Psychology of Aesthetics Creativity and the Arts

Article	Citations
Order, complexity, and aesthetic appreciation.	55
Measuring divergent thinking originality with human raters and text-mining models: A psychometric comparison of methods.	55
Intellectual risk taking: A moderating link between creative confidence and creative behavior?	50
The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A unified and validated measure of art interest and art knowledge.	44
The motor creativity paradox: Constraining to release degrees of freedom.	38
Correlation = causation? Music training, psychology, and neuroscience.	36
Does intelligence strengthen creative metacognition?	36
Does thinking about Einstein make people entity theorists? Examining the malleability of creative mindsets.	27
Reflection in the creative process of early adolescents: The mediating roles of creative metacognition, self-efficacy, and self-concept.	26
Does activist art have the capacity to raise awareness in audiences?—A study on climate change art at the ArtCOP21 event in Paris.	24
The relationship among different types of arts engagement, empathy, and prosocial behavior.	24
What are the benefits of mind wandering to creativity?	23
Quantifying the if, the when, and the what of the sublime: A survey and latent class analysis of incidence, emotions, and distinct varieties of personal sublime experiences.	23
Divergent thinking and creative achievement—How strong is the link? An updated meta-analysis.	20
The Aesthetic Responsiveness Assessment (AReA): A screening tool to assess individual differences in responsiveness to art in English and German.	20
Participation in life-review playback theater enhances mental health of community-dwelling older adults: A randomized controlled trial.	19
Measuring self-regulated learning during creative problem-solving with SRL microanalysis.	18
Mind wandering outside the box—About the role of off-task thoughts and their assessment during creative incubation.	18
Order, complexity, and aesthetic preferences for neatly organized compositions.	18
The neglect of idea diversity in creative idea generation and evaluation.	17
Taking the good with the bad: The impact of forecasting timing and valence on idea evaluation and creativity.	17
The role of information search in creative problem solving.	17
From music making to affective well-being in everyday life: The mediating role of need satisfaction.	15
Vulnerability to psychopathology and creativity: The role of approach-avoidance motivation and novelty seeking.	15
The nature of perception and emotion in aesthetic appreciation: A response to Makin’s challenge to empirical aesthetics.	15

Testing equal odds in creativity research.	15
Exploration of discriminant validity in divergent thinking tasks: A meta-analysis.	15
Improvisational theater classes improve self-concept.	15
What types of daydreaming predict creativity? Laboratory and experience sampling evidence.	15
Do you feel like I do? A study of spontaneous and deliberate emotion sharing and understanding between artists and perceivers of installation art.	14
Olfactory and gustatory beauty: Aesthetic emotions and trait appreciation of beauty.	13
Automated scoring of figural creativity using a convolutional neural network.	13
Gender differences in creative potential: A meta-analysis of mean differences and variability.	13
Self-regulation for creative activity: The same or different across domains?	13
Creative adaptability and emotional well-being during the COVID-19 pandemic: An international study.	12
Facing the sublime: Physiological correlates of the relationship between fear and the sublime.	12
A novel coding scheme for assessing responses in divergent thinking: An embodied approach.	12
Creativity and unethicality: A systematic review and meta-analysis.	12
An improved taxonomy of creativity measures based on salient task attributes.	12
Development of the R library “jrt”: Automated item response theory procedures for judgment data and their application with the consensual assessment technique.	12
The creative self: Do people distinguish creative self-perceptions, efficacy, and personal identity?	12
How constraints impact creativity: An interaction paradigm.	12
The Vienna Art Picture System (VAPS): A data set of 999 paintings and subjective ratings for art and aesthetics research.	11
Selection into, and academic benefits from, arts-related courses in middle school among low-income, ethnically diverse youth.	11
Inspired by art: Higher aesthetic appeal elicits increased felt inspiration in a creative writing task.	11
Musical aesthetic sensitivity.	11
Physiological synchrony in audiences of live concerts.	11
Music and verbal ability—A twin study of genetic and environmental associations.	11
Making the CASE for shadow creativity.	11
Effectiveness of drama-based therapies on mental health outcomes: A systematic review and meta-analysis of controlled studies.	10
Do parents and children perceive creativity similarly? A dyadic study of creative mindsets.	10
Navigating creative paradoxes: Exploration and exploitation effort drive novelty and usefulness.	10
