Journal of Screenwriting

Papers
(The TQCC of Journal of Screenwriting is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Beyond textual fidelity: Creator interactions, professional boundaries and cultural hierarchies in Israel’s youth media adaptation system6
How we role: The collaborative role-playing poetics of the Secret Story Network5
Textual perspectives: Screenwriting styles, modes and languages4
Representing the child-free woman in the twenty-first century biopic3
The Sun and Her Stars: Salka Viertel and Hitler’s Exiles in the Golden Age of Hollywood, Donna Rifkin (2020)3
Editorial2
Editorial2
Arc analysis: Redefining character arcs for ‘constant’ characters2
Lire des scénarios: Pour une approche interdisciplinaire et renouvelée des pratiques scénaristiques, Gabrielle Tremblay (2024)2
Neither artificial nor intelligent: Applications of artificial intelligence (AI) and creative machine learning in screenwriting and screen story development in the Charismatic Consortium2
Crafting characters: Screenplay archives from a star-studies perspective (Love Is My Profession, Claude Autant-Lara, 1958)2
Script development: Writing beyond Hollywood2
In Custody: From written text to audio-visual discourse through a postcolonial lens2
Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021)1
Teaching screenwriting from the inside out: The importance of writers’ inner, emotional discoveries in understanding the tools of screenwriting1
The economic case for equality in screenplays: The Bechdel test, female dialogue and box office revenue1
The power of schism: Unconventional narrative structure in No Country for Old Men1
Investigating a cinematic virtual reality narrative framework for screenwriting1
Stories we sell: Intellectual property, ownership and the impact on Canadian screenwriters1
Report from the 2024 Screenwriting Research Network Conference1
Piloting audience emotion for the television anti-heroine: Gender and immorality1
The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’)1
En Cas De Malheur, De Simenon A Autant-Lara (1956-1958): Essai De Genetique Scenaristique, Alain Boillat (2020)11
Editorial1
Introduction: Trauma, screenwriting and suffering – Beyond the gospel of story1
The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema1
The case for team-based learning in higher education scriptwriting programmes: A narrative literature review1
Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014)1
How backstory and direct address reformulate the Shakespearean character on television: The case of the missing psychological motivation for House of Cards’ Frank Underwood1
Bryan Fuller’s Hannibal: Cannibalizing the canon1
Refocus: The Films of Lawrence Kasdan, Brett Davies (2024)1
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