Theatre Dance and Performance Training

Article	Citations
Rhythm in Acting and Performance	50
Relational performance pedagogy: North American innovations in the lineages of Decroux and Grotowski	6
What saying ‘yes’ affirms – we feel; we move; we do	5
Beauty, vulnerability, obstination, refusal	4
Queer performance in times of the pandemic: movement, identity, and hope in heart2heart and The Ladder Project	3
Leaving the cave	3
Archiving the healing touch	3
Interview with Adrian Lester: taekwondo and actor training	3
Training grounds for an enchanted kinship	3
‘Let go lightly’: the absent presence of taijiquan in the artistic practice of ROSA and ATIS	2
…Ship of fools	2
Training and … buildings	2
What about director training? A story of 30 years – ‘back into the future’	2
The legacy of the Nanjing Project: training Australian circus bodies	1
Nancy Stark Smith February 11, 1952 – May 1, 2020. Dancer, Teacher, Writer, Curator, Editor, Phenomenon	1
The interpersonal body: knowing another through the shared embodiment of ‘energetic contact’	1
Cultivating vessel and voice: embodiment as a way of being in performer training	1
Editorial	1
Postcards from the unreal engine	1
Joan Littlewood and Ariane Mnouchkine against the canon: developing the actors’ social representations through clowning	1
International Conference: Rhythm in the body on stage: The Return Beat – Interfacing with our Interface	1
Embodied learning with metaphors and Rich Picture-like diagrams in actor training: an articulated, playful approach to teaching and practice-led research	1
Locator	1
Voicing transformation within heightened forms: experiments in breath and imagery in the Suzuki method’s ‘Standing Statues’	1
Message in a bottle?	1

Training for resilience	1
Actor training in anglophone countries: past, present and future, by Peter Zazzali	1
‘Training and access’	1
Feeling voices – new ways of living, being and training	1
Languaging a widened embodied repertoire	1
In/tension: Striving for balance between agency and discipline in Training	1
From the sandy beaches of Crab Creek to the Tarkett of WAAPA: a case study of intrinsic praxis in teaching methods of movement	1
Director’s fear and self-cultivation	1
From the Ship of Fools (SoF)	1
Dance education using digital technologies: enhancing effectiveness by facilitating student–teacher feedback	1
Stages of reckoning: antiracist and decolonial actor training Stages of reckoning: antiracist and decolonial actor training edited by A. M.	1
Somatic work and independent training as an invisibly disabled performer	1
Editorial	1
The absence of the cool-down for actors following a theatre performance; the discussion is on-going but the gap remains	1
There is no such thing as an accident	0
Digital HotSpot: virtual agencies in online performer training	0
After the empty space: from traditional settings to new creative ecologies	0
The rogue less travelled: writing for performance at the National Institute of Dramatic Art	0
Finding agency in the imagined body through Unreal Engine’s Live Link performance capture	0
Director training and education: models from Brazil and the UK	0
Training and … buildings	0
Relational Dynamics: the use of coaching techniques in participative performance	0
From schema to rhuthmos: the idiorrhythmic encounters of the bridge of winds	0
In touch and between: a tactile toolkit for creative practitioners to navigate touch within their creative practice	0
A postcard from the archives	0
Applied theatre training: theatre for Democracy and knowledge exchange	0
Impermeable bodies: Women who lion dance in Boston’s Chinatown	0
HÍSW̱ḴE (SENĆOŦEN word used to express gratitude, to give thanks)	0
‘Stanislavsky and mindfulness, a one-day symposium’ hosted at London South Bank University on April 20 th , 2023, in partnership with the S word	0
Interview with Padma Shri S. R. D. Prasad: On the Martial Art Form of Kalarippayattu	0
PLANT NATION – choreographic score by plants and humans	0
Social (distance) dancing during covid with project trans(m)it	0
Embodied ecological awareness and the pedagogy of Jacques Lecoq	0
Walks in the continuous field	0
Judo as a devising practice: Yves Klein, La Mancha and Chile	0
Personal development as director training: a dramatic dialogue	0
Maintaining the consent-bubble: an intimacy coordinator’s perspective on touch in performance training	0
Sanctuary on the fault line: environmental dance practice as liminal critique and refuge	0
Our contact improvisation partners during lockdown for dancers in training	0
International Platform for Performer Training (IPPT)	0
New ways of living, being and training: learning how to be with love	0
‘And Suddenly…!’	0
To unfold the wings	0
Turtlenecks and a bad attitude: student drama as director training	0
Unrehearsed Futures - Season 2: a series of public conversations on possibility, plurality and planetarity in theatre pedagogy hosted by Drama School Mumbai	0
Moving towards a liberatory pedagogy: Mattering language in Niamh Dowling’s practice	0
Towards probody artmaking: from rehabilitation, prehabilitation to prohabilitation 1	0
‘Trust me, kid’: leadership style and how we train directors to talk to actors	0
Warming up our hearts	0
Asymmetrical motion intensive workshop, held in Alas Artes en Movimiento, Barcelona, July 5th–9th 2021 led by Lucas Condró	0

Black dance and technologies of wellness	0
Standing	0
One exercise I always return to: the dactyl and the gruppirovka	0
From the centre to the periphery	0
Monika Pagneux (1927–2023): a kind of obituary	0
