OOIR: Observatory of International Research

Papers

(The median citation count of Artmargins is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
From the Editors	5
Communitas : Gate Hill Coop and the Transitoriness of Bauhaus and Black Mountain College	2
Residencies Unreflected in Papunya	2
On-Site in the City: Comparative Urban Aesthetics in Asia at the turn of the 21st Century	1
Sanggar and Art Group: A Method for Our Art? Paper for Limited Discussion on Art Education Yogyakarta Cultural Park, August 11, 1986	1
Introduction: Art's Histories Without Art History	1
Sanggar and Artist Collective in New Order Indonesia: An Introduction to “Sanggar and Art Group: A Method for Our Art? Paper f	1
Introduction to Tomás Maldonado's “The Abstract and the Concrete in Modern Art” and Alfredo Hlito's “Notes toward a Materialist Aesthetics”	1
Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories	1
Collectivity, Communities, Connectedness: Decolonizing Art Colonies	1
My Beautiful Picture Book	1
Only Massage	1
The Photograph as Susceptible Material: An Introduction to “Reflection OR Creation” from Urszula Czartoryska's The Artistic Adventures of Photography	1
Ñandutí: Crossroads of Two Worlds: The Lineage and Magic of Ñandutí	1
Abstract States: Modernism in Lebanon, Syria, and Turkey	1
Introduction to “Back to the Site: Documentary as I Understand It”	1
Art, Signs, and Cultures: Iba Ndiaye and Jean Laude in Conversation with Roger Pillaudin	1
The Avant-Garde of Socialism in the Prehistoric Jungle: The Temporalities of Coal Mining in 1950s Upper Silesia	0
Socialism in Contemporary African Art: Butchering the End of Time	0
Banal Cities: The Constructed Urban Landscape in Contemporary South Korean Photography	0
Chimneys and Electric Wires Conquering the Sky: The Great Transformation of Nature in Socialist Albania	0
MANIFESTO: Five-Year Plan (2021–2025)	0
The Politics and Aesthetics of Liberation: Revolution and Its Aftermath in Contemporary Artistic Practice from and about Lusophone Africa	0
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art	0
Revisiting Rasheed Araeen's Structures: 8bS at Manufactured Art, 1970	0

“To Make Books Is to Multiply”: Artists' Books and Feminist Expression in Mexico	0
Sublimating Socialist Construction Through Ink: Introduction to “When Thoughts Change, Brush and Ink Cannot Remain Unchanged”	0
The Missing Mountain	0
Informalism and The Aesthetics of Underdevelopment: Colombian Abstract Painting in the Cold War	0
Developmental Dilemmas	0
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War	0
Living Together: George Maciunas’s Collective Colonies and Migration Projects	0
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–96	0
The Artists Village in Singapore: Open Studios as Counter-Cartography and Critical Spatial Practice	0
Equestrian Semiosis: Unpacking the Parodic Layers of Bahman Mohassess's Painting and Theater	0
Contributors	0
Back to the Site: Documentary as I Understand It	0
Contributors	0
Contributors	0
Revolutionary Painting and the Palestinian Revolution	0
Memory Zero	0
“Turksib Was Not Just a Railroad for Me”: Visualizing the Anthropocene as a Transit	0
Bags of Stories: Thinking with Household Casebearers in the Anthropocene	0
The Decolonial Contradiction: German Proscription and the Necessities of Refusal	0
Color Charts	0
Contributors	0
“We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson's Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media	0
From The Editors	0
Contributors	0
The Silence That Words Hold	0
Roundtable on John Clark's The Asian Modern	0
The Socialist Anthropocene in the Visual Arts	0
Performative Pictures: Imai Norio's Moving Images	0
When Thoughts Change, Brush and Ink Cannot Remain Unchanged	0
Socialization of the Private? The Emergence of Polish Mail Art and the Ideas of Democratic Opposition	0
The Persistence of Primitivism and the Debt Collectors	0
Grounding the Global: Pathways to Elucidating Tensions in Chinese Contemporary Art	0
“Real Time Story Telling”: A Performance-Art Festival in the Context of International Networks during the Transitional Period in Poland before and after 1989	0
Chronological Dyslexia: Remembering/Representing/Performing Aids	0
Editorial Statement	0
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization	0
Socialist Realism: Foundations and in Flux	0
From the Editors	0
25 Years of Creative Work of Soviet Architects of Uzbekistan	0
The Museum Forum: An Introduction to Walter Zanini's “New Direction for the Museum of Contemporary Art”	0
Captain Cook’s Imaginary Machine	0
From the Editors	0
The Aesthetics of “Northern Remnants” in Video Art from China	0
New Direction for the Museum of Contemporary Art	0
Minorities as Hubs of Cultural Transfer: The Bosch+Bosch Group	0
Militant Mappings: A Template Toolkit	0
From the Editors	0
“Reflection or Creation” from The Artistic Adventures of Photography	0
Contributors	0
Contributors	0