Cultural withdrawal during COVID-19 lockdown: Impact in a sample of 828 artists and recipients of highbrow culture in Germany.	10
Beyond the big personality dimensions: Consistency and specificity of associations between the Dark Triad traits and creativity.	10
Ambiguity and beauty: Japanese-German cross-cultural comparisons on aesthetic evaluation of haiku poetry.	9
The relationship between lifetime book reading and empathy in adolescents: Examining transportability as a moderator.	9
Gravitating toward the arts during the COVID-19 pandemic.	9
Empirical development of a screening method for mental, social, and physical wellness in amateur and professional circus artists.	9
Learning to see by learning to draw: A longitudinal analysis of the relationship between representational drawing training and visuospatial skill.	9
Selection into, and academic benefits from, middle school dance elective courses among urban youth.	8
Constructing the associations between creative role identity, creative self-efficacy, and teaching for creativity for primary and secondary teachers.	8
The aesthetic experience of live concerts: Self-reports and psychophysiology.	8
Liking for abstract and representational art: National identity as an art appreciation heuristic.	8
Creative idea forecasting: The effect of task exposure on idea evaluation.	8
Effect of dialogical appreciation based on visual thinking strategies on art-viewing strategies.	8
Social exclusion increases antisocial tendencies: Evidence from retaliatory ideation in a malevolent creativity task.	8
Fifty years later and still working: Rediscovering Paulus et al’s (1970) automated scoring of divergent thinking tests.	8
Temporal individual differences and creativity: An exploratory investigation.	8
Visual preference for abstract curvature and for interior spaces: Beyond undergraduate student samples.	8
Explaining standardized educational test scores: The role of creativity above and beyond GPA and personality.	8
The role of expertise in visual exploration and aesthetic judgment of residential building façades: An eye-tracking study.	8
The pleasures of reading fiction explained by flow, presence, identification, suspense, and cognitive involvement.	8
What is good is beautiful (and what isn’t, isn’t): How moral character affects perceived facial attractiveness.	8
Why people press “like”: A new measure for aesthetic appeal derived from Instagram data.	7
Transactions between adolescents’ after school activities and divergent thinking.	7

Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates.	7
Prosocial motivation and creativity in the arts and sciences: Qualitative and quantitative evidence.	7
Effects of environmental experience on audience experience of street performance (busking).	7
Dual pathways in creative writing processes.	7
Interdependencies between openness and creativity of fifth graders.	7
A divergent approach to pareidolias—Exploring creativity in a novel way.	7
Individual differences in aesthetic engagement and proneness to aesthetic chill: Associations with awe.	7
Seeking (dis)order: Ordering appeals but slight disorder and complex order trigger interest.	7
In the dark cube: Movie theater context enhances the valuation and aesthetic experience of watching films.	7
Impact of contextualizing information on aesthetic experience and psychophysiological responses to art in a museum: A naturalistic randomized controlled trial.	7
Is a “real” artwork better than a reproduction? A meta-analysis of the genuineness effect.	6
Personality of Nobel Prize laureates: Differences across domains and relationship to public recognition.	6
Is humor temperament associated with being creative, original, and funny? A tale of three studies.	6
Pushing the boundaries of reality: Science fiction, creativity, and the moral imagination.	6
Contextualizing information enhances the experience of environmental art.	6
Free association ability distinguishes highly creative artists from scientists: Findings from the Big-C Project.	6
Creative minecrafters: Cognitive and personality determinants of creativity, novelty, and usefulness in minecraft.	6
Predictors of creativity in young people: Using frequentist and Bayesian approaches in estimating the importance of individual and contextual factors.	6
From dropping out to dropping in: Exploring why individuals cease participation in musical activities and the support needed to reengage them.	6
Preference for paintings is also affected by curvature.	6
Is there a general “art fatigue” effect? A cross-paradigm, cross-cultural study of repeated art viewing in the laboratory.	6
Music self-efficacy, self-esteem, and help-seeking orientation among amateur musicians who use online music tutorials.	6
Can art promote understanding? A review of the psychology and neuroscience of aesthetic cognitivism.	6
Reexamining subjective creativity assessments in science tasks: An application of the rater-mediated assessment framework and many-facet Rasch model.	6
Construction and validation of a computerized creativity assessment tool with automated scoring based on deep-learning techniques.	6
