International Journal of Community Music

Papers
(The median citation count of International Journal of Community Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
A cradle of support as you emerge from the darkness of mental illness: Participant experiences of Common Wheel’s community music group30
(Un)caring: A framework for understanding care in community music(k)ing15
Musical performance opportunities in Edmonton’s community leagues: Mapping a community music ecology5
Music, health and well-being in IJCM articles: An integrative review4
Something old, something new, something borrowed, woven through: Hospitality as a sounding reality4
‘The barrier has to be jumped out with this music’: Collaborative creation in an after-school community music programme4
Guest Editorial: Music Making and Sustainable Futures4
The pedagogical–artistic strategies of community music facilitators as an inspiration for formal music education: A single case study3
Exploring potential musical mechanisms for conflict transformation between First Nations and settler peoples in Australia3
Community music is dead: Long live community music!3
Reclaiming musics, shaping selves and healing moments: Motivations for participatory practice among musicians in Belgium, Colombia, Finland and the United Kingdom3
Editorial: On sustaining and diversifying community music3
Beyond non-formal learning: Rethinking pedagogy in community music facilitation3
The grief and the possibility: An autoethnographic reflection on teaching community music at third level during COVID-192
Considering musical communities online and offline: A dedication to the life and work of Janice Waldron (13 April 1957–7 November 2022)2
‘This Is My Place’: Considering the potential of place-based community music for community well-being and sustainability2
Our histories sounding our futures2
Raising awareness of participatory music options: The Canadian Community Music Group Database2
Ask forgiveness, not permission: Busking, community and contempt2
Play On: Storying a global conversation on urgent issues of community-engaged practice and research2
Beyond ‘making it easy’: Using the language of leadership to reframe community music facilitation1
Melodies of hope for street children in Cochabamba: A case study of a community music programme and its challenges1
‘If you play some good music, people immediately understand it’: Audience response to busking1
Community opera: A short introduction and a case study in Italy1
Connecting generations through song: Community choirs as a medium for intergenerational music-making in Thailand1
‘Reinventing everything’: Identity, injustice and an arts programme for justice-involved young adults1
Inclusion for all; all for inclusion1
Fumbling towards community-engaged opera creation: A reflexive dialogue1
Funding the Arts: Politics, Economics and Their Interplay in Public Policy, Andrew Pinnock (2024)1
He Whiringa Māramatanga: Kaupapa Māori music in Māori community healing1
Adapting a music therapy programme through lenses of the neurodiversity paradigm and community music therapy1
The benefits of choral singing: A study of Italian university choirs (2018–19)0
Community-based Traditional Music in Scotland: A Pedagogy of Participation, Josephine L. Miller (2022)0
The story of a busker, and his dad0
‘You Can’t Step Twice’: Thinking more about community music0
What are the skills, attributes and knowledge for group singing facilitators? A systematic review0
Face-to-face vs. online delivery of the Lullaby Project: A therapeutic community music group for mothers of infants0
Community music in Italy0
Buskers as agents of change in Hong Kong0
Developing trauma-informed practices for adult community music ensembles: A literature review0
‘I am we’: Gamilaraay philosophy and First Nations connections to spiritual health and well-being through music0
On the value of publishing in community music0
A street music festival: Informal learning perspectives0
Musical arts and the Karanga world-view: A First People’s perspective on community music-making0
Facilitators and barriers to sustainment of a community choir programme to promote health among diverse older adults: A multi-site study0
Community music and territorial experiences in Colombia: Communitas, buen vivir and sustainability0
Considering approaches towards sustainability through reflexive ethnographic research into two international music gatherings0
Where the music is: First Peoples’ perspectives on community music0
Busking in the neo-liberal city: A critical inventory of a selection of street art ordinances in Austria0
The ethics of care in community music0
A tribute to Don Coffman’s community music legacy0
The musical past revives in the present: An investigation into the cultural heritage of a community0
Developing community music in Italy: The journey0
Music and Social Inclusion: International Research and Practice in Complex Settings, Oscar Odena (ed.) (2023)0
A digital turn for community music? Lessons from corridos tumbados0
Cohesive Harmonies: Translating the extrinsic value of community music into non-musical competencies0
Sustaining minoritized culture, community and well-being through online traditional music making: A case study of Bai urban migrants in China0
Song from the discarded: The multisensory shaping of a community corrido in the Oaxaca dump0
Voices from the Huasteca Veracruzana for a culturally responsive music education0
The impact of community music therapy intervention in older adults’ care home communities: Assessing community music therapists’ views0
Collaborative songwriting as and for artistic activism0
Community Musical Theatre: The Queer Experience0
The iron cage of professionalization in community music0
Music and psychosocial interventions for children in Syrian refugee camps during the COVID-19 pandemic and its aftermath0
‘It’s like you’re an activist’: Sustainable teaching practices in a music outreach project in London0
‘Nowhere else in the prison was that possible!’: Directors’ perspectives on instrumental music programmes in US prisons0
‘Nipîy (Water Song)’: Nêhiyaw knowledge epistemology in artistic relationships and music education0
Policy into practice: Reframing community music as socially engaged arts practice0
‘I don’t care who joins my choir’: Investigating attitudes to diversity and inclusivity in lower- and upper-voice choirs in the United Kingdom0
An analytic device for exploring the relationship between micro- and macro-outcomes in community music0
Exploring the meaning of musicking for older adults in a care home0
‘I am because you are’: A critical reflection on composing choral music to promote social inclusion for asylum seekers in Ireland0
Inclusion, auditions and American community choirs: A historical inquiry0
The CI Music Hour: Building community and promoting well-being through music appreciation0
Documentary songwriting in prison: ‘I am good ‘bout myself’0
Facilitating a singing group in a men’s prison: A journey of personal transformation0
Music and community in South Tyrol: Perspectives, projects and research0
Editorial0
Exploring approaches to community music delivery by practitioners with and without additional support needs: A qualitative study0
Music Making and Civic Imagination: A Holistic Philosophy, Dave Camlin (2023)0
Building connections among participatory creative music practitioners in Canada0
The PERMA model, well-being and Whoop-Up: A musical variety show for adult members of a school community0
Motivation, challenges, skills and understanding: Musicians’ perspectives on working in a curated performance programme for older adults in aged care and community settings0
The ethics of being an editor–researcher0
A conceptual framework for understanding and articulating the social impact of community music0
Practitioner experiences of intercultural music engagement (ICME) in the community arts sector0
Looking back and looking forward: A content analysis of the International Journal of Community Music, 2007–20220
Activating a music festival: Extending musical practices by composing with communities0
Editorial: Community music and ‘making easy’0
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