OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Performing the Role of Playwright: Jia Zhongming's Sanqu Songs in the Supplement to The Register of Ghosts	2
Introduction	2
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	1
Simian Episteme, circa 1200	1
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	1
Contributors	1
Zaisheng yuan and the Writing of Women's Culture	1
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	1
On Translating Mountains and Seas: A Review Essay	1
Lore and Verse: Poems on History in Early Medieval China	1
The Textual Architecture of Empire in Two Early Qing Anthologies	1
Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales	1
What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang's Peking Opera Film Dream of the Bridal Chamber	1
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	1
Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China	0
Manuscript and the Human in Modern China	0
Cumulative Structure in Zhuangzi's “The Great and Venerable Teacher”	0
Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux	0
The Divided Liang Dynasty Literary World Seen through the Liu-Dao Dispute	0
The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language	0
Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and theLisao離騷	0
In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics	0
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
A Companion to The Story of the Stone: A Chapter-by-Chapter Guide	0
Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0

Civilization Remapped in Chikamatsu Monzaemon's The Later Battles of Coxinga	0
Contributors	0
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
Theories of Spatiality and the Study of Medieval China	0
Some “Han” Fu on Things	0
DecenteringSinas: Poststructuralism and Sinology	0
Wang Anshi and Song Poetic Culture	0
Ming Qing xiqu xuba zuanjian	0
Languages, Scripts, and Chinese Texts in East Asia	0
Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater	0
Contributors	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
Marginalia Transcription and Scholarly Culture in the Qing Dynasty	0
Yufa yu shijing—hanshi yishu zhi poxi 語法与詩境—漢詩藝術之破析 (Grammar and Poetic Vision: Deciphering the Art of Classical Chinese Poetry)	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0
Just Listening: An Introduction	0
Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2023)	0
Performing the Emperor: Sui Jingchen's “Han Gaozu Returns to His Home Village”	0
Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
A Flavor All Its Own: Some Theoretical Considerations on Sanqu Songs as Mixed-Register Literature	0
The Translator's Mirror for the Romantic: Cao Xueqin's Dream and David Hawkes’ Stone	0
The Ultimate Sanqu Song: Yao Shouzhong's “The Complaint of the Ox” and Its Place in Tanaka Kenji's Scholarship on Sanqu	0
The Protean World of Sanqu Songs	0
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0
Zhonggu wenxue zhong de shi yu shi	0
Secret Laid Bare: Close Reading of Chinese Poetry	0
A Dialectic between Genres and Extension of Poetic Functions: Zhang Kejiu's “Regulated Songs”	0
Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0
Brevity and Breadth: A Linguistic, Aesthetic, and DH-Assisted Study of the Book of Poetry and “Nineteen Old Poems”	0
In Praise of This Prosperous and Harmonious Empire: Sanqu, Ming Anthologies, and the Imperial Court	0
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	0
A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	0
Inward Turns, Then and Now	0
Fashioning Cosmopolitan Desires: The “Bamboo Branch Lyrics” Poetry Genre in Late Chosŏn Korea	0
Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
Riddles inJin Ping Mei	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
The Making of Barbarians: Chinese Literature and Multilingual Asia	0
The Halberd at Red Cliff: Jian'an and the Three Kingdoms	0

The Crying Statue in Early Qing Drama	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Contributors	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0
Feminist Theories and Women Writers of Late Imperial China: Impact and Critique	0
Mencian Reincarnations: Mercy and Forgiveness in the Seventeenth-Century Chinese Novel Predestined Marriage That Awakens the World	0
A Couple of Soles: A Comic Play from Seventeenth-Century China	0
Behaving Badly in Early and Medieval China	0
Plays within Songs: Sanqu Songs from Literary Refinement (ya) to Popular Appeal (su)	0
Making China Modern: From the Great Qing to Xi Jinping	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
Guo Xi on Painting the Invisible Gaze of the Dao	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0