OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
The Translator's Mirror for the Romantic: Cao Xueqin's Dream and David Hawkes’ Stone	4
A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	1
Literature and the Way: The Theoretical Foundation and Historical Development of Wendao 文道	1
Inspired Appeal and Divine Resonance: Sensory and Spiritual Dimensions of Xingqu 興趣	1
Marginalia Transcription and Scholarly Culture in the Qing Dynasty	1
Languages, Scripts, and Chinese Texts in East Asia	1
Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and theLisao離騷	1
Yufa yu shijing—hanshi yishu zhi poxi 語法与詩境—漢詩藝術之破析 (Grammar and Poetic Vision: Deciphering the Art of Classical Chinese Poetry)	1
Guo Xi on Painting the Invisible Gaze of the Dao	1
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	1
Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium	1
The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language	1
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2023)	0
DecenteringSinas: Poststructuralism and Sinology	0
Introduction	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
Introduction: Toward Establishing Chinese Literary Theory as a Viable Subject of Sinological Studies	0
“Old and New,” “Raw and Ripe,” and “Novel and Fresh”: The Concept of Originality in Traditional Chinese Literary Theory and Criticism	0
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
Ming Qing xiqu xuba zuanjian	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	0

Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China	0
Contributors	0
Literary Virtue: A Moral Cornerstone of Chinese Literary Theory	0
Behaving Badly in Early and Medieval China	0
What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang's Peking Opera Film Dream of the Bridal Chamber	0
Fashioning Cosmopolitan Desires: The “Bamboo Branch Lyrics” Poetry Genre in Late Chosŏn Korea	0
The Divided Liang Dynasty Literary World Seen through the Liu-Dao Dispute	0
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Zaisheng yuan and the Writing of Women's Culture	0
Unfolding the Layers of a Literary Standard: The Construction and Reconstruction of Yifa 義法 (Substantive Technique), a Conceptual Apparatus for Classical Prose Criticism	0
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	0
Theories of Spatiality and the Study of Medieval China	0
On Translating Mountains and Seas: A Review Essay	0
Inward Turns, Then and Now	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
Mencian Reincarnations: Mercy and Forgiveness in the Seventeenth-Century Chinese Novel Predestined Marriage That Awakens the World	0
Civilization Remapped in Chikamatsu Monzaemon's The Later Battles of Coxinga	0
Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales	0
Key Terms Studies and the Search for the Inherent System of Chinese Literary Theory	0
Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
Between Vocality and Textuality: The Concept of Qi 氣 in Chinese Literary Criticism	0
Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux	0
Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0
Whence Comes the Wind? Transformations of the Concept of Fengyu 諷諭 from Admonition and Instruction to Analogy and Satire	0
Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater	0
Cumulative Structure in Zhuangzi's “The Great and Venerable Teacher”	0
Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi	0
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
A Literary Anatomy of the Binary Concept of Emptiness-Substance	0
The Textual Architecture of Empire in Two Early Qing Anthologies	0
Lore and Verse: Poems on History in Early Medieval China	0
Simian Episteme, circa 1200	0
The Literary-Critical Use of the Term Duncuo 頓挫	0
Feminist Theories and Women Writers of Late Imperial China: Impact and Critique	0
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0
Riddles inJin Ping Mei	0
Zhonggu wenxue zhong de shi yu shi	0
The Making of Barbarians: Chinese Literature and Multilingual Asia	0
Contributors	0
Just Listening: An Introduction	0
Manuscript and the Human in Modern China	0
Wang Anshi and Song Poetic Culture	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
The Formation and Evolution of the Theories of the Relation between Qing 情 and Jing 景 in Classical Chinese Poetics	0

Some “Han” Fu on Things	0
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	0
Brevity and Breadth: A Linguistic, Aesthetic, and DH-Assisted Study of the Book of Poetry and “Nineteen Old Poems”	0
Plays within Songs: Sanqu Songs from Literary Refinement (ya) to Popular Appeal (su)	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Contributors	0
Secret Laid Bare: Close Reading of Chinese Poetry	0
A Companion to The Story of the Stone: A Chapter-by-Chapter Guide	0
The Crying Statue in Early Qing Drama	0
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	0
The Halberd at Red Cliff: Jian'an and the Three Kingdoms	0
Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
Ziran 自然 as a Term in Chinese Literary Theory and Its Conceptual Reductions	0
A Couple of Soles: A Comic Play from Seventeenth-Century China	0
Contributors	0
Making China Modern: From the Great Qing to Xi Jinping	0