OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Screenwriting is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
Women Make Horror: Filmmaking, Feminism, Genre, Alison Peirse (ed.) (2020)	5
How we role: The collaborative role-playing poetics of the Secret Story Network	4
Representing the child-free woman in the twenty-first century biopic	3
Textual perspectives: Screenwriting styles, modes and languages	3
The Sun and Her Stars: Salka Viertel and Hitler’s Exiles in the Golden Age of Hollywood, Donna Rifkin (2020)	3
Script development: Writing beyond Hollywood	2
Crafting characters: Screenplay archives from a star-studies perspective (Love Is My Profession, Claude Autant-Lara, 1958)	2
How backstory and direct address reformulate the Shakespearean character on television: The case of the missing psychological motivation for House of Cards’ Frank Underwood	2
Lire des scénarios: Pour une approche interdisciplinaire et renouvelée des pratiques scénaristiques, Gabrielle Tremblay (2024)	2
The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’)	2
Arc analysis: Redefining character arcs for ‘constant’ characters	2
Editorial	2
Editorial	2
In Custody: From written text to audio-visual discourse through a postcolonial lens	2
Teaching screenwriting from the inside out: The importance of writers’ inner, emotional discoveries in understanding the tools of screenwriting	1
Script Development: Critical Approaches, Creative Practices, International Perspectives, Craig Batty and Stayci Taylor (eds) (2021)	1
Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014)	1
Bryan Fuller’s Hannibal: Cannibalizing the canon	1
The economic case for equality in screenplays: The Bechdel test, female dialogue and box office revenue	1
En Cas De Malheur, De Simenon A Autant-Lara (1956-1958): Essai De Genetique Scenaristique, Alain Boillat (2020)1	1
Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021)	1
Piloting audience emotion for the television anti-heroine: Gender and immorality	1
Report from the 2024 Screenwriting Research Network Conference	1
Refocus: The Films of Lawrence Kasdan, Brett Davies (2024)	1
Investigating a cinematic virtual reality narrative framework for screenwriting	1

The deliberated decision in children’s mainstream cinema: On socialization in the discourse of freedom	1
The power of schism: Unconventional narrative structure in No Country for Old Men	1
Introduction: Trauma, screenwriting and suffering – Beyond the gospel of story	1
Catalysing Elastextity in adaptation screenwriting: The motivic chronotope of liminality	1
The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema	1
Portraying disability with trauma: A case study of documentary screenwriting in presenting visually impaired subject	1
Fear and wonderment in a limitless world: Learning to write from a child’s point of view	1
The case for team-based learning in higher education scriptwriting programmes: A narrative literature review	1
Children’s fiction and anime: The case of Shōkōjo Sēra	1
Stories we sell: Intellectual property, ownership and the impact on Canadian screenwriters	1
Screenwriting is Filmmaking: The Theory and Practice of Writing for the Screen, Brian Dunnigan (2019)	1
Robert De Niro at Work From Screenplay to Screen Performance, Adam Ganz and Steven Price (2020)	1
The Science of Writing Characters, Kira-Anne Pelican (2020)	0
Adaptation screenplays as performance texts: Axiological linguistic acts in a case of Basque writing	0
Scripting the silhouette: Writing around the participant in interactive virtual reality experiences	0
Rethinking screenwriting credits and the unproduced screenplay: Innovative approaches to accreditation using the script reading as an output	0
Reading the docufiction script: Harnessing the thin line between facts and fiction	0
Little cinemas: Eugene O’Neill as screenwriter	0
Alternative Scriptwriting: Contemporary Storytelling for the Screen, Ken Dancyger, Jessie Keyt and Jeff Rush (2023), 6th ed.	0
Re-defining the Character Arc through Berger and Luckmann’s The Social Construction of Reality	0
The Screenwriting Life, podcast with Meg Le Fauve and Lorien McKenna (inception 2 March 2020–present), https://www.thescreenwritinglife.co/ and https://www.patreon.com/TheScreenwritingLIfe, plus the u	0
Do the Right Thing: Storytelling Secrets of Five Screenplays That Embrace Diversity, Karla Fuller (2023)	0
Script Analysis: Deconstructing Screenplay Fundamentals, James Bang (2022)	0
Creating Character Arcs: The Masterful Author’s Guide to Uniting Story Structure, Plot, and Character Development, K. M. Weiland (2016)	0
A Screenwriter’s Companion: Instruction, Opinion, Encouragement, Joseph Dougherty (2022)	0
From novel to screenplay: The rewriting of Hurricane Season (2017) by Fernanda Melchor into the screenplay by Elisa Miller (2022)	0
The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology	0
Stand-up comedy to the screen: A satirical autoethnographic approach	0
Writing Women for Film and Televison: A Guide to Creating Complex Female Characters, Anna Weinstein (2024)	0
