CEA Critic

Papers
(The TQCC of CEA Critic is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Three Daughters, Two Stories, One Tragedy: Ownership and Incest in William Shakespeare's King Lear and Jane Smiley's A Thousand Acres3
Looking Backwards: The Powerful Presence of Precursors1
Laurence Sterne's Letters and Sermons: Glossing the Themes of Tristram Shandy1
A World Bound by Language: General-Education Requirements and English Courses0
Contributors0
A Few (Hopefully Final) Words on "The New Wave" (Originally published in the 1974 special issue of The CEA Critic)0
“What Treasure is Hid in Milk”?: Transforming Bodily Fluids in the English Early Modern Receipt Book0
Re-Assessing Our Colonial Heritage: The Controversial Memorialization of Hannah Duston0
Editor's Introduction: The CEA Conference in San Antonio: A Pivot Point0
The Tangled Bank: Nature as Via Media in Charlotte Smith’s The Emigrants: A Poem in Two Books (1793)0
Contributors0
Labor-Based and/or Rubric-Based? Examining the Effects of a Hybrid Grading System in the Composition Classroom0
“You think / It’s a happy beat?”: Hughes’s “Dream Boogie”0
Editor’s Introduction: The Greatest City in Alabam’0
A Thousand Acres of King Lear: Reading Shakespeare Through Smiley0
The Genre of the Re-Text in Composition Studies0
Field Report: News From The College English Association Regional Affiliates0
Convergence: Qualitative and Quantitative Research Methods in English Studies for Undergraduate English Majors0
Human and Professor: Using Trauma-Informed Pedagogy to Reimagine Teaching in the Wake of COVID-190
“How we go on”: Tradition’s Talent and the Individual Poet in Gary Snyder’s “Axe Handles”0
"Vigour to sustain": The Experience of Imprisonment and Stoic Principles in Lord Byron's The Lament of Tasso0
Awakening Ecological Consciousness in Conrad Richter's Ohio Trilogy0
Contemplations on Relational Vulnerability and Student Success0
The Spectral Famine in Anthony Trollope’s Castle Richmond0
Teaching Poetic Form as Deep Language Learning with Robert Frost’s “Nothing Gold Can Stay”0
Contributors0
Illustration as Simile: Conversations between Visual and Textual in Tales from Shakespeare0
Transformational Bodies in the Works of Angela Carter: From the Dark Corporeality of the Symptomatic Body to the Intercorporeality of Maurice Merleau-Ponty0
CEA 2022: Birmingham: 52nd Annual Conference | March 31–April 2, 2022 Birmingham Sheraton Hotel0
The Double Rhetorical Life of Father Abram Ryan0
Remediation and Epistemological Revelation in the Archimedes Palimpsest and Twenty-First-Century Erasure Poetry0
Like a Lamb to the Slaughter: Unjust Censorship in Tales from Shakespeare0
The Poet in the Natural World: Dissolving Epiphanies in the Poetry of W. S. Merwin0
Travis McGee’s Great Crime0
Seeing Race in Post-Racial America: Spectatorship and Visibility of the Racial Experience in Branden Jacobs-Jenkins’ An Octoroon (2014)0
Sound Presentation of the Silent History: Orature in Yvonne Vera’s The Stone Virgins0
The Case of the Corpse in the Classroom0
Dystopia in Disguise: Disintegrated Societies in Manjula Padmanabhan's Harvest and Lights Out0
Note from the Editors0
Composing an Anti-Racist Academy: Re-Imagining Systems and Structures in a First-Year Writing Program0
Transforming British Literature Pedagogy0
China Miéville: Radical SF, Nostalgic Utopianism, and the Politics of the Past0
Self-Translation, (Anti-)Translation: Roque Raquel Salas Rivera’s Poem 450
The Impossibility of Postmemory in Diasporic Anglophone Lebanese Texts0
Swallows, Sparrows, Robins, and Kingfishers: Anthroponymic Symbolism in David Lodge’s Campus Trilogy0
Looking Backwards: Okay, Professor Boomer0
Editor’s Comments about the Cover Photograph: Brier Patch by Hugh Hayden0
Notebooking Embodied Sonico-Musical Experience0
The Negro Laborer: William Hooper Councill and the Rhetoric of Compromise0
'The Blue Hotel' and 'The Killers'0
Doing Posthumous Justice: The Voices of the Dead in Rosenbaum’s The Golems of Gotham0
Looking Backwards: Smooth Criminals0
Style Matters: Revitalizing the Study of Style0
