JCMS-Journal of Cinema and Media Studies

Papers
(The median citation count of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson15
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)10
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig10
Whose Film? Our Film: Shirley Clarke's The Cool World10
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)8
Pivotal Encounters: Melvin Van Peebles, Amos Vogel, and the Beginnings of Black Radical Cinema7
Tweeting About Latinx TV: #SaveODAAT Social Media Campaign6
The Four Forms of Non-fiction Cinema: Modality and Expressivity in Documentary Classification4
Queer Affects at the Origins of Computation4
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity3
An Anti-Racist Camera?: On Politics and Practices of Computational Photography3
Television Scales by Nick Salvato3
To Educate and Inform: A History of Television for Deaf Audiences on the BBC2
Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border2
Maximizing Our Losses: Anna Ridler, Fall of the House of Usher , and the Ruins of AI2
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)2
Global TV Formats Queer Contemporary China2
Narrative Podcasting in an Age of Obsession by Neil Verma (review)2
Contemporary Political Cinema by Matthew Holtmeier2
Smartphone Anxiety: Succession ’s Technological Allegories2
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts2
In Focus Introduction: Sci-Fi Doc: Intersections of Speculative and Non-fiction Media2
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers2
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)2
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy1
The Time of the Assassins1
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea1
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms1
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"1
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood1
Haunted Time in New York by Night1
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji1
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman1
Italian Ecocinema: Beyond the Human by Elena Past1
The Intimate Life of Computers: Digitizing Domesticity in the 1980s by Reem Hilu (review)1
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris1
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination1
Black Freedom, Busing as Media Theory, and Stan VanDerBeek's "Social Media"1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data1
Holding onto Power: The Film Industry’s Stratification in the Digital Age1
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)1
Reconsidering the Network Era: 16mm Film on Television1
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)1
Wild Blue Media: Thinking through Seawater by Melody Jue1
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass1
Interactive Cinema: The Ambiguous Ethics of Media Participation by Marina Hassapopoulou (review)1
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality1
Filmgoing's Often Unseen Labor1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19741
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media1
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason1
Racialized Darkness and Ace in the Hole1
The Unsituated Comedy0
"A Special, Special Agent": Defamiliarized Disability in World of Giants0
Manifest Documentary0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
In Translation: Matsumoto Toshio and the Antifascist Avant-Garde Documentary0
On Failing to Get Out0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Spotlight: Allyson Nadia Field0
Coming Out Queer-Crip: Alliances in the New Spanish Disability Cinema0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
Shipwreck Media: Crisis Ornaments and How to Read Them0
In Focus Introduction: Modes of Visual Production0
From Maid to Machine: Her , Hegemony, and the Twenty-First-Century Mammy0
Spotlight: Kaveh Askari0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
Anime's Knowledge Cultures: Geek, Otaku, Zhai by Jinying Li (review)0
The Synthetic Real: AI-Documentary Connections0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
Figure and Force in Animation Aesthetics by Ryan Pierson0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
Independent US Exhibition in the Twilight of the Paramount Decrees, 2008–20190
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation0
Spotlight: Ishita Tiwary0
Spotlight: Disability Caucus0
Too English? Voice, Gender, and Race from Murder! to Mary0
I Love Lucy, Single Sponsorship, and Marketing Communication0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
Un-Moving Play and the End of Time : Code Injections and the Trans Abrogation of Media Objects0
Introduction0
The Great Indian Road Trip: Picturing the Post-Colony in the Lost Travel Films of Warner Bros.0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
Poetics of Trans Ecologies0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
“Everyone Needs a Plan, but Sometimes You Have to Improvise”: The National Immigrant Youth Alliance and The Infiltrators0
Digitizing Scent: What Vaporware Can Teach Us About the Limits of Mediation0
"Film Director Tanaka Kinuyo": The Challenges of Female Authorship0
Lindsay McIntyre: Indigenous Handmade Cinema0
FKA twigs and the Impossibly Sonorous Body0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
Spotlight: Lakshmi Padmanabhan0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Macau on Location: Cinematic and Sociospatial Analysis of a Postcolonial City0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
Black Networked Resistance: Strategic Rearticulations in the Digital Age by Raven Maragh-Lloyd (review)0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
In Focus Introduction: Queering Asian Media0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age0
Geeton-Bhari-Kahani (Story-Full-of-Songs): Hindi Film Song Fanfiction on the Radio Airwaves, 1960–19790
