Theatre History Studies

Papers
(The median citation count of Theatre History Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Introduction5
Imagining Access: What Does Digiturgy Have to Offer?1
Books Received1
The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx1
Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe by Julie Stone Peters (review)0
Beckett Beyond the Normal ed. by Seán Kennedy0
Beyond Polite Words: Understanding Trans Erasure and Exploitation in Academe0
Contributors0
Revisiting Mei Lanfang's 1930 USA Tour: Triumphs of Curation0
From San Francisco Eastward: Victorian Theater in the American West by Carolyn Grattan Eichin0
A Tale of Two Funerals: Surrogation and the Legacy of Florence Mills in Show Boat's Black Chorus (1927)0
Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States by Laura L. Mielke0
Josephine Baker and Katherine Dunham: Dances in Literature and Cinema by Hannah Durkin0
Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary McAvoy0
Working Backstage: A Cultural History and Ethnography of Technical Theater Labor by Christin Essin (review)0
Present Perfect Tense: Revolutionizing Dramatic Narratives through Living History at the Oconaluftee Indian Village0
Standby: An Approach to Theatrical Design by Joshua Langman (review)0
Shakespeare in Montana: Big Sky Country's Love Affair with the World's Most Famous Writer by Gretchen E. Minton (review)0
Seen/Scene: Suzan-Lori Parks's Manifesto for Black People Onstage Revisited0
In the Lurch: Verbatim Theater and the Crisis of Democratic Deliberation by Ryan Claycomb (review)0
Introduction0
There Are No Small Parts, Only Fractals0
TikTok Is Theatre, Theatre Is TikTok0
Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin0
Emily Mann: Rebel Artist of the American Theatre by Alexis Greene (review)0
Staging America: The Artistic Legacy of the Provincetown Players by Jeffery Kennedy (review)0
Who Cares if We Like Them? The Problematics of "Likability" in Production and Progress0
Robey Theatre Company's Bronzeville : Critical Historical Performance of Afro-Asian Political Economy in Los Angeles0
The Branson Hillbilly: Commingling Power and Marginalization on the "Heartland" Stage0
Training Aztlán to Act: Chicanx Theatre, TENAZ, and Theatre as Social Change0
Choreographic Revisions: The Eagle Dance as Historical Hallmark of Unto These Hills0
When, Where, and How We Enter: Early Black Feminist Ruminations on Black Dramaturgies0
Californios, Anglos, and the Performance of Oligarchy in the U.S. West by Andrew Gibb0
Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert, and: Conversations with Lorraine Hansberry ed. by Mollie Godfrey (review)0
"I Thought I Loved Him, … the Pale Coward": The Politics of Interracial Love in W. E. B. Du Bois's "Seven-Up"0
Made-Up Asians: Yellowface During the Exclusion Era by Esther Kim Lee (review)0
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance by Bradley Rogers (review)0
Law and Performance ed. by Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey0
Starring Women: Celebrity, Patriarchy, and American Theater, 1790–1850 by Sara E. Lampert0
Contributors0
Navigating Ireland's Theatre Archive: Theory, Practice, Performance ed. by Barry Houlihan0
Introduction0
Lying in the Middle: Musical Theater and Belief at the Heart of America by Jake Johnson (review)0
Books Received0
When We Gather in the Clearing, A Cardinal Croons0
Histories of the Counter-Future: Theodore Ward, Alice Childress, and the Manifestos of the People's Theatre0
"Not Another Essay on Care Work in Academia!"0
Books Received0
Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689–1800 by Chelsea Phillips (review)0
The Gaza Monologues: Palestine, Representation, and Reciprocity0
Contributors0
The Chinese Atlantic: Seascapes and the Theatricality of Globalization by Sean Metzger (review)0
Introduction to the Special Section: Manifestos for Black Theatre, Then and Now0
American Scenic Design and Freelance Professionalism by David Bisaha (review)0
Conversations with Sam Shepard ed. by Jackson R. Bryer, Robert M. Dowling, and Mary C. Hartig (review)0
A Stained Glass Menagerie0
Addiction and Devotion in Early Modern England by Rebecca Lemon0
"Humane Care": The Rhetoric of Premodern Care in The Tempest0
Staging Indigeneity: Salvage Tourism and the Performance of Native American History by Katrina M. Phillips (review)0
Earth Matters on Stage: Ecology and Environment in the American Theater by Theresa J. May (review)0
Responding to Crises of Racial Capitalism with Care and Resistance0
Theatre of the Macabre ed. by Meredith Conti and Kevin J. Wetmore Jr. (review)0
"Cake Walks and Culture": The Black Struggle for Sovereignty at the Dawn of Jim Crow0
Choreographing Displacement in Sankofa Danzafro's La Ciudad de los Otros0
Dramatic Justice: Trial by Theater in the Age of the French Revolution by Yann Robert0
"A Body without Labels": Anton Giulio Bragaglia and the Search for the Dancer-Actor in Fascist Italy0
Access Intimacy as a Philosophy of Care in Post-Pandemic Academic Theatre0
Blue Song: St. Louis in the Life and Work of Tennessee Williams by Henry I. Schvey (review)0
Theatre Like an Oak in the Town Square0
Performing Commedia dell'Arte, 1570–1630 by Natalie Crohn Schmitt0
"Check One, Two, Three": Dispatching Sonic Labor in Richmond's In the Heights and Nuestras Historias Exhibit0
Pure Filth: Ethics, Politics, and Religion in Early French Farce by Noah D. Guynn (review)0
Editors' Introduction to the Special Section0
The Actor's Life and State Funding for Theatre in France: "We Are the State"0
"A Good Union Doesn't Have to Be Dull": White-Collar Union Theatre0
A Path Out of the Desert: Enduring and Educating in the Time of COVID0
"She Is No Longer What She Was": Charlotte Cushman, Melodramatic Femininity, and the Maidenly Mode of Singing in Daniel Terry's Guy Mannering0
Children, Childhood, and Musical Theater ed. by Donelle Ruwe and James Leve (review)0
A Manifesto in Motion: Reimagining Collective Dance Histories Through Bill T. Jones/Arnie Zane Company's Continuous Replay0
Introduction to the Special Section0
Anti-Racist Shakespeare by Ambereen Dadabhoy and Nedda Mehdizadeh (review)0
Marginalized: Southern Women Playwrights Confront Race, Region, and Gender by Casey Kayser (review)0
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