Two routes to aesthetic preference, one route to aesthetic inference.	6
Artificial intelligence and art: Identifying the aesthetic judgment factors that distinguish human- and machine-generated artwork.	5
Enhancing and explaining art-making for mood-repair: The benefits of positive growth-oriented instructions and quiet ego contemplation.	5
The shower effect: Mind wandering facilitates creative incubation during moderately engaging activities.	5
The use of drawing as an emotion regulation technique with children.	5
Further validating the VAIAK: Defining a psychometric model, configural measurement invariance, reliability, and practical guidelines.	5
The artwork and the beholder: A probabilistic model for the joint scaling of persons and objects.	5
Worth the effort? Comparing different youtube vlog production styles in terms of viewers’ identification, parasocial response, immersion, and enjoyment.	5
With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos.	5
What counts as aesthetics in science? A bibliometric analysis and visualization of the scientific literature from 1970 to 2018.	5
A MAD method to assess idea novelty: Improving validity of automatic scoring using maximum associative distance (MAD).	5
Theater majors compared with nonmajors: Investigating temperament and emotion beliefs, awareness, regulation, and perception.	5
Creative achievement and individual differences: Associations across and within the domains of creativity.	5
Examining the quality of art in STEAM learning activities.	5
Developmental trends in creative ability: A cross-sectional examination of figural and verbal domains across the school-age years.	5
Patterns of psychological vulnerabilities and resources in artists and nonartists.	5
Creative thinking and executive functions: Associations and training effects in adolescents.	5
Eudaimonia, hedonia, and fan behavior: Examining the motives of fans of fictional texts.	5
The art of feeling different: Exploring the diversity of emotions experienced during an art museum visit.	5
The Goldsmiths Dance Sophistication Index (Gold-DSI): A psychometric tool to assess individual differences in dance experience.	5
Viewers recognize the process of creating artworks with admiration: Evidence from experimental manipulation of prior experience.	5
The effect of temperament, expertise in art, and formal elements of paintings on their aesthetic appraisal.	5
Open to laugh: The role of openness to experience in humor production ability.	5
Great expectations: Misleading effects of images in the alternate uses task.	5
Vigilance and social chills with music: Evidence for two types of musical chills.	5
How stable is the creative self-concept? A latent state-trait analysis.	5
The utility of divergent and convergent thinking in the problem construction processes during creative problem-solving.	5
Does the typeface on album cover influence expectations and perception of music?	5
The influence of anger and anxiety on idea generation: Taking a closer look at integral and incidental emotion effects.	5
A Model of Creative Aging (MOCA): Unlocking the potential of constraints for creativity in older adults.	5
Beauty is not in the eye but in the inner head: Evidence from environmental advertising.	4
Task instructions influence the effects of impaired self-control on creative cognition.	4
The next step for the VAIAK: An item-focused analysis.	4
The temporal instability of aesthetic preferences.	4
Less is more: The effect of visiting duration on the perceived restorativeness of museums.	4
Radically revolutionary or pretty flowers? The impact of curatorial narrative of artistic deviance on perceived artist influence.	4
The impact of top performers in creative groups.	4
Melody in poems and songs: Fundamental statistical properties predict aesthetic evaluation.	4
The influence of formats and preferences on the aesthetic experience of classical music concert streams.	4
Consensual assessment in the new domain of e-textiles: Comparing insights from expert, quasi-expert, and novice judges.	4
Back where I belong: Rereading as a risk-free pathway to social connection.	4
Audience responses to diverse superheroes: The roles of gender and race in forging connections with media characters in superhero franchise films.	4
Collaboration, cognitive effort, and self-reference in United Kingdom top 5 pop music lyrics 1960–2015.	4
Individual differences in aesthetic engagement and proneness to aesthetic chill: Associations with stress-related growth orientation.	4
Figuring out what they feel: Exposure to eudaimonic narrative fiction is related to mentalizing ability.	4
It is not always better to have more ideas: Serial order and the trade-off between fluency and elaboration in divergent thinking tasks.	4
Accounting for expressions of curiosity and enjoyment during music listening.	4
Development and validation of the Aesthetic Processing Preference Scale (APPS).	4
Cultural diversity in oculometric parameters when viewing art and non-art.	4
The benefits of drawing to regulate sadness and anger: Distraction versus expression.	4
Multilingual semantic distance: Automatic verbal creativity assessment in many languages.	4
