Postmedieval-A Journal of Medieval Cultural Studies

Papers
(The TQCC of Postmedieval-A Journal of Medieval Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)
ArticleCitations
How to find acids with flowers: Robert Boyle’s ‘syrrup of violets’ and the chemistry of color indicators23
Pathei mathos and skandalon in Le Sacre du Printemps3
An alchemy of medieval Honduras2
The womb as a wild mother beast2
Antisemitism, dance, and the law in the late medieval Holy Roman Empire2
Playing the Victim: Mockery, compassion, and racialization in premodern English Buffeting plays2
Skulls, worms, and angels: Teaching ritual through the grave in an Aljamiado Ḥadīth2
‘To se hem play, hyt was fayr game’: Playing & dancing in Thomas Chestre’s Sir Launfal2
Arabic lore as an inspiration for medieval Provençal Jews: The curious case of Mishle ha-‘arav1
The counter-Arthurian piracy of Jack Spicer’s Holy Grail1
Publisher Correction: Hearkening to the ‘voice’ of Teika: Authors and readers of poetry treatise forgeries in medieval Japan1
‘Come on Tiger’: An exploration into the political and ecological challenges for tigers in premodern and modern-day Korea1
Correction to: Dancing the Kleptocene1
Fictional(ised) beginnings of the Ottoman Dynasty: Notes on the Hikâyet-ı Zuhûr-ı Âl-i ‘Osmân1
Voice as talisman: Theorising sound in medieval Japanese treatises on the musical art of sutra chanting1
Ekphrastic techniques: Technê, Twombly, and art-making in the anthropocene1
What might a journal be?1
Did Byzantines feel ecological grief? Mourning the natural world in Medieval Greek literature1
Teaching Chaucer in China in the Republican Period (1912-1949)1
Multilingual worlds in al-Ḥarīrī’s monolingual maqāmāt: A study of al-Maqāma ar-raqṭāʾ (the spotted)1
Migrants shaping Europe, past and present: A roundtable1
Geomancing is googling: Modern Earth divination and the spirits and ethics of tech1
Shards in hand: crystal dwelling as ecology1
‘This world is like a water-wheel’: Alexander and Darius in the mirror1
Fictitious waters: Ottoman marvels, fiction, and gender1
Ali Smith’s medieval romance1
Publisher Correction: Storm-thoughts and ice-songs: A creative-critical response to Old English eco-poetry1
Dream narratives and metafictionality in the Persian Jog Bāsisht1
‘Adventures of a Quire of Paper’ in theory and practice: A conversation1
Hic sunt dracones: Eastern Europe in the study of the Middle Ages1
Ecocodicology1
Multilingualism from the perspective of the medieval Islamic vision of language0
About the cover0
Mouth stuff: How Hildegard and Mechthild feminise God and articulate a discourse of ‘lesbian’ erotics through oral metaphors0
Structural configuration of the Spanish medieval ceiling of the V&A Museum: An image essay0
Han Shan’s reclusion: From quasi-homelessness to ultra-homelessness0
Love poetry as social practice: On the function of medieval Sicilian love lyric in Arabic and Italian0
The erotic kiss in ancient and Byzantine novels0
Gaudiness as technique0
Chronologies of the animal turn0
Demolition due to sale: The international market in Spanish ceilings in the twentieth century0
In the skin of a donkey: On the moral status of animals of burden in two medieval Spanish versions of ‘The Miller, his Son and the Donkey’0
Poems for the Women of Beowulf: A ‘Contemporary Medieval’ Project0
About the cover0
A monstrous king and a forged prophecy: Parody, invention, and social hierarchy in the Kushnāmeh0
‘Dead faces laugh’: Medievalist hungers and Irish republican time, 1917-19810
Osbert of Clare and the reforging of Westminster Abbey’s past0
Derek Jarman’s medieval blood: Queer devotion, affective medicine, and the AIDS Crisis0
Ecologies of things and texts: Nature, matter, and material culture in the Middle Ages0
Greening the global medieval: Exploring the cultural worlds of the Palaeoanthropocene in East Asia0
Hearkening to the 'voice' of Teika: Authors and readers of poetry treatise forgeries in medieval Japan0
‘Just a tool for tea’? Yangxian minghu xi, Yixing zisha, and the technê of late Ming literati culture0