Introduction to “Art, Signs, and Cultures” (1977)	0
This Past Must Address Its Future: Uses of African Noncontemporaneity in Contemporary Art from the French Borderscape	0
Retraction of Holmes, Ros. 2018. “Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly.” Artmargins 7 (1): 31–57	0
Emergency Aesthetics: The Case of the Four Faces of Omarska	0
Introduction to “Cultural Offensive of the Working Classes”	0
From “Moorishness” to Uzbek Socialist Realist Architecture: An Introduction to “25 Years of Creative Work of Soviet Architects of Uzbekistan”	0
Notes Toward a Materialist Aesthetics	0
Constellational Modernisms: “Socialist Humanism” and “Contextual Art” in Ion Bitzan and Wanda Mihuleac's Graphic Art of the 1970s	0
Erratum: The Persistence of Primitivism and The Debt Collectors	0
The Mythography of Socialism in Contemporary Angolan Art	0
Decolonization, Heritage, And Problems of Forgetting	0
Contributors	0
What Does Art History Have to Say About a Lebanese Sasquatch? The Body of Decolonial Struggle in Amanda Boulos's Art	0
Black Artists’ Colonies in South Africa Pre-1994: Introductory Notes	0
From the Editors	0
Mega-Dams in the Hydrologics of the Socialist Anthropocene	0
Southern Lights: Octavio Paz's “Glimpses of India” and the Art of Relation	0
Contributors	0
Cultural Offensive of the Working Classes	0
The Project and The (ART) Object: Conversations with Ješa Denegri and Benjamin Buchloh	0
Art of the Counter-Archive: Rosângela Rennó's Books and the Secret Files of the Dictatorship	0
On the Aspirations of Architecture and Design in 20th-Century South Asia	0
Make Me a Picture of the Future: Massinissa Selmani's 1000 Socialist Villages (2015)	0
Yugoslavia with Strings Attached: Boris Kralj's My Belgrade (2011) and Dubravka Ugrešić and Davor Konjikušić's There's Nothing Here (2020)	0
Ch'ixi Epistemology and The Potosí Principle in the 21st Century	0
Contributors	0
Socially Engaged Art, Direct Democracy, and Artistic Autonomy	0
The Problem with Film: Murayama Tomoyoshi's Variations on the Visible	0
Decolonial and Anthropocene Discourses in Contemporary Art of Former Socialist Contexts	0
Modern Art, Indigeneity, and Nationalism in Paraguay: An Introduction to Josefina Plá's “Ñandutí Crossroads of Two Worlds”	0
Counting Quality, Seeing Patterns	0
Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini's “Baghdad 1974: A Summary of the First Arab	0
The Abstract and the Concrete in Modern Art	0
Lend Me Your Eyes	0
Contributors	0
More Phemes	0
What Kind of Thing is Art?	0
The (Calli)graphic Regimes of Contemporary Vietnamese Art	0
This is the Way: The Landmarks: Rethinking and Hacking Urban Planning through Walking: A Script from a Case Study of Tokyo	0
Figurative in Form, Political in Content: On Recent Reassessments of Global Socialist Realism	0
Time after Time: Temporalities of a Socialist Realism in a Former East Berlin Neighborhood	0
As the Nile Flows or the Camel Walks	0
Art History, Postcolonialism, and the Global Turn	0
Barbad Golshiri's Acts of Alterity	0
Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”	0
“And What About Class?”	0
A Monument in Conflict: Transnational Resistance and the Politics of Commemoration in La Vaughn Belle and Jeannette Ehlers's I am Queen Mary	0
Contributors	0
An Aperture Toward Abstraction in Tejal Shah's Moving-Image Works	0