JCMS-Journal of Cinema and Media Studies

Papers
(The median citation count of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig10
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson10
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)8
Whose Film? Our Film: Shirley Clarke's The Cool World8
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)7
Queer Affects at the Origins of Computation5
Tweeting About Latinx TV: #SaveODAAT Social Media Campaign4
An Anti-Racist Camera?: On Politics and Practices of Computational Photography4
Pivotal Encounters: Melvin Van Peebles, Amos Vogel, and the Beginnings of Black Radical Cinema4
The Four Forms of Non-fiction Cinema: Modality and Expressivity in Documentary Classification4
To Educate and Inform: A History of Television for Deaf Audiences on the BBC3
Global TV Formats Queer Contemporary China2
Narrative Podcasting in an Age of Obsession by Neil Verma (review)2
Contemporary Political Cinema by Matthew Holtmeier2
In Focus Introduction: Sci-Fi Doc: Intersections of Speculative and Non-fiction Media2
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers2
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)2
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts2
Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border2
Maximizing Our Losses: Anna Ridler, Fall of the House of Usher , and the Ruins of AI2
Smartphone Anxiety: Succession ’s Technological Allegories2
Bottled Up: Index, Capture, and the Case for Perfume as Media1
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman1
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass1
Spotlight: Media, Science, and Technology SIG1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)1
Haunted Time in New York by Night1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka1
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood1
Holding onto Power: The Film Industry’s Stratification in the Digital Age1
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)1
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)1
Méliès's Artificial Nature: Aquariums, Infrastructure, and Empire1
Italian Ecocinema: Beyond the Human by Elena Past1
Interactive Cinema: The Ambiguous Ethics of Media Participation by Marina Hassapopoulou (review)1
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality1
Rated A: Soft-Porn Cinema and Mediations of Desire in India by Darshana Sreedhar Mini (review)1
The Intimate Life of Computers: Digitizing Domesticity in the 1980s by Reem Hilu (review)1
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination1
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data1
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)1
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media1
Reconsidering the Network Era: 16mm Film on Television1
The Time of the Assassins1
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea1
Sports Fandom, Media History, and the Shifting Cultural Understanding of "The Eyes of Texas"1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey1
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History1
Black Freedom, Busing as Media Theory, and Stan VanDerBeek's "Social Media"1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19741
Filmgoing's Often Unseen Labor1
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason1
Spotlight: Indigenous Media Caucus0
CCTV: Rethinking Media as Resource for People0
Memories of Development: Global Media After State Socialism0
Superimposed, Still0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
Spotlight: Graduate Student Organization0
Independent US Exhibition in the Twilight of the Paramount Decrees, 2008–20190
A Happy Farewell0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
In Focus Introduction: Actual Play as Actual Art0
The Megacity of Bangkok Rescaled through Queerness0
Close Encounters: Nosferasta: First Bite and Tierra en trance0
In Focus Introduction: Absence and Afterlives: Unwatched, Undistributed, Lost, and Inaccessible Media0
Spotlight: Gender and Feminisms Caucus0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar0
Moral Atmospheres: Islam and Media in a Pakistani Marketplace by Timothy P. A. Cooper (review)0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
In Focus Introduction: Queering Asian Media0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
Radio for the Millions: Hindi-Urdu Broadcasting Across Borders by Isabel Huacuja Alonso (review)0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
Spotlight: Kam Copeland0
Spotlight: Disability Caucus0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
Before the Turn: Tracing Infrastructural Thinking in Cinema Studies0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder0
Introduction0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Spotlight: Wazhmah Osman0
Fugitive Video: Art in 1980s New York Nightclubs0
Geeton-Bhari-Kahani (Story-Full-of-Songs): Hindi Film Song Fanfiction on the Radio Airwaves, 1960–19790
Dimension 20 and Collaborative Moral Imagination0
Spotlight: Elizabeth Patton0
Seeing Things: Spectral Materialities of Bombay Horror by Kartik Nair (review)0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
More Than an Athlete: LeBron James, the Sports Star as Production Company, and the Entrepreneurial Politics of Empowerment0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
North-South Filmmaking, Settler Colonialism, and Indigenous Resurgences0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
Custodial Media: Carceral Handbooks as Infrastructures of Incarceration0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
The Unsituated Comedy0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
The Case for Media Reparations0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Manifest Documentary0
Too English? Voice, Gender, and Race from Murder! to Mary0
Queer Sinophone Media across Asian Regionalism0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
A NonReport: The Operative Image and the Politics of the Public Secret0
Very Very Very Faint Lines: Toward a Feminist Forensics0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