Correction to: Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image0
Process Essay. ‘A Feather on the breath of God’: Medieval legacies in modern choreography0
The Just Without Justification: On Meister Eckhart and Political Theology0
About the Cover0
Heritagizing Margery Kempe on the Camino Inglés0
‘The pure springs of English literature’: Percy MacKaye’s eugenic medievalism0
Multilingual poetics in Arabic and Persian Maqāmāt: Between al-taṣannu‘ andsabk0
Mount Baoding: A planetary story0
About the cover0
The Torrijos ceiling: Manufacturing peculiarities of the V&A ceiling0
Approaching Islamicate fictionalities0
Of touch and technê: Surface qualities and invisible repairs in late medieval parchment0
Pipes, pigments, and posas: Tapping into the divine in early colonial Mexican architecture0
Beyond imitation: A case for the hermeneutic agency of Persianate literary retellings0
How to tame a dragon: The ontology of evil in early Persian epic0
How to make a book: Alfredian prefaces in theory and practice0
Tajriba: An interview with Dr. Zarin Fatima on experiential knowledge in medicine0
Out of sight, but not out of mind: A Middle Dutch religious allegory as guide towards the absent Christ0
Medieval and modern race-thinking in Frank Yerby’s The Saracen Blade0
Tracing the legacies of medieval dance: Historical, critical, and artistic approaches0
The intersection of medieval studies and Indigenous studies: A Norse-Saami case study0
How to enjoy a posset0
Trans* & gender identity in the premodern Mediterranean0
Life in the mountains: The encyclopaedic perspective of Liu Xiaobiao’s ‘Treatise on Withdrawing to the Mountains of Jinhua’0
Juridical dread and the self-disciplining subject0
All tied up: A conversation about disorder, harmony, and the potentials of entanglement in Classical East Asia0
Marco Polo in trans-regional perspective0
Multimedia, agency, and subjectivity: Rumi, ‘Aṭṭār, and Hegel’s Orientalist sublime0
From the Golden Age to the Kali Age: The evolution of the Qissa/Romance genre in South Asia0
The voice astray: Caroline Bergvall’s Dante0
Of glass, stone, shell, and metal: Ecologies of beads in medieval and post-medieval West Africa0
Narration as Raumschach: Kalila and Dimna in time, space and languages0
Chiasm in choros: The dance of inspirited bodies0
Motivated fictionality: Worldbuilding and The Thousand and One Nights0
‘Wanting of hir wille’: Arendtian sovereignty and plurality in The Knight’s Tale0
Are there limits to globalising the medieval?0
Islamicate fictionalities and transcultural inter/connections0
The simorgh and the celestial conjunction0
Speluncar slumber and the medieval time traveler: Unearthing the imagined cave of the Old English Seven Sleepers0
Response essay: A hypothesis of the Middle Ages0
Embodying the wind0
Singing of and with the Other: Flamenco and the politics of pastoralism in medieval Iberia0
About the Cover0
Disappearing acts: What Buddhist tree-icons might tell us0
In the Name of Shirāz: The stone mosques of the East African coast reconsidered0
The decorative wooden ceilings of Nasrid Granada and the Alhambra0
About the Cover0
Elsewheres of worldmaking: On the possibilities of personification in the Progymnasmata of Nikephoros Basilakes (12th c.)0
Being ‘heretical about our chivalry’: Time, race, and national belonging in Charles W. Chesnutt’s The House Behind the Cedars0
Toying with dance: A medievalist interprets The Nutcracker ballet0
Medievalist forgery? Editions, adaptations, and translations of Kudrun in the nineteenth century0
‘Each way means loneliness—and communion’: reading anchoritic literature with T.S. Eliot0
Spacetime, connectivity, multipolarity, juxtaposition0
How to turn experience into science: The case of the old woman0
Portraying multilingualism in Ottoman literary culture: Qasidat al-burdah translations in ornamented manuscripts0
Forging the medieval amidst loss: The Public Record Office of Ireland and Ireland’s medieval history0
Correction to: ‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone0
Aljamiado retellings of the Hebrew Bible0
