JCMS-Journal of Cinema and Media Studies

Papers
(The median citation count of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson12
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig10
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)10
Whose Film? Our Film: Shirley Clarke's The Cool World8
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)5
Queer Affects at the Origins of Computation4
The Four Forms of Non-fiction Cinema: Modality and Expressivity in Documentary Classification4
Tweeting About Latinx TV: #SaveODAAT Social Media Campaign3
Pivotal Encounters: Melvin Van Peebles, Amos Vogel, and the Beginnings of Black Radical Cinema3
Global TV Formats Queer Contemporary China2
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity2
Television Scales by Nick Salvato2
To Educate and Inform: A History of Television for Deaf Audiences on the BBC2
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers2
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination1
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms1
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)1
Smartphone Anxiety: Succession ’s Technological Allegories1
Contemporary Political Cinema by Matthew Holtmeier1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data1
Filmgoing's Often Unseen Labor1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey1
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media1
In Focus Introduction: Sci-Fi Doc: Intersections of Speculative and Non-fiction Media1
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19741
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame1
Reconsidering the Network Era: 16mm Film on Television1
Narrative Podcasting in an Age of Obsession by Neil Verma (review)1
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)1
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"1
Holding onto Power: The Film Industry’s Stratification in the Digital Age1
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood1
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
Other “Punks” in Late 1970s–1980s Cinema in Japan: Gender, Documentary, Ephemerality0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
Spotlight: Lakshmi Padmanabhan0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
Light and Time in the Narrative Fiction Film0
Poetics of Trans Ecologies0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
Spotlight: Disability Caucus0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
Private Pleasures, Public Provocations: Creating Dyke Pornography0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
The Megacity of Bangkok Rescaled through Queerness0
The Life of a Film: Medianatures, Camphor, and the Ideology of Technological Modernity0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Expanding Trans Cinema through the Tranny Fest Collection0
Lindsay McIntyre: Indigenous Handmade Cinema0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
Le teen film, c'est ma culture : Céline Sciamma and the American Teen Movie0
The Ballad of Morton Heilig: On VR's Mythic Past0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil0
Macau on Location: Cinematic and Sociospatial Analysis of a Postcolonial City0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
FKA twigs and the Impossibly Sonorous Body0
Projection Instructions and the Distribution of Expanded Cinema0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)0
"As the Cyber World Turns": Web Soaps and the History of TV Storytelling Online0
"A Special, Special Agent": Defamiliarized Disability in World of Giants0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
Transnational Metacinemas0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea0
Introduction0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
Italian Ecocinema: Beyond the Human by Elena Past0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Moral Atmospheres: Islam and Media in a Pakistani Marketplace by Timothy P. A. Cooper (review)0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
The Time of the Assassins0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Superimposed, Still0
The News Event: Popular Sovereignty in the Age of Deep Mediatization by Francis Cody (review)0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
A Happy Farewell0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–19290
Emotional Point of View in The Texas Chain Saw Massacre0
Spotlight: Digital Humanities and Videographic Criticism SIG0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
Festival Diplomacy: CINE, American Nontheatrical Cinema, and the Film Festival Network0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
In Focus Introduction: Actual Play as Actual Art0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)0
Spotlight: Activist and Revolutionary Film and Media Scholarly Interest Group0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
Sirens of Modernity: World Cinema via Bombay by Samhita Sunya (review)0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Manifest Documentary0
Queer Sinophone Media across Asian Regionalism0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
“Everyone Needs a Plan, but Sometimes You Have to Improvise”: The National Immigrant Youth Alliance and The Infiltrators0
Spotlight: Marisa Hicks-Alcaraz0
Subversive Horror, Patriarchal Poison, and Progressive Apocalypse in Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum0
A NonReport: The Operative Image and the Politics of the Public Secret0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Close Encounters: Nosferasta: First Bite and Tierra en trance0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
