue 3 Cover and Front matter0
“The influence of Melody upon man in the wild state of nature”: Enslaved Parishioners, Anglican Violence, and Racialized Listening in a Jamaica Parish0
Binational Indianism in James DeMars’s Guadalupe, Our Lady of the Roses0
Call, Response, and Compromisso: Ethical Practice in Capoeira of Backland Bahia, Brazil0
SAM volume 17 issue 4 Cover and Front matter0
Dora Dean and the Performance of Black Womanhood in the “Coon Song” Craze0
“The Silent Partner”: Tonearms and Modular Masculinities in U.S. Midcentury Hi-Fi Culture0
SAM volume 16 issue 2 Cover and Back matter0
Beyoncé: At Work, On Screen, and Online Edited by Martin Iddon and Melanie L. Marshall. Bloomington: Indiana University Press, 2020.0
The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction. Northwestern University. Website. https://sites.northwestern.edu/bfmf/0
Duke Ellington, El Rey del Jazz and the Mexico City Massacre of 19680
Bill Monroe: The Life and Music of the Blue Grass Man By Tom Ewing. Urbana: University of Illinois Press, 2018. - Dixie Dewdrop: The Uncle Dave Macon Story By Michael D. Doubler. Urbana: University of0
Blackface Minstrelsy and the Reception of Elizabeth Taylor Greenfield0
Balanchine and Kirstein's American Enterprise By James Steichen. New York: Oxford University Press, 2019.0
Unlikely Angel: The Songs of Dolly Parton By Lydia Hamessley. Urbana: University of Illinois Press, 2020.0
The American Piano Industry: Episodes in the History of a Great Enterprise By William E. Hettrick. Hillsdale, NY: Pendragon Press, 2020.0
Mahalia Jackson and the Black Gospel Field By Mark Burford. New York, NY: Oxford University Press, 2019.0
Motor City Music: A Detroiter Looks Back By Mark Slobin. New York: Oxford University Press, 2019.0
Terrible Freedom: The Life and Work of Lucia Dlugoszewski By Amy C. Beal. Oakland, CA: University of California Press, 2022.0
Conjured from Fragments: KMD'sMr. Hoodand the Transformative Poetics of the Golden Age Rap Album0
Punched Holes: Piano Rolls and the Visual Representation of Sound in White-Smith v. Apollo (1908)0
Make it Count While We're Here: Words, Music, and the Summer of 2020 LL Cool J. “Untitled.” Instagram, May 31, 2020. https://www.instagram.com/tv/CA4BGv9gvm8/?hl=en. - Lil Baby. “The Bigger Picture.” 0
“I'd Rather [Sound] Blue”: Listening to Agency, Hybridity, and Intersectionality in the Vocal Recordings of Fanny Brice and Barbra Streisand0
SAM volume 16 issue 4 Cover and Front matter0
Capturing the Zeitgeist: Preserving American Music and Culture in the Mashups of DJ Earworm0
Music and Mystique in Muscle Shoals By Christopher M. Reali. Urbana: University of Illinois Press, 20220
Charles Ives, Complete Symphonies Los Angeles Philharmonic, Gustavo Dudamel, conductor. Deutsche Grammophon, 2 CDs, B0033369-02, 2020.0
Industry: Bang on a Can and New Music in the MarketplaceBy William Robin. New York: Oxford University Press, 2021.0
Joni Mitchell's Urges for Going, 1965–67: Coffeehouses, Counterculture, and Care0
Agave Baroque and Reginald L. Mobley. American Originals: A New World, A New Canon Acis Productions LLC. 2021.0
Tania León's Stride: A Polyrhythmic Life By Alejandro L. Madrid. Urbana: University of Illinois Press, 2021.0
SAM volume 15 issue 3 Cover and Back matter0
Max Lifchitz: A Transmodern Composer in American Music?0
A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2 – CORRIGENDUM0
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