Postmedieval-A Journal of Medieval Cultural Studies

Papers
(The TQCC of Postmedieval-A Journal of Medieval Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Pathei mathos and skandalon in Le Sacre du Printemps4
Watching the Well-Governed City: painting and surveillance in Trecento Siena2
Ali Smith’s medieval romance2
Publisher Correction: Hearkening to the ‘voice’ of Teika: Authors and readers of poetry treatise forgeries in medieval Japan2
‘To se hem play, hyt was fayr game’: Playing & dancing in Thomas Chestre’s Sir Launfal2
An alchemy of medieval Honduras2
The counter-Arthurian piracy of Jack Spicer’s Holy Grail1
Skulls, worms, and angels: Teaching ritual through the grave in an Aljamiado Ḥadīth1
Teaching Chaucer in China in the Republican Period (1912-1949)1
Arabic lore as an inspiration for medieval Provençal Jews: The curious case of Mishle ha-‘arav1
The womb as a wild mother beast1
Playing the Victim: Mockery, compassion, and racialization in premodern English Buffeting plays1
Sensuous reading in the Legatus divinae pietatis1
‘Come on Tiger’: An exploration into the political and ecological challenges for tigers in premodern and modern-day Korea1
Antisemitism, dance, and the law in the late medieval Holy Roman Empire1
What might a journal be?1
‘This world is like a water-wheel’: Alexander and Darius in the mirror1
Fictitious waters: Ottoman marvels, fiction, and gender1
Design and composition details of the mocárabes of the Torrijos ceiling at the Victoria and Albert Museum, London: An image essay0
Islamicate fictionalities and transcultural inter/connections0
Dream narratives and metafictionality in the Persian Jog Bāsisht0
The Torrijos ceiling: Manufacturing peculiarities of the V&A ceiling0
Process Essay. ‘A Feather on the breath of God’: Medieval legacies in modern choreography0
Editor’s introduction: Beyond Arabic in premodern Islamic worlds0
About the cover0
Ecocodicology0
Demolition due to sale: The international market in Spanish ceilings in the twentieth century0
Ecology in seventeenth-century Japan: the ‘Great Way’ of Kumazawa Banzan0
Response essay: A hypothesis of the Middle Ages0
Forging the medieval on Wikipedia0
Medievalist forgery? Editions, adaptations, and translations of Kudrun in the nineteenth century0
Breath, bodies, and sacred text: Thinking about recitation with al-Ghazālī and Kūkai0
Beyond imitation: A case for the hermeneutic agency of Persianate literary retellings0
Praying by hand: meditations on reading with feeling in late medieval England0
Correction to: Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image0
Creative practice as research in Old Norse-Icelandic studies: Ancillary characters as storytellers0
From the Golden Age to the Kali Age: The evolution of the Qissa/Romance genre in South Asia0
Tracing the legacies of medieval dance: Historical, critical, and artistic approaches0
Animal feelings: senses of the Carolingian hunt0
About the cover0
Tolkien, fandom, critique, and ‘critical joy’: A conversation0
Editors’ introduction: Crafting medieval Spain0
Marco Polo in trans-regional perspective0
In the skin of a donkey: On the moral status of animals of burden in two medieval Spanish versions of ‘The Miller, his Son and the Donkey’0
‘Wanting of hir wille’: Arendtian sovereignty and plurality in The Knight’s Tale0
Derek Jarman’s medieval blood: Queer devotion, affective medicine, and the AIDS Crisis0
Aljamiado retellings of the Hebrew Bible0
How to tame a dragon: The ontology of evil in early Persian epic0
Ecologies of things and texts: Nature, matter, and material culture in the Middle Ages0
About the Cover0
In the Name of Shirāz: The stone mosques of the East African coast reconsidered0
“What might a journal be?” Reflections from the postmedieval editorial board0
Are there limits to globalising the medieval?0
Gardening time: Horticulture and meditations on time in Song (960–1279) China0
