OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)

Article	Citations
The Translator's Mirror for the Romantic: Cao Xueqin's Dream and David Hawkes’ Stone	5
Literature and the Way: The Theoretical Foundation and Historical Development of Wendao 文道	1
The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language	1
Yufa yu shijing—hanshi yishu zhi poxi 語法与詩境—漢詩藝術之破析 (Grammar and Poetic Vision: Deciphering the Art of Classical Chinese Poetry)	1
A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	1
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	1
Languages, Scripts, and Chinese Texts in East Asia	1
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	0
Manuscript and the Human in Modern China	0
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	0
Inward Turns, Then and Now	0
Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium	0
Mencian Reincarnations: Mercy and Forgiveness in the Seventeenth-Century Chinese Novel Predestined Marriage That Awakens the World	0
On Translating Mountains and Seas: A Review Essay	0
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	0
Some “Han” Fu on Things	0
Wang Anshi and Song Poetic Culture	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Brevity and Breadth: A Linguistic, Aesthetic, and DH-Assisted Study of the Book of Poetry and “Nineteen Old Poems”	0
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	0
The Formation and Evolution of the Theories of the Relation between Qing 情 and Jing 景 in Classical Chinese Poetics	0
The Crying Statue in Early Qing Drama	0
Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater	0
A Companion to The Story of the Stone: A Chapter-by-Chapter Guide	0

Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
Contributors	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
A Literary Anatomy of the Binary Concept of Emptiness-Substance	0
Unfolding the Layers of a Literary Standard: The Construction and Reconstruction of Yifa 義法 (Substantive Technique), a Conceptual Apparatus for Classical Prose Criticism	0
What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang's Peking Opera Film Dream of the Bridal Chamber	0
DecenteringSinas: Poststructuralism and Sinology	0
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	0
Zhonggu wenxue zhong de shi yu shi	0
Between Vocality and Textuality: The Concept of Qi 氣 in Chinese Literary Criticism	0
Contributors	0
Inspired Appeal and Divine Resonance: Sensory and Spiritual Dimensions of Xingqu 興趣	0
Theories of Spatiality and the Study of Medieval China	0
The Making of Barbarians: Chinese Literature and Multilingual Asia	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
Literary Virtue: A Moral Cornerstone of Chinese Literary Theory	0
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
Fashioning Cosmopolitan Desires: The “Bamboo Branch Lyrics” Poetry Genre in Late Chosŏn Korea	0
Secret Laid Bare: Close Reading of Chinese Poetry	0
Contributors	0
Lore and Verse: Poems on History in Early Medieval China	0
Civilization Remapped in Chikamatsu Monzaemon's The Later Battles of Coxinga	0
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
Ziran 自然 as a Term in Chinese Literary Theory and Its Conceptual Reductions	0
The Literary-Critical Use of the Term Duncuo 頓挫	0
Simian Episteme, circa 1200	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2023)	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and theLisao離騷	0
“Old and New,” “Raw and Ripe,” and “Novel and Fresh”: The Concept of Originality in Traditional Chinese Literary Theory and Criticism	0
Introduction	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0
Introduction: Toward Establishing Chinese Literary Theory as a Viable Subject of Sinological Studies	0
Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
Key Terms Studies and the Search for the Inherent System of Chinese Literary Theory	0
Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi	0
Contributors	0
Just Listening: An Introduction	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
Whence Comes the Wind? Transformations of the Concept of Fengyu 諷諭 from Admonition and Instruction to Analogy and Satire	0

Ming Qing xiqu xuba zuanjian	0
Feminist Theories and Women Writers of Late Imperial China: Impact and Critique	0
Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales	0
Zaisheng yuan and the Writing of Women's Culture	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0