Contributors0
Looking Backwards: Trollope is Trending0
Cripping Core Books: Beyond Accessibility in the Great Books Classroom0
The New American Modernists in English Studies: Using Heuristic Tools to Convert Data to Information0
Searching for the Famine Remnants in Elizabeth Gaskell's North and South0
A Message from Stacy Bailey, Second Vice President and Organizer of the 52nd College English Association Annual Conference0
Hybridity as a Threat to Normative Constructions of Self in Nella Larsen’s Passing0
The Puritan Dream and Its Counter Voices: How Joy Harjo’s American Sunrise Reenvisions John Winthrop’s American Exceptionalism0
Postnaturalist Monstrosity in Rivers Solomon’s Sorrowland0
D. H. Lawrence, T. S. Eliot, and the Meaning of the Mythical Method0
Cloud Gods: Climate Cycles and the Eco-Utopia of Water in Percy Shelley’s “The Cloud”0
The End Is Always Near: Evaluating the Influence of Premillennial Apocalyptic Rhetoric on Evangelical Christian Attitudes toward Climate Change Discourse0
On Teaching Trollope in the ‘Seventies0
Re-Vision of History: Historiographic Metafiction in Kurt Vonnegut's Mother Night and Salman Rushdie's Midnight's Children0
How I Implemented Asao B. Inoue’s Labor-Based Grading and Other Antiracist Assessment Strategies0
Empathy and Trauma: A Cognitive Approach to Mrs. Dalloway0
An “Unsettling” Novel: James M. Cain’s The Cocktail Waitress0
Contributors0
Contributors0
Freedom of Choice: Re-reading Catherine Maria Sedgwick’s Hope Leslie0
Teaching Shakespeare Using Dialogic Literary Argumentation0
Sugared Death: Poison and Gender in Shirley Jackson's We Have Always Lived in the Castle0
The Eighteenth-Century Chaucer and the Rewriting of English History0
The Specter of War: Memorialization at the Site of the 1968 My Lai Massacre0
Water and Light: Erasure and Recovery in the Work of Tracy K. Smith0
“[D]ead cert for the Gold cup”: Gambling, Animal Life, and Male Communities in James Joyce’s Ulysses0
Gossip at the Quilting Bee: A Crucial Form of Solidarity in Nineteenth-Century America0
Corpus Linguistics Pedagogy for Native Speakers: Using Corpora to Develop Advanced Writers0
Ten Things I Learned (or Remembered) about Research while Writing a Wikipedia Article0
Opening Opportunities in the Freshman Composition Syllabus0
Looking Backwards: Tradition, the Temporal, and the Timeless0
On the Threshold of Education: Race and Antebellum Schooling in the Text and Context of the Colored American0
The Top-Down, Upside-Down World of Online Education0
Clearing the Hurdles: Concrete Steps To Helping Students Overcome Academic Struggles0
Perceiving the Human through the Nonhuman: Posthumanism in Issac Asimov’s The Bicentennial Man0
No Timeline is Sacred: The Performance of Power and Authority in Loki0
They Don’t Read Very Well: A Study of the Reading Comprehension Skills of English Majors at Two Midwestern Universities0
The Textbooks Are Too Damn High: Calling for a More Nuanced Evaluation of OERs0
Gangster Cinema on a Vaudeville Stage: George's Mediated Perception of Reality in Ernest Hemingway's "The Killers"0
Michael Field’s Transgressively Androgynous Lesbian Lyrics from Long Ago0
Editor’s Introduction: The Rocky Mountain CEA’s Pop-Up Conference0
Contributors0
Contributors0
Engaging Students and Expanding the Canon of Knowledge through Empathy-Based Pedagogy0
An Orchestrated Awakening: Latent Irish-ness at the Heart of Yeats's Seminal Work0
Contributors0
Circumventing "Hostipitality": The Enduring Legacy of 19th-Century Choctaw Nation and Irish Solidarity0
“[S]he could not but do him the justice of feeling that there was a great deal of sentiment in his manner of naming Harriet”: Reported Speech and the Mind-Twist Plot in Jane Austen’s Emma0
Disabled Bodies and Ableist Ideology in The Hunger Games Film Trilogy0
The CEA Conference in Atlanta: World Enough and Time0
Contributors0
Looking Backwards: Do Genres Blend or Do They Bleed?0
W. Somerset Maugham, Henry James, and the Modernist Aesthetic of The Moon and Sixpence0
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