Just dancing with ideology? The role of dramaturgs within the socialist mode of children’s film development	0
Race and Entertainment: Reflections on Racism in Film, TV and the Media, Thandi Lubimbi (2024)	0
Editorial	0
Shadow Hollywood: Vertical drama and cross-cultural writing – How new models of drama production are impacting current screen industry practice	0
Editorial	0
Documenting trauma in the age of transitional justice: A study of Jesse Hung Wai-Kin’s (J. C. Hung) documentaries on Taiwan’s Public Television Service	0
Abitibi360: An example of the evolution of writing for 360-degree films	0
The stuff that dreams are made of: The Maltese Falcon and the art of adapted screenwriting	0
Procession: The role of screenwriting and filmmaking in the healing process of survivors	0
Narrative structures in Colombian fictional web series published on YouTube	0
The Country Boy: Investigating the Dennis Potter Archive, Forest of Dean, England	0
‘Do animals talk in this dimension? ’Cos I don’t wanna freak anyone out’: Writing for children’s animation	0
Royals Next Door: Team writing for children on Zoom	0
Character composition: A new framework for TV serial drama characters	0
Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears, Michael Schulman (2023)	0
Writing inclusive and diverse children’s television: Transgender representation in ABC Australia’s First Day	0
Creative Practice Research in the Age of Neoliberal Hopelessness, Agnieszka Piotrowska (ed.) (2020)	0
Just a story: Framing trauma within screenwriting practice	0
Artificial intelligence use in screenwriting programmes in US and UK higher education: An exploratory research report	0
Prototyping first-person viewer positions for VR narratives with storyboards and pilot productions	0
Ernest Lehman: The Sweet Smell of Success, Jon Krampner (2022)	0

Editorial	0
We need to talk about Lynne: Modular structure as a reflection of the traumatized psyche in We Need to Talk about Kevin	0
Why The Knockout (2023) became a phenomenal hit: A contextual analysis and interview with screenwriter Zhu Junyi1	0
Backwards & In Heels: The Past, Present and Future of Women Working in Film, Alicia Malone (2017)	0
Women, Ageing and the Screen Industries: Falling Off a Cliff?, Susan Liddy (ed.) (2023)	0
William Faulkner in Hollywood: Screenwriting for the Studios, Stefan Solomon (2017)	0
Conceptualizing and developing narrative-based virtual reality experiences: A review of disciplinary frameworks and approaches to research	0
Jenő Janovics: Michel Curtiz’s first screenwriter	0
Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen, David Crespy (2024)	0
Collaborating on The Translator: The aesthetics and politics of screenwriting	0
Bringing queerness to the surface: Truman Capote’s November 1971 screenplay adaptation of F. Scott Fitzgerald’s The Great Gatsby	0
Filmish energy: A textual analysis of Tony Gilroy’s screenplay, Michael Clayton (2006)	0
Editorial	0
Rethinking our protagonists: Absence on screen and meta-narratives of empire	0
Detrás de las sombras: Escritoras cinematográficas en el cambio de siglo en México, Maricruz Castro Ricalde and Diego Sheinbaum Lerner (2024)	0
Editorial	0
Spinning and singing: Exploring memory and gender non-conformity through screenwriting for publication first	0
Editorial	0
Beyond the Hero’s Journey: Creating Powerful and Original Character Arcs for the Screen, Anthony Mullins (2022)	0
Scene Writing: The Missing Manual for Screenwriters, Chris Perry and Eric Henry Sanders (2022)	0
Scripting Bollywood, Anubha Yadav (2021)	0
Editorial	0
A Tale from Constantinople: The History of a Film that Never Was, Bo Florin and Patrick Vonderau (2019)	0
Writing for instructional screens: Expanding the scope for screenwriting practitioners	0
Inclusive Screenwriting for Film and Television, Jess King (2022)	0
June Mathis: The master class	0
Erratum	0
Shifting landscapes in the post-TV era: Impact of the streaming wave on Spanish screenwriters	0
Burn It Down: Power, Complicity, and a Call for Change in Hollywood, Maureen Ryan (2023)	0
In defence of deus ex machina	0
Roundtable: Pushing the boundaries of the Screenwriting Research Network	0
Discontinuous aesthetics as a result of collaborative screenwriting: A genetic approach to John Berger and Alain Tanner’s screenplays1	0
John Waters: Pope of Trash, Jenny He and Dara Jaffe (eds) (2023)	0
Henson and Juhl’s Tale of Sand: From lost archive to graphic novel and illustrated screenplay	0
Understanding the collaborative model of narrative in cinematic virtual reality	0
Editorial	0
‘I wasn’t open to notes’: S. Craig Zahler, Dragged Across Concrete (2018) and the 157-page screenplay	0
What we cannot see in Sound of Metal and Her Smell: Interplays of awareness, perspective and language in the screenplay text	0
Hauntological screenwriting: Reflections on writing Render	0
Scripted resonance or lost in translation? Storytelling and Chinese reception of Everything Everywhere All at Once	0
Tatiana Huezo: Trauma and the poetics of displacement	0