JCMS-Journal of Cinema and Media Studies

Article	Citations
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension	10
Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross	9
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy	8
A Sense of Security: The Visual Politics of COVID-19 Thermography	6
Poetics of Trans Ecologies	4
"Anyone Can Wear the Mask": The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse	4
Light and Time in the Narrative Fiction Film	3
Racialized Darkness and Ace in the Hole	3
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig	2
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer	1
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom	1
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson	1
Ecstatic Rest and the Black Gaze in a Time of Loss	1
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)	1
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji	1
Emotional Point of View in The Texas Chain Saw Massacre	1
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer	1
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens	1
Spotlight: Wazhmah Osman	1
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge	1
Wild Blue Media: Thinking through Seawater by Melody Jue	1
Deceiving Death: The Myths behind De-aging Effects	1
Chatbots: Cybernetic Psychology and the Future of Conversation	1
Spotlight: Robyn Muir	1
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy	1

The Riotous State of Trans Visual Culture	0
Creating Another Screen	0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis	0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously	0
Matters in the Bloom: Material Ecocriticism in Dimension 20 's Actual Play A Court of Fey & Flowers	0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer	0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS	0
Spotlight: Disability Caucus	0
Introduction: Film Programmers Speak	0
In Focus Introduction: The Celebritization of Politics in Global Media Culture	0
I Love Lucy, Single Sponsorship, and Marketing Communication	0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)	0
Virtually Wandering the Migration Trail	0
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media	0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan	0
Spotlight: Elizabeth Patton	0
The New Border War? An Intergenerational Exchange on Bad Trans Horror Objects	0
Spotlight: Graduate Student Organization	0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)	0
To Err Is Generative: The Flaw as Flow in Prompt-Based Animation	0
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris	0
Literature, Print Culture, and the Indian New Wave	0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei	0
Dimension 20 and Collaborative Moral Imagination	0
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame	0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union	0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)	0
Private Pleasures, Public Provocations: Creating Dyke Pornography	0
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)	0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction	0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler	0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz	0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson	0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s	0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World	0
Whose Film? Our Film: Shirley Clarke's The Cool World	0
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History	0
The Synthetic Real: AI-Documentary Connections	0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity	0
Bad Archives	0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai	0
"As the Cyber World Turns": Web Soaps and the History of TV Storytelling Online	0
Disinformation and the Informal Media Economy in Iran	0
Media and the Affective Life of Slavery by Allison Page (review)	0
Populist Iconicity: The Contradictions of Hungarian Prime Minister Viktor Orbán as a Political Celebrity	0
Re-documenting the US Invasion of Panamá amid the Contact Zone in Diciembres	0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man	0
Videotape, Guinea Pig, and the Horror of Privacy	0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)	0
Introduction	0

Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey	0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync	0
Spotlight: Media and the Environment Scholarly Interest Group	0
Spotlight: Melissa Phruksachart	0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation	0
Radiant Infrastructures: Media, Environment, and Cultures of Uncertainty by Rahul Mukherjee	0
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–1974	0
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)	0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism	0
Spotlight: Gender and Feminisms Caucus	0
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)	0
A Happy Farewell	0
Cinema Off Screen: Moviegoing in Socialist China by Chenshu Zhou	0
Spotlight: Kam Copeland	0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship	0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation	0
A NonReport: The Operative Image and the Politics of the Public Secret	0
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination	0
Spotlight: Alexandra Juhasz	0
Television Scales by Nick Salvato	0
Data Selves: More-than-Human Perspectives by Deborah Lupton	0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax	0
Fugitive Video: Art in 1980s New York Nightclubs	0
Afterlife and Reclamation: Rodney King, Black Trauma, and the Televisual Archive of Self in Celebrity Rehab	0
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason	0
Painting Race: Policing Ambiguity in This Rebel Breed	0
Virtual Reality and the Cartographic Imagination	0
Arab Modernism as World Cinema: The Films of Moumen Smihi by Peter Limbrick	0
Spotlight: Fan and Audience Studies Scholarly Interest Group	0
Trans Chaplin	0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life	0
"Look at My African American": On Authoritarian Populism, Blackness, and Celebrity	0
Reconsidering the Network Era: 16mm Film on Television	0
Lindsay McIntyre: Indigenous Handmade Cinema	0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture	0
A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood by Diana W. Anselmo (review)	0
A Critic at Large: Lotte Eisner at the Film-Kurier (1927–1933)	0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)	0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti	0
Spotlight: Activist and Revolutionary Film and Media Scholarly Interest Group	0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China	0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro	0
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity	0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror	0
Expanding Trans Cinema through the Tranny Fest Collection	0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic	0
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman	0
Introduction	0
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea	0
Spotlight: Critical Media Pedagogies Scholarly Interest Group	0
"She Was Just a Chorus Girl, Baby": Nina Mae McKinney and the Hollywood Supernova	0
Chosen Structures of Belonging: Kith and Kin in Actual Play	0
Introduction	0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay	0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation	0
Redeeming Grandfather: Aging Masculinity in Colombian Films	0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker	0
Queer Affects at the Origins of Computation	0
Haunted Time in New York by Night	0
Daoism and Diaspora in Post-millennial Taiwanese Martial Arts Films	0
In Translation: Gabriel Navarro, Latina/o Film Critic	0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth	0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River	0
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)	0
Spotlight: Indigenous Media Caucus	0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto	0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking	0
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy	0
Studying Media Now: Greetings from JCMS 's New Editors	0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil	0
Spotlight: Swapnil Rai	0
Reference Rot: Digital Decay, White Supremacy, and Endangering Data	0
Baked In: Cooking and Cannabis in Viceland	0
Queer Sinophone Media across Asian Regionalism	0
Science Fiction's Facial Optics	0
Spotlight: Allyson Nadia Field	0
Global TV Formats Queer Contemporary China	0
Who Gets to Call It Black? Practicing Decentering the United States in Film Programming	0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)	0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility	0

Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)	0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno	0
Subversive Horror, Patriarchal Poison, and Progressive Apocalypse in Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum	0
The Megacity of Bangkok Rescaled through Queerness	0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood	0
Troubling Folk Horror: Exoticism, Metonymy, and Solipsism in the "Unholy Trinity" and Beyond	0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)	0
Netflix Recommends: Algorithms, Film Choice, and the History of Taste by Mattias Frey, and: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand by Amanda D. Lotz (review)	0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice	0
Misogyny and the Making of the Tech Fratriarchy	0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland	0
War and Humanitarian Aesthetics: Notes on Modular Immersion	0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez	0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen	0
"Film Director Tanaka Kinuyo": The Challenges of Female Authorship	0
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms	0
Sound Shimmers, "Luminosity in the Darkness": Ear-Witnessing Cold War Paranoia in Edward Yang's A Brighter Summer Day	0
Absence in Cinema: The Art of Showing Nothing by Justin Remes	0
The Expansion of 16mm in Film Distribution and Exhibition in Postwar Brazil	0
Spotlight: Scandinavian Scholarly Interest Group	0
Grassroots Data Activism	0
Transnational Metacinemas	0
Spotlight: Lakshmi Padmanabhan	0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke	0
Universality, Difference, and Spectrality in Call Me by Your Name	0
On Building Black Film Archive, a Digital Archive that Responds to a Movement	0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine	0
Spotlight: Middle East Caucus	0
Latino TV: A History by Mary Beltrán (review)	0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)	0
Filmgoing's Often Unseen Labor	0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar	0
Righting and Re-writing the Historical Record: Re-releasing the Films of Madeline Anderson	0
The Life of a Film: Medianatures, Camphor, and the Ideology of Technological Modernity	0
Hungry Holes and Insatiable Balls: Video Games, Queer Mechanics, and the Limits of Design	0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media	0
The Threat of the AI Actor	0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood	0
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass	0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China	0
Toward a Transgender Critique of Media Representation	0
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood	0
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality	0
Projection Instructions and the Distribution of Expanded Cinema	0
Everyday Movies: Portable Film Projectors and the Transformation of American Culture by Haidee Wasson	0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)	0
As (Un)Seen from Space: Soviet Collapse and the Unwatchable in Andrei Ujică's Out of the Present	0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm	0
Trans Game Studies	0
Border Tunnels: A Media Theory of the U.S.-Mexico Underground by Juan Llamas-Rodriguez (review)	0
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock	0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age	0
New Histories of Computational Personhood: An Introduction	0
On Failing to Get Out	0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism	0
In Focus Introduction: Actual Play as Actual Art	0
Emissary of Another Intelligence: Ian Cheng and the Art of AI	0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms	0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–1984	0
Spotlight: Kaveh Askari	0
Spotlight: Caucus on Class	0
Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s	0
We Are Ant-Man: The Digital Body in a Superhero Comedy	0
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"	0
Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences	0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field	0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)	0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)	0
Superimposed, Still	0
The Unsituated Comedy	0
Remediating Antebellum Laughter: Sheppard Lee , Bert Williams, and the Subversion of Blackface in Get Out	0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)	0
Modern Time: Abbas Kiarostami's Immersions, from Sponsored Documentary to Slow Cinema	0
"Reading Too Much into It": Affective Excess, Extrapolative Reading, and Queer Temporalities in MCU Fanfiction	0
In Focus Introduction: Queering Asian Media	0
Effecting Repair: A Canyon Cinema Report on the "Rediscovery" of Toney W. Merritt	0
Too English? Voice, Gender, and Race from Murder! to Mary	0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)	0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology	0
Figure and Force in Animation Aesthetics by Ryan Pierson	0
Italian Ecocinema: Beyond the Human by Elena Past	0
To Educate and Inform: A History of Television for Deaf Audiences on the BBC	0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent	0
Race and the Suburbs in American Film ed. by Merrill Schleier (review)	0
Spotlight: Darshana Sreedhar Mini and Monika Mehta in Conversation about Censorship in India	0
Atmosphere: Mexican Extras and the Production of Race in Silent Hollywood	0
Queer Childhood Sexuality in Ang Pagdadalaga ni Maximo Oliveros	0
Indian or British Film Heritage? The Material Life of Britain's Colonial Film Archive	0
Sarah Winchester: Silicon Valley Developer	0
Contemporary Political Cinema by Matthew Holtmeier	0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea	0
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka	0
Opening the Broadband Access Paradox	0
Animating Infection: Simulated Movement and Digital Zombie Hordes	0
Against Immersion: An Interview with Aggie Ebrahimi Bazaz	0