Humanity and animality in Chinese martial arts	0
Tik Tok and generation Z	0
Dance matters: dancing in Tunisia	0
Body Weather bodies in the outback – Lake Mungo	0
Traditional oral training in the transmission of Cantonese Opera	0
Reconsidering Stanislavski and Barba in the light of neuroscience: a comparative study of organic acting	0
Between tradition and modernity: developments in Xiqu (Chinese opera) actor training	0
Give yourself permission	0
Performance ‘Training’ in the Dirt: facilitating belonging in a regional community musical theatre event	0
Affective topologies and virtual tactile experiences in theatre training	0
Green utopias: a possible green ground for performing arts training	0
Chat up	0
Touch as a feedback loop: exercising the leap from inertia to activation	0
Groundwork: place-based integrative actor training in a fluctuating world	0
Editorial	0
Skills for the edge of extinction	0
Spaces of agency: exploring text-bodyworld hybrids	0
The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics	0
Embodiment, hybridity, and habit: the stick as an actor training tool	0
Editorial	0
Getting into your head: social distancing and the intimacy of audio-only movement sessions on earpods	0
Jacques Copeau in tune with romanticism, hand in hand with Rousseau: from the myth of child’s innocence to the problems of actor’s consciousness	0
The Australian accent and actor training: the current state of play	0
Rehearsing reality: an acrostic for training interactive theatre	0
The microphone is always hot	0
Editorial	0
Agentive green mobility: everyday performance training for women on wheels	0
Post card from an insider artist	0
Tracing the impacts of informal dance training: a case study of falling on your feet, a programme for dancers over 65	0
Cirqiniq: the decolonising of social circus in Nunavik	0
Beyond the Stomp: The Inaugural NSP Symposium at Charles Sturt University Wagga Wagga, 15 to 18 April 2019, convened by Robert Lewis and Jeremy Neideck	0
“From ‘Guru-mukha’ to Contemporaneity”: metamorphosing divergent trajectories of Mohiniyattam pedagogy and performativity	0
Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki Method of Actor Training	0
Reimagining dance and digital media training in an era of techno-neoliberalism: collective pedagogical models for digital media education in dance	0
Seeking authenticity in a professional world: personal narratives on collaborating with amateurs in contemporary Chinese choreographic practices	0
An actor and a monk: discovering and navigating impulses	0
Constructing codes of behaviour: the ‘doxic agreement’ as a force for agency in contemporary dance technique training	0
The dance artistry of Diane Alison-Mitchell and Paradigmz: Accounting for professional practice between 1993 and 2003	0
Skills shared	0
Voice (as and in) touch	0
Pushing the boundaries: How the actor training practices of Monika Pagneux and Philippe Gaulier may engender experiences of agency and empowerment in older theatre-makers	0
The Unclean, ‘touching and training’ in puppetry from Japanese otome bunraku	0
Dear ship of fools	0
Accessing Psychophysical Identities through Russian Martial Arts in actor training	0
Shared discoveries in theatre and dance	0
Theatre in museums: ‘touch it without a touch’	0
Linguistic bodies: cognitive science and Stanislavsky’s last words	0
Approaching actor training in nature	0
…Ship of fools	0
What takes your breath away? Notes towards somatic training in times of ecological crises	0
Putting the Theatre Green Book into practice: sustainability, pedagogy and the conservatoire	0
Pierre Bourdieu and actor training: towards decolonising and decentering actor training pedagogies	0
Training and … buildings	0
Leaving the script behind	0
A collective form of art: an interview with Yana Ross	0
Green training: dancing under cherry blossom	0
A repertoire of touch in participatory choreography	0
A model of Buddhist-Somatic practice in Thai performer training	0
‘The ship of fools’: a critical laboratory	0
Reiterated empathy in BA director training	0
An integrative methodology for circus training based on creativity and education on physical expression	0
The Little Acorns – it was a touch and go experience	0
Independent beats to global feet: the evolution of English tap jams	0
What can an accomplice accomplish? Thinking about casting, point of view, and anti-racism in director training	0
Cross-cultural expression of Chinese ballet: Symbol, Identity, Context and Empathy	0
Actor without a theatre (new ways of living, being and training)	0
Training and the virtual: the second Mouth cyborg	0
Diálogo Escénico	0
Practice, practice, practice	0
Walk of Life Training in Non-stylised and Environmental Movement	0
One exercise I always return to: crossing the threshold	0
Seeking complicité, the pleasure to play and a clown state as an integral part of actor training in the work of Kristine Landon-Smith and Fabio Motta	0
Negotiating two ropes and a bar: performance training for aerial dance duets	0
Journeying towards multitudinous bodies: working with body weather practices through the creation of Into the Mountain	0
Amateur actor training in Israeli community-based theatre	0

One exercise I always return to… integrative physiovocal patterns	0
What is river?	0
…Ship of fools	0
Editorial	0
Actions speak louder than words. An investigation around the promises and the reality of representation in actor training	0
Degrowth pedagogies: a manifesto for Earth-centred theatre training	0