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge0
Light and Time in the Narrative Fiction Film0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
Uncontainable: Cardboard, Media, Interface0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
Expanding Trans Cinema through the Tranny Fest Collection0
Death by Laughter: Female Hysteria and Early Cinema by Maggie Hennefeld (review)0
Spotlight: Marisa Hicks-Alcaraz0
Introduction: Film Programmers Speak0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
Modern Time: Abbas Kiarostami's Immersions, from Sponsored Documentary to Slow Cinema0
Opening the Broadband Access Paradox0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
In the Land of the Unreal: Virtual and Other Realities in Los Angeles by Lisa Messeri (review)0
Radio for the Millions: Hindi-Urdu Broadcasting Across Borders by Isabel Huacuja Alonso (review)0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
A NonReport: The Operative Image and the Politics of the Public Secret0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
Spotlight: Kam Copeland0
Close Encounters: Nosferasta: First Bite and Tierra en trance0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field0
Grassroots Data Activism0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Seeing Things: Spectral Materialities of Bombay Horror by Kartik Nair (review)0
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
Fabulations of Light: Speculative Operations in Sunstone and All Light, Everywhere0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Spotlight: Gender and Feminisms Caucus0
Spotlight: Activist and Revolutionary Film and Media Scholarly Interest Group0
Spotlight: Graduate Student Organization0
Queer Sinophone Media across Asian Regionalism0
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock0
Virtually Wandering the Migration Trail0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–19290
Spotlight: Caucus on Class0
Spotlight: Indigenous Media Caucus0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
Matters in the Bloom: Material Ecocriticism in Dimension 20 's Actual Play A Court of Fey & Flowers0
Everyday Movies: Portable Film Projectors and the Transformation of American Culture by Haidee Wasson0
The Megacity of Bangkok Rescaled through Queerness0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man0
Introduction0
Painting Race: Policing Ambiguity in This Rebel Breed0
The Case for Media Reparations0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
Daoism and Diaspora in Post-millennial Taiwanese Martial Arts Films0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
Moral Atmospheres: Islam and Media in a Pakistani Marketplace by Timothy P. A. Cooper (review)0
Spotlight: Scandinavian Scholarly Interest Group0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto0
Baked In: Cooking and Cannabis in Viceland0
"As the Cyber World Turns": Web Soaps and the History of TV Storytelling Online0
Spotlight: Media and the Environment Scholarly Interest Group0
Uncomfortable Television by Hunter Hargraves (review)0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
The Cybernetic Border: Drones, Technology, and Intrusion by Iván Chaar López (review)0
The Threat of the AI Actor0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
Dimension 20 and Collaborative Moral Imagination0
More Than an Athlete: LeBron James, the Sports Star as Production Company, and the Entrepreneurial Politics of Empowerment0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
Documenting Resilience: Studying Survival in the Industry as Latinx Media Activism0
Spotlight: Wazhmah Osman0
In Translation: Gabriel Navarro, Latina/o Film Critic0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
Rendered Topological: Virtual Geometry as Vectoralism in the Unreal Engine0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Yes, It Is Media: Introduction to the Special Issue0
Other “Punks” in Late 1970s–1980s Cinema in Japan: Gender, Documentary, Ephemerality0
Superimposed, Still0
Science Fiction's Facial Optics0
A Happy Farewell0
Spotlight: Digital Humanities and Videographic Criticism SIG0
Emissary of Another Intelligence: Ian Cheng and the Art of AI0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Memories of Development: Global Media After State Socialism0
In Focus Introduction: Actual Play as Actual Art0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
Private Pleasures, Public Provocations: Creating Dyke Pornography0
In Focus Introduction: AI and the Moving Image0
Women’s Work in Film Production and the Documents of Film History0
Trans Chaplin0
Deceiving Death: The Myths behind De-aging Effects0
Fugitive Video: Art in 1980s New York Nightclubs0
The Archival Afterlives of Philippine Cinema by Bliss Cua Lim (review)0
Sports Media Personalities and Celebrity Culture0
Media Infrastructure and Historical Materialism0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Spotlight: Melissa Phruksachart0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins0
Against Immersion: An Interview with Aggie Ebrahimi Bazaz0
The Riotous State of Trans Visual Culture0
Readers Engagement and Imaginary Stardom: Exploring Turkish Movie Magazines and Oriental Star Selma in the 1930s0
Spotlight: Elizabeth Patton0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Introduction0
Indian or British Film Heritage? The Material Life of Britain's Colonial Film Archive0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19310
Activism and Post-activism: Korean Documentary Cinema, 1981–2022 by Jihoon Kim (review)0
Literature, Print Culture, and the Indian New Wave0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)0
Before the Turn: Tracing Infrastructural Thinking in Cinema Studies0
New Histories of Computational Personhood: An Introduction0
Transnational Metacinemas0
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