OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
The Translator's Mirror for the Romantic: Cao Xueqin's Dream and David Hawkes’ Stone	6
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	3
A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	2
How to Read Chinese Drama: A Guided AnthologyA Topsy-Turvy World: Short Plays and Farces from the Ming and Qing Dynasties	1
Literature and the Way: The Theoretical Foundation and Historical Development of Wendao 文道	1
Inspired Appeal and Divine Resonance: Sensory and Spiritual Dimensions of Xingqu 興趣	1
Yufa yu shijing—hanshi yishu zhi poxi 語法与詩境—漢詩藝術之破析 (Grammar and Poetic Vision: Deciphering the Art of Classical Chinese Poetry)	1
The Biji xiaoshuo 筆記小說 Tradition and News Media: The Dianshizhai Pictorial 點石齋畫報 as a Case Study	1
Languages, Scripts, and Chinese Texts in East Asia	1
Good Things Come in Pairs: A Computational Study of Poetic Parallelism in the Six Dynasties	0
The Making of Barbarians: Chinese Literature and Multilingual Asia	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
Just Listening: An Introduction	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Wang Anshi and Song Poetic Culture	0
Lore and Verse: Poems on History in Early Medieval China	0
Between Vocality and Textuality: The Concept of Qi 氣 in Chinese Literary Criticism	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	0
Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi	0
De-eroticizing the Inner Chamber: Zhou Qi's Ekphrastic Colophon in Lady at Dressing Table by Wang Qiao	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
Zaisheng yuan and the Writing of Women's Culture	0
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0

Contributors	0
Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales	0
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0
Simian Episteme, circa 1200	0
Zhonggu wenxue zhong de shi yu shi	0
“Old and New,” “Raw and Ripe,” and “Novel and Fresh”: The Concept of Originality in Traditional Chinese Literary Theory and Criticism	0
Civilization Remapped in Chikamatsu Monzaemon's The Later Battles of Coxinga	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
Introduction: Toward Establishing Chinese Literary Theory as a Viable Subject of Sinological Studies	0
Brevity and Breadth: A Linguistic, Aesthetic, and DH-Assisted Study of the Book of Poetry and “Nineteen Old Poems”	0
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0
Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
Key Terms Studies and the Search for the Inherent System of Chinese Literary Theory	0
Literary Virtue: A Moral Cornerstone of Chinese Literary Theory	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
Whence Comes the Wind? Transformations of the Concept of Fengyu 諷諭 from Admonition and Instruction to Analogy and Satire	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
The Crying Statue in Early Qing Drama	0
A Literary Anatomy of the Binary Concept of Emptiness-Substance	0
Reconstructing Confucian Masculinity: Chen Tingzhuo's Poetic Ideal of “Depth and Circuitousness”	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2024)	0
Contributors	0
Shibun to keisei: Bakufu jushin no jūhasseiki 詩文と経世:幕府儒臣の十八世紀 (Poetry, Prose, and Governance: The Eighteenth Century of Confucian Officials of the Shogunate)	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2023)	0
Unfolding the Layers of a Literary Standard: The Construction and Reconstruction of Yifa 義法 (Substantive Technique), a Conceptual Apparatus for Classical Prose Criticism	0
Ming Qing xiqu xuba zuanjian	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0
Some “Han” Fu on Things	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
Mencian Reincarnations: Mercy and Forgiveness in the Seventeenth-Century Chinese Novel Predestined Marriage That Awakens the World	0
On Translating Mountains and Seas: A Review Essay	0
Beheaded Meanings and Anonymous Signifiers: Forms of Truth and Conditions for Its Emergence in Late Ming Court Case Fiction	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	0
Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0
The Formation and Evolution of the Theories of the Relation between Qing 情 and Jing 景 in Classical Chinese Poetics	0
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	0
The Craft of Oblivion: Forgetting and Memory in Ancient China	0
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	0
Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux	0
Fashioning Cosmopolitan Desires: The “Bamboo Branch Lyrics” Poetry Genre in Late Chosŏn Korea	0
Ziran 自然 as a Term in Chinese Literary Theory and Its Conceptual Reductions	0
Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
Saying All That Can Be Said: The Art of Describing Sex in Jin Ping MeiTelling Details: Chinese Fiction, World Literature	0
What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang's Peking Opera Film Dream of the Bridal Chamber	0
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
A Companion to The Story of the Stone: A Chapter-by-Chapter Guide	0
The Literary-Critical Use of the Term Duncuo 頓挫	0

Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
Manuscript and the Human in Modern China	0
Contributors	0
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0