Relationships between depression, self-reflection, brooding, and creative thinking in a psychiatric sample.	4
Processing fluency, processing style, and aesthetic response to artistic photographs.	4
Examining associations between montage painting imagery and symptoms of depression and posttraumatic stress among active-duty military service members.	4
Do you chill when I chill? A cross-cultural study of strong emotional responses to music.	3

Altar-ing aesthetic emotions: Exploring responses to ecologically valid beauty stimuli and their relationship to trait engagement with beauty.	3
“I feel like I am in that place and I would like to see more”: Aesthetic and embodiment components of tourist destination image.	3
How architecture evokes awe: Predicting awe through architectural features of building interiors.	3
The creative mind in daily life: How cognitive and affective experiences relate to creative thinking and behavior.	3
Once upon a time: A school positive narrative intervention for promoting well-being and creativity in elementary school children.	3
Smooth as glass and hard as stone? On the conceptual structure of the aesthetics of materials.	3
Aesthetic judgments of music: Reliability, consistency, criteria, self-insight, and expertise.	3
The textual features of fiction that appeal to readers: Emotion and abstractness.	3
The spectrum of distributed creativity: Tango dancing and its generative modalities.	3
On the mutual relation between art experience and viewing time.	3
Big-C creativity in artists and scientists is associated with more random global but less random local fMRI functional connectivity.	3
Do open or closed postures boost creative performance? The effects of postural feedback on divergent and convergent thinking.	3
Seeing outside the box: Salient associations disrupt visual idea generation.	3
The role of local and global symmetry in pleasure, interest, and complexity judgments of natural scenes.	3
Automated feedback and creativity: On the role of metacognitive monitoring in divergent thinking.	3
What makes textures beautiful? Effects of shared orientation.	3
Together in the dark?: Investigating the understanding and feeling of intended emotions between viewers and professional artists at the Venice Biennale.	3
Associations between music training and cognitive abilities: The special case of professional musicians.	3
Motivational processes that support arts participation: An examination of goal orientations and aspirations.	3
Age and recognition for one’s creative hobby are associated with fewer depressive symptoms in middle-aged and older adults.	3
Don't go with your gut: Exploring the role of motivation in aesthetic experiences.	3
Artists have superior local and global processing abilities but show a preference for initially drawing globally.	3
Constraints to malevolent innovation in terrorist attacks.	3
Measuring art knowledge: Item response theory and differential item functioning analysis of the Aesthetic Fluency Scale.	3
Visual perception of the built environment in virtual reality: A systematic characterization of human aesthetic experience in spaces with curved boundaries.	3
The Aesthetic Responsiveness Assessment (AReA) in Farsi language: A scale validation and cultural adaptation study.	3
Shared meaning in representational and abstract visual art: An empirical study.	3
The role of listener features in musical emotion induction: The contributions of musical expertise, personality dispositions, and mood state.	3
The effects of literariness on social-cognitive skills: Examining narrative engagement, transportation, and identification as moderators.	3
Grumpy toddlers and dead pheasants: Visual art preferences are predicted by preferences for the depicted objects.	3
Not just clowning around: Investigating psychological mechanisms underlying accidents in a heterogeneous group of contemporary circus artists.	3
Do art lovers lead happier and even healthier lives? Investigating the psychological and physical benefits of savoring art.	3
The structure of musical dislikes.	3
Beyond togetherness: Interactional dissensus fosters creativity and tension in freely improvised musical duos.	3
Motivation to make music matters: Daily autonomous motivation, flow, and well-being in hobby musicians.	3
Tactile beauty is in the hand, but also in the eye of the beholder: Interaction between haptic and visual experiences in aesthetic judgement.	3
Differentiating the visual aesthetics of the sublime and the beautiful: Selective effects of stimulus size, height, and color on sublimity and beauty ratings in photographs.	3
Presenting TaMuNaBe: A taxonomy of museum navigation behaviors.	3
An itsy bitsy audience: Live performance facilitates infants’ attention and heart rate synchronization.	3
Do we need metacognition for creativity? A necessary condition analysis of creative metacognition.	2
Development and validation of the Mechanisms of Engagement in the Arts and Humanities scales.	2
The role of asking more complex questions in creative thinking.	2
Applying bodily sensation maps to art-elicited emotions: An explorative study.	2