About the Cover0
Fictional(ised) beginnings of the Ottoman Dynasty: Notes on the Hikâyet-ı Zuhûr-ı Âl-i ‘Osmân0
Mount Baoding: A planetary story0
‘The pure springs of English literature’: Percy MacKaye’s eugenic medievalism0
All tied up: A conversation about disorder, harmony, and the potentials of entanglement in Classical East Asia0
The Just Without Justification: On Meister Eckhart and Political Theology0
‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone0
Whiteness, medievalism, immigration: rethinking Tolkien through Stuart Hall0
Storm-thoughts and ice-songs: A creative-critical response to Old English eco-poetry0
How to make a book: Alfredian prefaces in theory and practice0
Voice as talisman: Theorising sound in medieval Japanese treatises on the musical art of sutra chanting0
Motivated fictionality: Worldbuilding and The Thousand and One Nights0
Chronologies of the animal turn0
About the Cover0
sinne and sêlen kraft: medieval models of sensory perception in a mural of the Constance Haus zur Kunkel0
The simorgh and the celestial conjunction0
On stone, storms, and seismic tremors: ecologies of representation in medieval India0
Portraying multilingualism in Ottoman literary culture: Qasidat al-burdah translations in ornamented manuscripts0
Singing of and with the Other: Flamenco and the politics of pastoralism in medieval Iberia0
Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image0
About the Cover0
Dance as a liberating practice into divine darkness?: A systematic theologian re-reads Philo of Alexandria’s descriptions of dance0
Spacetime, connectivity, multipolarity, juxtaposition0
Editors’ introduction: Medieval Forgeries / Forging the Medieval0
The itinerant lives of two ceilings from Spain0
Life in the mountains: The encyclopaedic perspective of Liu Xiaobiao’s ‘Treatise on Withdrawing to the Mountains of Jinhua’0
Rewriting the wild: Fiction, adab, and the making of Majnun’s animal world0
Love poetry as social practice: On the function of medieval Sicilian love lyric in Arabic and Italian0
Gut feelings: On the chansons de geste's visceral aesthetic0
The transhistorical, transcultural life of sausages: From medieval morescas to New Mexican Matachines with Aby Warburg0
East Asian Palaeoanthropocenes: Responses0
The voice astray: Caroline Bergvall’s Dante0
Multilingualism from the perspective of the medieval Islamic vision of language0
Embodying the wind0
Chiasm in choros: The dance of inspirited bodies0
Mountains, meaning, mediation: Petrarch’s ‘Ascent to Mont Ventoux’ (1336) and the ecological imagination of classical Chinese poetry0
Dancing in silence in premodern Europe0
Han Shan’s reclusion: From quasi-homelessness to ultra-homelessness0
About the cover0
Visionary apprehensions: rethinking “premedieval Japan” in terms of a postmedieval sinoscape0
Out of sight, but not out of mind: A Middle Dutch religious allegory as guide towards the absent Christ0
Correction to: ‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone0
Sacrilegious bodies: Gender, race, and medieval dance in nineteenth-century missions0
Medieval re-creation and translation in Edwin Morgan and Derek Jarman’s archives: A dialogue0
Dancing the Kleptocene0
About the Cover0
Significant geographies of the Middle Ages: Cluster introduction0
Persianate Malabar: Muhammad Shah’s Takiyya and the composition of an Arabi-Malayalam Sufi romance-mathnawī in Southern India0
Fictionalities in medieval Arabic texts: A roundtable0
Being ‘heretical about our chivalry’: Time, race, and national belonging in Charles W. Chesnutt’s The House Behind the Cedars0
Introduction: Amputation and warfare in the eleventh century: absence, sensation, and embodiment0
About the Cover0
The intersection of medieval studies and Indigenous studies: A Norse-Saami case study0
The Ballet of the Bombs: Isherwood’s camp remake of Dante’s rota of the Sodomites0
