OOIR: Observatory of International Research

Papers

(The TQCC of Modernist Cultures is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)

Article	Citations
‘Patti Smith, Bloomsbury, and the Afterlives of Modernist Objects’	1
Notes on Contributors	1
The Philological Experience in Finnegans Wake	1
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Notes on Contributors	0
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Review of Russomania: Russian Culture and the Creation of British Modernism, 1881–1992 by Rebecca Beasley	0
‘Sick Hands, Thin and White, Were Always Slipping Offerings across My Windowsill, Offerings for the Little Birdlings’: Multispecies Encounters within and around Modern Rural British Sanatoria	0
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Notes on Contributors	0
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Enchanted Aesthetic Lineages and Queer Intersubjectivity: Walter Pater, Vernon Lee, and Virginia Woolf	0
Muriel Rukeyser's Idea of Poetry: A History of Abstraction	0
Back matter	0
Notes on Contributors	0
Helen Sutherland in Interwar Northumberland: Patronage and Place	0
The Armoured Self, Un-becoming the Subject: Reading Julia Ducournau’s Titane (2021) Via Wyndham Lewis and Vorticism	0
Selling Short or Buying Long: Financial Wars and Future Creation in 1930s Shanghai	0
Review of Modernism, Material Culture and the First World War by Cedric Van Dijck	0
Spades and Gravers: Clare Leighton, Victor Gollancz and the Radical Countryside	0
Concrete Poetics and Non-Art in John Cage and Dom Sylvester Houédard	0
‘Only he remains’: René Char, Botteghe Oscure, and Postwar Poetic Translation	0
Outside Joke: Virginia Woolf’s Freshwater and Coterie Insularity	0
‘Fact’ and ‘Truth’: Empire and Culture in David Jones’ The Grail Mass	0

Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud	0
The Third City: Gillian Rose and the Anxiety of Modernity	0
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Displacements: Current Work on Japanese Modernism	0
Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival	0
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Review of Modernism at the Beach: Queer Ecologies & the Coastal Commons by Hannah Freed-Thall	0
Lagos and the Uncertain New Modernism of Teju Cole	0
‘Count Me Out’: Ulysses and/as the Great Refusal	0
Black lives and peripatetic practice in Sylvia Townsend Warner’s Summer Will Show and David Garnett’s The Sailor’s Return	0
Back matter	0
‘Unreal enchantment’: poetic vocatio(n) and the spoken word in Marcel Proust's À la recherche du temps perdu	0
Modernism and Translational Cities in Interwar Japan: William Plomer’s Sado and Itō Sei’s Streets of Fiendish Ghosts	0
Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War	0
Surveillance, Security, and Wartime Propaganda: John Lehmann at the BBC	0
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‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression	0
Notes on Contributors	0
‘Who in This World Knows Anything of Any Other Heart?’: Ford Madox Ford and the New Cardiology	0
‘On the Perimeter and Fringe of War’: Norman Nicholson, Rural Modernity and Wartime	0
Ante-Utopianism: Space and Time as Anti-Utopian Resistance in Goodbye to Berlin	0
Back matter	0
Bombing Cultural Heritage: Nancy Cunard, Art Humanitarianism, and Primitivist Wars in Morocco, Ethiopia, and Spain	0
Notes on Contributors	0
‘Branded with a word’: Material Prophecy in H.D.’s Trilogy	0
‘Earmarks of Design’: Finnegans Wake, Aurality, and Joyce's Common Reader	0
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‘Cheerful AND Profound!’: Elizabeth Bishop’s Buster Keaton	0
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Creolizing Kurosawa: Malcochon , Japonisme, and the Relational Aesthetics of Global Modernism	0
Cities of Global Modernism Introduction	0
Modernist Beauty Cultures: Mina Loy and Elizabeth Arden's Gendered Economies of Ageing	0
A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry	0
Alexandra Ksenofontova, The Modernist Screenplay: Experimental Writing for Silent Film	0
Bombast and Sesquipedalian Words: Translation, Mistranslation, and the Epigraph to The Waste Land	0
Before a New Architecture: Frederick Etchells and the Emergence of Architectural Modernity in Britain, from W.R. Lethaby to Le Corbusier	0
‘Strange Growths’?: Jean Rhys’s Second World War Material	0
Review of What Was Literary Impressionism? by Michael Fried	0
Review of Andrew Thacker, Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London	0
Front matter	0
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Guest Editor's Introduction	0
Notes on Contributors	0
Hugh Sykes Davies's Petron: Surrealism, Politics, and Hiking	0
Review of Modernism and Theology: Rainer Maria Rilke, T. S. Eliot, Czesław Miłosz by Joanna Rzepa	0
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Notes on Contributors	0
Notes on Contributors	0

The Nuclear Family from Wellington to Hiroshima: Eithne Wilkins's ‘Oranges and Lemons’	0
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Notes on Contributors	0
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Review of Katherine Ebury, Modern Literature and the Death Penalty, 1890–1950	0
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Close Reading as Choice Reading: Virginia Woolf’s The Waves	0
More Swallows to Follow: Sweeping, Swirling, Wheeling Turns in H.D.’s Asphodel	0
The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ Nightwood	0
Plays and Fragments: Antigone, Film, Modernity	0
‘A draughtsman of words’: The Modernist Crafting of Prosodic Intermediality in E. E. Cummings’ Fauvist and Cubist Palettes	0
Thinking Backwards/Looking Forwards: Ali Smith’s Virginia Woolf, Metamodernism’s Paranoia	0
Heard But Not Seen: Gardens and Their Child Ghosts in Rudyard Kipling, T. S. Eliot and Lucy M. Boston	0
Sylvia Townsend Warner and the Revolutionary Garden Georgic	0
‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun	0
Writing Back to Singapore: Foundational Fictions for a Modernist Port City	0
‘The dawn, the dawn, it comes too soon!’: The Medieval Alba in Ford Madox Ford's Parade's End	0
Paradoxical Ordinariness: Virginia Woolf and the Dialectic of Revaluation	0
Samuel Beckett's Radio Geographies	0
Review of Nicola Wilson, Recommended! The influencers who changed how we read	0
Front matter	0
Review of The Edinburgh Companion to D.H. Lawrence and the Arts, edited by Catherine Brown and Susan Reid and The Many Drafts of D.H. Lawrence: Creative Flux, Genetic Dialogism, and the Dile	0
The Cup, The Jug, and the Other: Salvador Dalí and Ontological Constitution	0
A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast	0
Through a Cuban Lens: Storytelling and Surrealism in the Work of Raúl Cañibano	0
Narratives of Resistance and Remembering in Marcel Proust's Railway Station	0
Male Birth in Apollinaire's Les mamelles de Tirésias : From Duplicity to Prophetic In(ter)vention	0
‘I am short of puff’: Katherine Mansfield's Poetics of Breathing	0
‘Like Somebody Else's War': Similes in David Jones's In Parenthesis	0
Front matter	0
Notes on Contributors	0
Notes on Contributors	0