Narrative aesthetic absorption in audiobooks is predicted by blink rate and acoustic features.	2
Cultural-match effect on the appreciation of traditional and contemporary visual arts: Evidence from Poland and Hong Kong.	2
Underlying elements of image quality assessment: Preference and terminology for communicating image quality characteristics.	2
Just a joke? Can sexist comedy harm women’s cognitive performance?	2
Implicit responses in the judgment of attractiveness in faces with differing levels of makeup.	2
A multifactorial model of visual imagery and its relationship to creativity and the vividness of Visual Imagery Questionnaire.	2
Visual attention bias for self-made artworks.	2
Explaining the curvature effect: Perceptual and hedonic evaluations of visual contour.	2
Groovin’ to the cultural beat: Preferences for danceable music represent cultural affordances for high-arousal negative emotions.	2
An empirical assessment of cinematic continuity.	2
Imaginings from an unfamiliar world: Narrative engagement with a new musical system.	2
Universality and specificity of the kindchenschema: A cross-cultural study on cute rectangles.	2
Who hates magic? Exploring the loathing of legerdemain.	2
Toward equitable creativity self-assessment: Measurement invariance and mean differences across ethnicity in the Kaufman Domains of Creativity Scale.	2
Creative artificial intelligence and narrative transportation.	2
Creativity enhancement methods for adults: A meta-analysis.	2
The composition of abstract images – Differences between artists and laypersons.	2
Is there an artistry to lighting? The complexity of illuminating three-dimensional artworks.	2
Contact improvisation dance practice predicts greater mu rhythm desynchronization during action observation.	2
Visual exploration mediates the influence of personal traits on responses to artworks in an art gallery setting.	2
Focus of attention affects togetherness experiences and body interactivity in piano duos.	2
Creative self-enhancement in a team context: The role of gender, creative self-concept, and trait hypercompetitiveness.	2
Reliability and validity of a novel Ambulatory Battery of Creativity (ABC).	2
Shaping film: A quantitative formal analysis of contemporary empathy-eliciting Hollywood cinema.	2
The influence of empathy on the perceptual response to visual art.	2
“And you don't like, don't like the way I talk”: Authenticity in the language of bruce springsteen.	2
Poetry-elicited emotions: Reading experience and psychological mechanisms.	2
The contribution of integrated arts-based groups to people with mental health conditions and community members: Processes and outcomes.	2
The balancing act: An empirical study introducing and removing constraints in idea generation.	2
How perfect are imperfect rhymes? Effects of phonological similarity and verse context on rhyme perception.	2
Babies’ engagement in music theater performances: A microanalytical study of the aesthetic experiences in early childhood.	2
Conceptualizing and measuring ability emotional creativity.	1
The aesthetic quality model: Complexity and randomness as foundations of visual beauty by signaling quality.	1
A computational approach to studying aesthetic judgments of ambiguous artworks.	1
Lost in digitization: The physical format of creative work affects authenticity perceptions.	1
Don't throw the “bad” ideas away! Multidimensional top scoring increases reliability of divergent thinking tasks.	1
From “a nothing” to something special: Art as a space of holding attunement in the creative experience of Holocaust survivor artists.	1
Color’s perceptual diversity and categorical harmony improve aesthetic experience.	1
Impact of Veteran Journeys opera on audience member attitudes related to veterans with posttraumatic stress or unstable housing.	1
Musical ethnocultural identity, happiness, and internalizing symptoms in youth.	1
Art as communication: Fulfilling Gricean communication principles predicts aesthetic liking.	1
On the overlap between aesthetic disposition, cultural eclecticism, and openness: An interdisciplinary study.	1
“I may look fake but I’m real where it counts”: Positivity and authenticity in the songs of Dolly Parton.	1
Songs as a way of listening to cultures across generations? A comparison of Canada and the United States through their famous songs from 1975 to 2017.	1
Perceiving versus scrutinizing: Viewers do not default to awareness of small spatiotemporal inconsistencies in movie edits.	1
Personality traits as predictors of work creativity: A comparison between self- and other-reports.	1
Understanding metaphor in art: Distinguishing literal giants from metaphorical challenges.	1
The time-course of fixations in representational paintings: A cross-cultural study.	1
Lexical divergence in collaborative creativity.	1
Reciprocal relations between autonomous motivation and creativity: A longitudinal investigation of Chinese children and adolescents.	1
Neuroticism, musical emotion regulation, musical coping, mental health, and musicianship characteristics.	1
Supervisor Idea Adoption Scale: Construction, reliability, and initial validity evidence.	1