Creating Another Screen0
“Everyone Needs a Plan, but Sometimes You Have to Improvise”: The National Immigrant Youth Alliance and The Infiltrators0
Anime's Knowledge Cultures: Geek, Otaku, Zhai by Jinying Li (review)0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–19290
On Failing to Get Out0
Documenting Resilience: Studying Survival in the Industry as Latinx Media Activism0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil0
Activism and Post-activism: Korean Documentary Cinema, 1981–2022 by Jihoon Kim (review)0
Spotlight: Ishita Tiwary0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
Stone Struggles: Toward a Media Theory of Steles in North China0
Practicing Care -ful Curricular Design in Latin American Film Courses0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Deceiving Death: The Myths behind De-aging Effects0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
In Focus Introduction: AI and the Moving Image0
Macau on Location: Cinematic and Sociospatial Analysis of a Postcolonial City0
On Toilets as Media Furniture and Incontinent Containers0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River0
A24's Academic Style; or, Coming of Age in an Era of Student Debt0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
Painting Race: Policing Ambiguity in This Rebel Breed0
New Histories of Computational Personhood: An Introduction0
Death by Laughter: Female Hysteria and Early Cinema by Maggie Hennefeld (review)0
Feminist Realism in K-Dramas: My Mister and Something in the Rain0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Grassroots Data Activism0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Opening the Broadband Access Paradox0
In Focus Introduction: Modes of Visual Production0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
Contagious Cinema: Mosquitoes, Infrastructure, and Urban Dwelling in Temporada0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
"A Lubitsch Not of Films but of Finances": Michael Ovitz and the Mainstreaming of Media-Industrial News0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Wild Blue Media: Thinking through Seawater by Melody Jue0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
Lindsay McIntyre: Indigenous Handmade Cinema0
Spotlight: Media and the Environment Scholarly Interest Group0
The Great Indian Road Trip: Picturing the Post-Colony in the Lost Travel Films of Warner Bros.0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Spotlight: Melissa Phruksachart0
Rendered Topological: Virtual Geometry as Vectoralism in the Unreal Engine0
Fabulations of Light: Speculative Operations in Sunstone and All Light, Everywhere0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
"Reading Too Much into It": Affective Excess, Extrapolative Reading, and Queer Temporalities in MCU Fanfiction0
The Archival Afterlives of Philippine Cinema by Bliss Cua Lim (review)0
Indie Porn: Revolution, Regulation, and Resistance by Zahra Stardust (review)0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation0
Spotlight: Marisa Hicks-Alcaraz0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
FKA twigs and the Impossibly Sonorous Body0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
The Synthetic Real: AI-Documentary Connections0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
Spotlight: Digital Humanities and Videographic Criticism SIG0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Introduction: Film Programmers Speak0
In the Land of the Unreal: Virtual and Other Realities in Los Angeles by Lisa Messeri (review)0
Yes, It Is Media: Introduction to the Special Issue0
Black Networked Resistance: Strategic Rearticulations in the Digital Age by Raven Maragh-Lloyd (review)0
Bad Women and B-Films in Latin America: Approaches to Teaching Latsploitation Cinema as Decoloniality0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19310
Other “Punks” in Late 1970s–1980s Cinema in Japan: Gender, Documentary, Ephemerality0
The News Event: Popular Sovereignty in the Age of Deep Mediatization by Francis Cody (review)0
The Threat of the AI Actor0
Uncontainable: Cardboard, Media, Interface0
From Maid to Machine: Her , Hegemony, and the Twenty-First-Century Mammy0
The Cybernetic Border: Drones, Technology, and Intrusion by Iván Chaar López (review)0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
"A Special, Special Agent": Defamiliarized Disability in World of Giants0
In Focus Introduction: Decolonizing Film Studies Curricula: Approaches Through Latin American Cinemas0
Readers Engagement and Imaginary Stardom: Exploring Turkish Movie Magazines and Oriental Star Selma in the 1930s0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto0
Spotlight: Allyson Nadia Field0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
In Translation: Gabriel Navarro, Latina/o Film Critic0
Spotlight: Caucus on Class0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
Coming Out Queer-Crip: Alliances in the New Spanish Disability Cinema0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
Un-Moving Play and the End of Time : Code Injections and the Trans Abrogation of Media Objects0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Baked In: Cooking and Cannabis in Viceland0
In Translation: Matsumoto Toshio and the Antifascist Avant-Garde Documentary0
In Focus Introduction: Latinx Media Activism0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Transnational Metacinemas0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
Emotional Point of View in The Texas Chain Saw Massacre0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
Uncomfortable Television by Hunter Hargraves (review)0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
Sports Media Personalities and Celebrity Culture0
Figure and Force in Animation Aesthetics by Ryan Pierson0
Spotlight: Kaveh Askari0
Science Fiction's Facial Optics0
The Delay Between Thinking and Feeling: Documenting Affect in Citizen Sleeper0
Spotlight: Scandinavian Scholarly Interest Group0
Digitizing Scent: What Vaporware Can Teach Us About the Limits of Mediation0
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