Theatre History Studies

Papers
(The median citation count of Theatre History Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
"She Is No Longer What She Was": Charlotte Cushman, Melodramatic Femininity, and the Maidenly Mode of Singing in Daniel Terry's Guy Mannering2
Pure Filth: Ethics, Politics, and Religion in Early French Farce by Noah D. Guynn (review)1
Seen/Scene: Suzan-Lori Parks's Manifesto for Black People Onstage Revisited0
Staged News: The Federal Theatre Project's Living Newspapers in New York by Jordana Cox (review)0
Sampling and Remixing Blackness in Hip-Hop Theater and Performance by Nicole Hodges Persley (review)0
Shakespeare in Montana: Big Sky Country's Love Affair with the World's Most Famous Writer by Gretchen E. Minton (review)0
A Manifesto in Motion: Reimagining Collective Dance Histories Through Bill T. Jones/Arnie Zane Company's Continuous Replay0
Staging America: The Artistic Legacy of the Provincetown Players by Jeffery Kennedy (review)0
Introduction0
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera by Gabriela Cruz (review)0
Introduction to the Special Section: Queer and Trans Readings of the Theatrical Past0
Books Received0
A Path Out of the Desert: Enduring and Educating in the Time of COVID0
Introduction0
Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe by Julie Stone Peters (review)0
There Are No Small Parts, Only Fractals0
Staged Readings: Contesting Class in Popular American Theater and Literature, 1835–75 by Michael D'Allessandro (review)0
"The Past Lives Here": Split Britches in Conversation with Benjamin Gillespie0
Introduction to the Special Section: Manifestos for Black Theatre, Then and Now0
Cultures of Witnessing: Law and the York Plays by Emma Lipton (review)0
Introduction to the Special Section0
Anti-Racist Shakespeare by Ambereen Dadabhoy and Nedda Mehdizadeh (review)0
Baroque Modernity: An Aesthetic of the Theatre by Joseph Cermatori (review)0
Books Received0
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance by Bradley Rogers (review)0
When We Gather in the Clearing, A Cardinal Croons0
Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689–1800 by Chelsea Phillips (review)0
Cracking Up: Black Feminist Comedy in the Twentieth & Twenty-First Century United States by Katelyn Hale Wood (review)0
When, Where, and How We Enter: Early Black Feminist Ruminations on Black Dramaturgies0
Responding to Crises of Racial Capitalism with Care and Resistance0
Present Perfect Tense: Revolutionizing Dramatic Narratives through Living History at the Oconaluftee Indian Village0
Introduction0
"I Want to Save the Flag": Childhood Flag Veneration, American Nationalism, and World War I–Era Entertainment0
Beyond Polite Words: Understanding Trans Erasure and Exploitation in Academe0
Revisiting Mei Lanfang's 1930 USA Tour: Triumphs of Curation0
Books Received0
Made You Look: Staring, Drag, and Trans Performance History from the Jewel Box Revue to Broadway0
"I Thought I Loved Him, … the Pale Coward": The Politics of Interracial Love in W. E. B. Du Bois's "Seven-Up"0
Blue Song: St. Louis in the Life and Work of Tennessee Williams by Henry I. Schvey (review)0
Children, Childhood, and Musical Theater ed. by Donelle Ruwe and James Leve (review)0
Contributors0
Access Intimacy as a Philosophy of Care in Post-Pandemic Academic Theatre0
Transforming Tradition: The Reform of Chinese Theater in the 1950s and Early 1960s by Siyuan Liu (review)0
"Not Another Essay on Care Work in Academia!"0
The Chinese Atlantic: Seascapes and the Theatricality of Globalization by Sean Metzger (review)0
Gender Inclusivity and Spanish Golden Age Theatre0
Standby: An Approach to Theatrical Design by Joshua Langman (review)0
Stage (Tr)aces: Asexuality in The Roaring Girl0
Contributors0
The Actor's Life and State Funding for Theatre in France: "We Are the State"0
The Case for Al-Mutayyim : Queer Genealogies and Theatre Historiography0
Scripts of Blackness: Early Modern Performance Culture and the Making of Race by Noémie Ndiaye (review)0
Broadway Bodies: A Critical History of Conformity by Ryan Donovan (review)0
Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century ed. by Penny Farfan and Lesley Ferris (review)0
"Cake Walks and Culture": The Black Struggle for Sovereignty at the Dawn of Jim Crow0
Staging Indigeneity: Salvage Tourism and the Performance of Native American History by Katrina M. Phillips (review)0
Conversations with Sam Shepard ed. by Jackson R. Bryer, Robert M. Dowling, and Mary C. Hartig (review)0
"Humane Care": The Rhetoric of Premodern Care in The Tempest0
Marginalized: Southern Women Playwrights Confront Race, Region, and Gender by Casey Kayser (review)0
Shakespeare and Latinidad ed. by Trevor Boffone and Carla Della Gatta (review)0
"Performing His Epic Acting": What the Piscator Papers Can Tell Us about H. T. Tsiang's "American Epic," The Hanging on Union Square0
Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert, and: Conversations with Lorraine Hansberry ed. by Mollie Godfrey (review)0
Who Cares if We Like Them? The Problematics of "Likability" in Production and Progress0
In the Lurch: Verbatim Theater and the Crisis of Democratic Deliberation by Ryan Claycomb (review)0
American Scenic Design and Freelance Professionalism by David Bisaha (review)0
Contributors0
Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa by Brian Valente-Quinn (review)0
Emily Mann: Rebel Artist of the American Theatre by Alexis Greene (review)0
Histories of the Counter-Future: Theodore Ward, Alice Childress, and the Manifestos of the People's Theatre0
Working Backstage: A Cultural History and Ethnography of Technical Theater Labor by Christin Essin (review)0
Theatre of the Macabre ed. by Meredith Conti and Kevin J. Wetmore Jr. (review)0
Brutal Beauty: Aesthetics and Aspiration in Urban India by Jisha Menon (review)0
"Check One, Two, Three": Dispatching Sonic Labor in Richmond's In the Heights and Nuestras Historias Exhibit0
Training Aztlán to Act: Chicanx Theatre, TENAZ, and Theatre as Social Change0
Lying in the Middle: Musical Theater and Belief at the Heart of America by Jake Johnson (review)0
Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico by May Summer Farnsworth (review)0
Robey Theatre Company's Bronzeville : Critical Historical Performance of Afro-Asian Political Economy in Los Angeles0
Made-Up Asians: Yellowface During the Exclusion Era by Esther Kim Lee (review)0
Cultural Objects and Transatlantic Entrepôt Capitalism0
Earth Matters on Stage: Ecology and Environment in the American Theater by Theresa J. May (review)0
Temporal Ruptures: Time Travel, the Queer Body of Color, and Healing History in the Collaborative Works of Anna Luisa Petrisko0
Staging Technology: Medium, Machinery, and Modern Drama by Craig N. Owens (review)0
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