Spotlight: Melissa Phruksachart0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
The Riotous State of Trans Visual Culture0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
Data Selves: More-than-Human Perspectives by Deborah Lupton0
Modern Time: Abbas Kiarostami's Immersions, from Sponsored Documentary to Slow Cinema0
The Archival Afterlives of Philippine Cinema by Bliss Cua Lim (review)0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man0
Spotlight: Media and the Environment Scholarly Interest Group0
In Focus Introduction: Absence and Afterlives: Unwatched, Undistributed, Lost, and Inaccessible Media0
Spotlight: Kam Copeland0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
Everyday Movies: Portable Film Projectors and the Transformation of American Culture by Haidee Wasson0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI0
The Cybernetic Border: Drones, Technology, and Intrusion by Iván Chaar López (review)0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River0
Daoism and Diaspora in Post-millennial Taiwanese Martial Arts Films0
Indian or British Film Heritage? The Material Life of Britain's Colonial Film Archive0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder0
Spotlight: Caucus on Class0
Wild Blue Media: Thinking through Seawater by Melody Jue0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
Virtual Reality and the Cartographic Imagination0
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension0
The Threat of the AI Actor0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)0
In Focus Introduction: Queering Asian Media0
Spotlight: Graduate Student Organization0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Readers Engagement and Imaginary Stardom: Exploring Turkish Movie Magazines and Oriental Star Selma in the 1930s0
Interactive Cinema: The Ambiguous Ethics of Media Participation by Marina Hassapopoulou (review)0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker0
On Failing to Get Out0
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Black Networked Resistance: Strategic Rearticulations in the Digital Age by Raven Maragh-Lloyd (review)0
New Histories of Computational Personhood: An Introduction0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age0
The Delay Between Thinking and Feeling: Documenting Affect in Citizen Sleeper0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
Spotlight: Wazhmah Osman0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19310
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman0
Grassroots Data Activism0
Seeing Things: Spectral Materialities of Bombay Horror by Kartik Nair (review)0
War and Humanitarian Aesthetics: Notes on Modular Immersion0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Activists by Wazhmah Osman (review)0
Documenting Resilience: Studying Survival in the Industry as Latinx Media Activism0
Opening the Broadband Access Paradox0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Deceiving Death: The Myths behind De-aging Effects0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins0
Introduction0
Dimension 20 and Collaborative Moral Imagination0
Spotlight: Indigenous Media Caucus0
Activism and Post-activism: Korean Documentary Cinema, 1981–2022 by Jihoon Kim (review)0
Evidentiary Afterlives0
Spotlight: Gender and Feminisms Caucus0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
In Translation: Matsumoto Toshio and the Antifascist Avant-Garde Documentary0
Virtually Wandering the Migration Trail0
Introduction: Film Programmers Speak0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto0
Creating Another Screen0
Figure and Force in Animation Aesthetics by Ryan Pierson0
Spotlight: Kaveh Askari0
Spotlight: Elizabeth Patton0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
Radio for the Millions: Hindi-Urdu Broadcasting Across Borders by Isabel Huacuja Alonso (review)0
Against Immersion: An Interview with Aggie Ebrahimi Bazaz0
Death by Laughter: Female Hysteria and Early Cinema by Maggie Hennefeld (review)0
Fugitive Video: Art in 1980s New York Nightclubs0
To Err Is Generative: The Flaw as Flow in Prompt-Based Animation0
Painting Race: Policing Ambiguity in This Rebel Breed0
Spotlight: Allyson Nadia Field0
The Case for Media Reparations0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
The Unsituated Comedy0
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
I Love Lucy, Single Sponsorship, and Marketing Communication0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
Uncomfortable Television by Hunter Hargraves (review)0
Independent US Exhibition in the Twilight of the Paramount Decrees, 2008–20190
Haunted Time in New York by Night0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
In Focus Introduction: AI and the Moving Image0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
Literature, Print Culture, and the Indian New Wave0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Racialized Darkness and Ace in the Hole0
Trans Chaplin0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
A24's Academic Style; or, Coming of Age in an Era of Student Debt0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation0
In Translation: Gabriel Navarro, Latina/o Film Critic0
Too English? Voice, Gender, and Race from Murder! to Mary0
Spotlight: Diana Flores Ruíz0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
In Focus Introduction: Latinx Media Activism0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy0
Baked In: Cooking and Cannabis in Viceland0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
Spotlight: Scandinavian Scholarly Interest Group0
Sarah Winchester: Silicon Valley Developer0
Science Fiction's Facial Optics0
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