Hic sunt dracones: Eastern Europe in the study of the Middle Ages0
The decorative wooden ceilings of Nasrid Granada and the Alhambra0
Mouth stuff: How Hildegard and Mechthild feminise God and articulate a discourse of ‘lesbian’ erotics through oral metaphors0
Cases of divergence between Persian and Arabic poetics: An analysis of the underlying characteristics of particularly Persian stylistic techniques addressed by Vaṭvāṭ (d.1182)0
Shards in hand: crystal dwelling as ecology0
‘A beginning for them all’: The medieval pluriverse of Gloria Naylor’s ‘Sapphira Wade’0
Elsewheres of worldmaking: On the possibilities of personification in the Progymnasmata of Nikephoros Basilakes (12th c.)0
Islamicate fictionalities and transmissions to theory0
Hearkening to the 'voice' of Teika: Authors and readers of poetry treatise forgeries in medieval Japan0
Correction to: Dancing the Kleptocene0
Coda: Interview with Charlotte Ewart0
Disappearing acts: What Buddhist tree-icons might tell us0
About the cover0
‘Dead faces laugh’: Medievalist hungers and Irish republican time, 1917-19810
Greening the global medieval: Exploring the cultural worlds of the Palaeoanthropocene in East Asia0
Narration as Raumschach: Kalila and Dimna in time, space and languages0
Osbert of Clare and the reforging of Westminster Abbey’s past0
Multilingual poetics in Arabic and Persian Maqāmāt: Between al-taṣannu‘ andsabk0
Multimedia, agency, and subjectivity: Rumi, ‘Aṭṭār, and Hegel’s Orientalist sublime0
Heritagizing Margery Kempe on the Camino Inglés0
Afterword: Motions of global periodization0
Al-Tawḥīdī, Fictionality, and the Mediatedness of Narrative0
Memory and modernity: The functions of architectural adaptability in the fifteenth- and sixteenth-century Iberian Peninsula0
Trans* & gender identity in the premodern Mediterranean0
Retelling the Icelandic family sagas0
The erotic kiss in ancient and Byzantine novels0
Juridical dread and the self-disciplining subject0
In search of lost elsewheres: Medievalism today0
‘…The enemy is close and in this sad story, Ximena is the Cid’: Reading The Moor’s Last Sigh in light of Salman Rushdie’s sources0
Dido and Laura in Carthage: White purity, epidermal race, and sexual violence in Petrarch’s Africa0
Forging the medieval amidst loss: The Public Record Office of Ireland and Ireland’s medieval history0
Medieval sanctuary, gothic entrapment, and the fugitive self in Colson Whitehead’s The Underground Railroad0
Of glass, stone, shell, and metal: Ecologies of beads in medieval and post-medieval West Africa0
Correction: The intersection of medieval studies and Indigenous studies: A Norse-Saami case study0
Anthologizing the medieval senses: a methodological overview0
Structural configuration of the Spanish medieval ceiling of the V&A Museum: An image essay0
Approaching Islamicate fictionalities0
A monstrous king and a forged prophecy: Parody, invention, and social hierarchy in the Kushnāmeh0
The Gender of Magic: Constructions of nonbinary gender categories in Sīrat Sayf ibn Dhī Yazan0
Speluncar slumber and the medieval time traveler: Unearthing the imagined cave of the Old English Seven Sleepers0
Ethnonationalism and medievalism: reading affective ‘Anglo-Saxonism’ today with the discovery of Sutton Hoo0
Poems for the Women of Beowulf: A ‘Contemporary Medieval’ Project0
Judging sexy women in late medieval France0
Dance, Institution, Abolition0
Migrants shaping Europe, past and present: A roundtable0
Toying with dance: A medievalist interprets The Nutcracker ballet0
‘Each way means loneliness—and communion’: reading anchoritic literature with T.S. Eliot0
Labor, time, and walking through mountains: A response essay0
About the cover0
Multilingual worlds in al-Ḥarīrī’s monolingual maqāmāt: A study of al-Maqāma ar-raqṭāʾ (the spotted)0
Medieval and modern race-thinking in Frank Yerby’s The Saracen Blade0
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