Exploring Rudolf Laban’s flow effort: new parameters of touch	0
Correction	0
Decolonising dance pedagogy? Ruminations on contemporary dance training and teaching in South Africa set against the specters of colonisation and apartheid	0
Martial art-acting in dictatorial Indonesia: Antigone (1974) and Lysistrata (1975) directed by W. S. Rendra	0
Ship of fools	0
A place of practice – a report from Kokyu Studio	0
Musicality and transformative mise-en-scène: Ten principles for teaching theatre directing as composition	0
Sustainability in technical theatre pedagogy and practice	0
A special relationship: a broad survey of Japanese performance training methodologies’ influence on Brisbane actor training since the 1990s	0
The Cherbourg Walk	0
Performing landscape as a practice of the awakened heart*	0
.Behind from Appears Noticing	0
Editorial	0
Touch in tableau: a powerful moment to break the wall	0
Aikido in Kokyu Studio’s practice	0
The pan-animate nature of performance and well-being	0
Spatial projection: extended perception for theatre creators through the practice of Chinese martial arts	0
Neuronormativity, naturalism and the neurotypical gaze: the equating of neurotypicality and quality in actor training	0
Filming process: questions and considerations	0
‘Critical Pathways’ – Training and Investigating the Art of Choreography-Making with Rosemary Butcher	0
The Nomadic Studio – dream-weaving a proposal for performer training	0
The Companionship Scores	0
Betty Williams and the new Australian voice	0
Pandemic as climate: new ways of living, being and training	0
Performingwhiledocumenting or how to enhance thenarrative agencyof a camera	0
Tactile renegotiations in actor training: what the pandemic taught us about touch	0
How do directors train?	0
Towards a trauma informed pedagogy in actor training: knowledge and agency	0
Editorial	0
UK dance graduates and preparation for freelance working: the contribution of artist-led collectives and dance agencies to the dance ecology	0
Encounters at the edge of the woods: relational repair from within ‘irreconcilable space’	0
Are you scared of me? – The power of demeanour in teaching actors	0
Is the readiness all? Revisiting martial arts in actor training	0
Holding the edge: between embodied trauma and choreographic learning	0
Material encounters: the art of noticing	0
Dancing with Eternity in Zizhuyuan’s Embrace	0
What is one exercise that you always return to? And why?	0
Green Training where are you?	0
Ship of fools	0
Postcard to a friend	0
太极推手: Taiji Pushing Hands	0
How theatres in the East Midlands are achieving impactful green training in the community	0
Physical training online: transitioning towards digital pedagogies	0
Not not doing therapy: performer training and the ‘third’ space	0
New platforms – for living, being and training	0
The applicability of historical Japanese and Polish fencing to the development of acting competences	0
Positivity	0
An Introduction to the Pedagogy of Georgian Director, Mikheil Tumanishvili	0
…Ship of fools	0
One exercise I always return to: games with names	0
Connections with the earth	0
Moving in a different direction (directing down under): the evolution of director training into studies of ‘creative leadership’ in an Australian context	0
Gifting together and gifting back: a pluriphony of postcards	0
(hyper-) Linked: new ways of living, being and training	0
Editorial	0
Mapping the terrain	0
Mastering Angika Abhinaya : somatic actor training with Seraikella Chhau	0
Greetings to the living	0
Is this a stethoscope I see before me? Extratheatrical employment as enhancement to actor training	0
It’s a question of love	0
Action, sensory stimulation and narrative imagination: applying Odin Teatret’s training in the management of the recovery process of post-stroke patients	0
The physical actor: contact improvisation from studio to stage, by Annie Loui	0
Y Space: grounded in flight – training for the air	0
Training and … buildings	0
The canon and the contemporary: change, challenge, conceit	0
Thin skin – new ways of living, being and training	0
Actor education, object animation and care	0
Developing an ecological consciousness through 360° immersive dance-making	0
The locus of control in higher education, a case study from performer training	0
Access for autistic student-actors: interrogating the role of empathy within actor-training methods	0
Transformations across time and space	0
Performer’s dramaturgy: Developing dramaturgical thinking through choreological practice	0
Editorial	0
The Road Not Taken: the importance of creative and experimental methods in training new acting students	0
‘Northern lights’, the Welfare State Winter School, in Ulverston, February 1991	0
Training and … buildings	0
Consent-based actor training as the only way forward	0
Rehearsing performative traditions: engaging with cultural practices in college devised theatre	0
Finding identity through directing, by Soseh Yekanians	0
Somatic Wisdom	0
Martial arts training during the pandemic and beyond: towards practices of virtuality	0
The art of experiencing: reflective appreciative actor training towards well-being, artistry, and personal agency	0
Language	0
Embedding ecoscenography into performance design pedagogy: three practice-based approaches	0
Laughing jesters of Tibet: the embodiment of joy	0
Michael Chekhov's acting technique: a practitioner’s guide	0
Social circus in aerials: Female experience, muscularity, pain and trust	0
Access and imagination	0
The digital studio	0