The Gender of Magic: Constructions of nonbinary gender categories in Sīrat Sayf ibn Dhī Yazan0
Tension: Rethinking the grid through textile0
Dancing in silence in premodern Europe0
Persianate Malabar: Muhammad Shah’s Takiyya and the composition of an Arabi-Malayalam Sufi romance-mathnawī in Southern India0
Gardening time: Horticulture and meditations on time in Song (960–1279) China0
Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image0
Matters of technique0
Editors’ introduction: Crafting medieval Spain0
Judging sexy women in late medieval France0
The Ballet of the Bombs: Isherwood’s camp remake of Dante’s rota of the Sodomites0
Ṣanam: The idol in Persian vernacular theories of mimesis0
Breath, bodies, and sacred text: Thinking about recitation with al-Ghazālī and Kūkai0
About the cover0
Dance, Institution, Abolition0
In search of lost elsewheres: Medievalism today0
Editors’ introduction: Medieval Forgeries / Forging the Medieval0
Tolkien, fandom, critique, and ‘critical joy’: A conversation0
Keeping time and measuring the consequences with Henry IV, Part 10
Islamicate fictionalities and transmissions to theory0
About the Cover0
Dido and Laura in Carthage: White purity, epidermal race, and sexual violence in Petrarch’s Africa0
Memory and modernity: The functions of architectural adaptability in the fifteenth- and sixteenth-century Iberian Peninsula0
Ecology in seventeenth-century Japan: the ‘Great Way’ of Kumazawa Banzan0
Sacrilegious bodies: Gender, race, and medieval dance in nineteenth-century missions0
Cases of divergence between Persian and Arabic poetics: An analysis of the underlying characteristics of particularly Persian stylistic techniques addressed by Vaṭvāṭ (d.1182)0
Dance as a liberating practice into divine darkness?: A systematic theologian re-reads Philo of Alexandria’s descriptions of dance0
Medieval sanctuary, gothic entrapment, and the fugitive self in Colson Whitehead’s The Underground Railroad0
Correction: The intersection of medieval studies and Indigenous studies: A Norse-Saami case study0
East Asian Palaeoanthropocenes: Responses0
About the Cover0
Afterword: Motions of global periodization0
Dancing the Kleptocene0
On stone, storms, and seismic tremors: ecologies of representation in medieval India0
About the Cover0
‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone0
About the cover0
Forging the medieval on Wikipedia0
Al-Tawḥīdī, Fictionality, and the Mediatedness of Narrative0
‘A beginning for them all’: The medieval pluriverse of Gloria Naylor’s ‘Sapphira Wade’0
The itinerant lives of two ceilings from Spain0
Creative practice as research in Old Norse-Icelandic studies: Ancillary characters as storytellers0
“What might a journal be?” Reflections from the postmedieval editorial board0
Editor’s introduction: Beyond Arabic in premodern Islamic worlds0
Coda: Interview with Charlotte Ewart0
Rewriting the wild: Fiction, adab, and the making of Majnun’s animal world0
Significant geographies of the Middle Ages: Cluster introduction0
The transhistorical, transcultural life of sausages: From medieval morescas to New Mexican Matachines with Aby Warburg0
Towards a history of the hammock: An Indigenous technology in the Atlantic world0
Design and composition details of the mocárabes of the Torrijos ceiling at the Victoria and Albert Museum, London: An image essay0
A conversation on trans technique0
Mountains, meaning, mediation: Petrarch’s ‘Ascent to Mont Ventoux’ (1336) and the ecological imagination of classical Chinese poetry0
Fictionalities in medieval Arabic texts: A roundtable0
Storm-thoughts and ice-songs: A creative-critical response to Old English eco-poetry0
‘…The enemy is close and in this sad story, Ximena is the Cid’: Reading The Moor’s Last Sigh in light of Salman Rushdie’s sources0
About the cover0
Gut feelings: On the chansons de geste's visceral aesthetic0
Medieval re-creation and translation in Edwin Morgan and Derek Jarman’s archives: A dialogue0
Labor, time, and walking through mountains: A response essay0
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