OOIR: Observatory of International Research

Papers

(The median citation count of Contemporary Womens Writing is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
(Per)Forming Italian American (In)Famous Ties: Revisiting the “Mean” Streets through Louisa Ermelino’s Spring Street Trilogy	3
Heart in the Right Place: Thatcherism and Love in Jeanette Winterson’s The Passion	2
Mapping the Unhomely in Edna O’Brien’s The Little Red Chairs	1
Adventurous Women in Contemporary American Historical Fiction: Girls’ Own Stories	1
Little Monsters: Austerity, Anxiety, and the Monstrous Child in Doris Lessing’sThe Fifth Child	1
Sticky and Stuck: The Lift as a Vehicle in the Production of Social Space in Livi Michael’sUnder a Thin Moonand Loretta Ramkissoon’s “Which Floor?”	1
Gender and the Monstrous-Feminine: Subversion in Naomi Alderman’s The Power	1
Autofiction: A Female Francophone Aesthetic of Exile	1
Bodies of Information: Intersectional Feminism and Digital Humanities	0
Angela Carter’s Metaleptic Turn: The Possibilities of “a Mutation, of a Revolution in the Propriety of the Symbolic System”	0
“Morning Glories of the Night”: Angela Carter’s Translational Poetics in Fireworks	0
“I Never Told My Story”: An Analysis of Stalking in Women’s Memoirs	0
Jeanette Winterson and Religion	0
Chick Lit Meets Silicon Valley: Ana Yen’s Sophia of Silicon Valley and Elisabeth Cohen’s The Glitch	0
Girl, Interrupted: Queering the Campus Novel	0
Fearsome Worlds and Uncanny Children: Gothic Early Childhoods in Condé’sLa Migration des coeursand Kincaid’sThe Autobiography of My Mother	0
Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form	0
“Systemic, Transhistoric, Institutionalized, and Legitimized Antipathy”: Epistemic and Sexual Violence inA Girl Is a Half-formed ThingandMilkman	0
Rethinking the Victim: Gender and Violence in Contemporary Australian Women’s Writing	0
Contemporary Feminist Life Writing: The New Audacity	0
Jennifer Egan, New Sincerity, and the Genre Turn in Contemporary Fiction	0
Introduction: Angela Carter and Japan—A Global Perspective	0
A Visit from the Goon Squad Reread	0
“What’s Real?”: Digital Technology and Negative Affect in Jennifer Egan’sLook at MeandThe Keep	0
Wanderers: A History of Women Walking	0

Animal Tricksters from Japanese Folktales in Angela Carter’s Work	0
Atypical True Crime, Laughing at Offenders, and the Publishing Industry: An Interview with Myriam Gurba	0
Queer Troublemakers: The Poetics of Flippancy	0
Jeanette Winterson’s Narratives of Desire: Rethinking Fetishism	0
“A Stern Language of Beauty”: Ecological Grief and Ecofeminist Ethics in Paula Meehan’s Poetry	0
Reading Hilary Mantel: Haunted Decades	0
Movement and Memory: Reconfiguring the Significance of Place in Jenny Siler’sEasy MoneyandFlashback	0
“It Was the Worst of Times, It Was the Worst of Times”: Brexit and Literary Mood in Ali Smith’s Autumn	0
Clinging to Flesh: Embodied Experience in Contemporary Women’s Dystopias	0
Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play	0
Unlikely Angel: The Songs of Dolly Parton	0
Entanglement and Entropy in Claire Messud’s Novels	0
Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures	0
Marina Warner and the Ethics of Telling Silenced Stories	0
Adapting Margaret Atwood: The Handmaid’s Tale and Beyond	0
The Bloomsbury Handbook to Edwidge Danticat	0
Intersectionality and Transnationalism in Lailā Al-Johanī’s Jāhiliyya (Age of Ignorance)	0
I Can See Through You: Double Vision in Jennifer Egan’s Look at Me and Alexandra Kleeman’s You Too Can Have a Body Like Mine	0
American Lyric, American Surveillance, and Claudia Rankine’sCitizen	0