JCMS-Journal of Cinema and Media Studies

Papers
(The TQCC of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson10
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig10
Whose Film? Our Film: Shirley Clarke's The Cool World8
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)8
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)7
Queer Affects at the Origins of Computation5
An Anti-Racist Camera?: On Politics and Practices of Computational Photography4
Pivotal Encounters: Melvin Van Peebles, Amos Vogel, and the Beginnings of Black Radical Cinema4
The Four Forms of Non-fiction Cinema: Modality and Expressivity in Documentary Classification4
Tweeting About Latinx TV: #SaveODAAT Social Media Campaign4
To Educate and Inform: A History of Television for Deaf Audiences on the BBC3
In Focus Introduction: Sci-Fi Doc: Intersections of Speculative and Non-fiction Media2
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers2
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)2
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts2
Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border2
Maximizing Our Losses: Anna Ridler, Fall of the House of Usher , and the Ruins of AI2
Smartphone Anxiety: Succession ’s Technological Allegories2
Global TV Formats Queer Contemporary China2
Narrative Podcasting in an Age of Obsession by Neil Verma (review)2
Contemporary Political Cinema by Matthew Holtmeier2
Italian Ecocinema: Beyond the Human by Elena Past1
Interactive Cinema: The Ambiguous Ethics of Media Participation by Marina Hassapopoulou (review)1
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality1
Rated A: Soft-Porn Cinema and Mediations of Desire in India by Darshana Sreedhar Mini (review)1
The Intimate Life of Computers: Digitizing Domesticity in the 1980s by Reem Hilu (review)1
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination1
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data1
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)1
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media1
Reconsidering the Network Era: 16mm Film on Television1
The Time of the Assassins1
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea1
Sports Fandom, Media History, and the Shifting Cultural Understanding of "The Eyes of Texas"1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey1
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History1
Black Freedom, Busing as Media Theory, and Stan VanDerBeek's "Social Media"1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19741
Filmgoing's Often Unseen Labor1
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason1
Bottled Up: Index, Capture, and the Case for Perfume as Media1
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman1
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass1
Spotlight: Media, Science, and Technology SIG1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)1
Haunted Time in New York by Night1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka1
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood1
Holding onto Power: The Film Industry’s Stratification in the Digital Age1
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)1
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)1
Méliès's Artificial Nature: Aquariums, Infrastructure, and Empire1
Sports Media Personalities and Celebrity Culture0
Memories of Development: Global Media After State Socialism0
Activism and Post-activism: Korean Documentary Cinema, 1981–2022 by Jihoon Kim (review)0
Uncomfortable Television by Hunter Hargraves (review)0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
Digitizing Scent: What Vaporware Can Teach Us About the Limits of Mediation0
A Happy Farewell0
Practicing Care -ful Curricular Design in Latin American Film Courses0
Spotlight: Kaveh Askari0
The Megacity of Bangkok Rescaled through Queerness0
Science Fiction's Facial Optics0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
Spotlight: Indigenous Media Caucus0
In Focus Introduction: Queering Asian Media0
CCTV: Rethinking Media as Resource for People0
In Focus Introduction: Absence and Afterlives: Unwatched, Undistributed, Lost, and Inaccessible Media0
In Focus Introduction: Actual Play as Actual Art0
Radio for the Millions: Hindi-Urdu Broadcasting Across Borders by Isabel Huacuja Alonso (review)0
Spotlight: Graduate Student Organization0
Spotlight: Kam Copeland0
Independent US Exhibition in the Twilight of the Paramount Decrees, 2008–20190
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
Close Encounters: Nosferasta: First Bite and Tierra en trance0
Introduction0
Spotlight: Gender and Feminisms Caucus0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
Spotlight: Disability Caucus0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
Spotlight: Wazhmah Osman0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
Dimension 20 and Collaborative Moral Imagination0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Before the Turn: Tracing Infrastructural Thinking in Cinema Studies0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
Geeton-Bhari-Kahani (Story-Full-of-Songs): Hindi Film Song Fanfiction on the Radio Airwaves, 1960–19790
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Spotlight: Elizabeth Patton0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
More Than an Athlete: LeBron James, the Sports Star as Production Company, and the Entrepreneurial Politics of Empowerment0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
North-South Filmmaking, Settler Colonialism, and Indigenous Resurgences0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins0
Manifest Documentary0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
Custodial Media: Carceral Handbooks as Infrastructures of Incarceration0
Very Very Very Faint Lines: Toward a Feminist Forensics0
Spotlight: Marisa Hicks-Alcaraz0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge0
Creating Another Screen0
Queer Sinophone Media across Asian Regionalism0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
The Case for Media Reparations0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–19290
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil0
Black Networked Resistance: Strategic Rearticulations in the Digital Age by Raven Maragh-Lloyd (review)0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
A NonReport: The Operative Image and the Politics of the Public Secret0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Stone Struggles: Toward a Media Theory of Steles in North China0
“Everyone Needs a Plan, but Sometimes You Have to Improvise”: The National Immigrant Youth Alliance and The Infiltrators0
Deceiving Death: The Myths behind De-aging Effects0
Anime's Knowledge Cultures: Geek, Otaku, Zhai by Jinying Li (review)0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)0
The Threat of the AI Actor0
Spotlight: Ishita Tiwary0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
On Failing to Get Out0
In Focus Introduction: AI and the Moving Image0
Documenting Resilience: Studying Survival in the Industry as Latinx Media Activism0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
Readers Engagement and Imaginary Stardom: Exploring Turkish Movie Magazines and Oriental Star Selma in the 1930s0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
On Toilets as Media Furniture and Incontinent Containers0
Spotlight: Caucus on Class0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
A24's Academic Style; or, Coming of Age in an Era of Student Debt0
Macau on Location: Cinematic and Sociospatial Analysis of a Postcolonial City0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy0
Un-Moving Play and the End of Time : Code Injections and the Trans Abrogation of Media Objects0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River0
Feminist Realism in K-Dramas: My Mister and Something in the Rain0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI0
New Histories of Computational Personhood: An Introduction0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Painting Race: Policing Ambiguity in This Rebel Breed0
Wild Blue Media: Thinking through Seawater by Melody Jue0
Spotlight: Scandinavian Scholarly Interest Group0
Death by Laughter: Female Hysteria and Early Cinema by Maggie Hennefeld (review)0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
In Focus Introduction: Modes of Visual Production0
Grassroots Data Activism0
The Great Indian Road Trip: Picturing the Post-Colony in the Lost Travel Films of Warner Bros.0
Superimposed, Still0
Opening the Broadband Access Paradox0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
Contagious Cinema: Mosquitoes, Infrastructure, and Urban Dwelling in Temporada0
Fabulations of Light: Speculative Operations in Sunstone and All Light, Everywhere0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
"A Lubitsch Not of Films but of Finances": Michael Ovitz and the Mainstreaming of Media-Industrial News0
"Reading Too Much into It": Affective Excess, Extrapolative Reading, and Queer Temporalities in MCU Fanfiction0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation0
Moral Atmospheres: Islam and Media in a Pakistani Marketplace by Timothy P. A. Cooper (review)0
Lindsay McIntyre: Indigenous Handmade Cinema0
FKA twigs and the Impossibly Sonorous Body0
Spotlight: Media and the Environment Scholarly Interest Group0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
The Synthetic Real: AI-Documentary Connections0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
Spotlight: Melissa Phruksachart0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Rendered Topological: Virtual Geometry as Vectoralism in the Unreal Engine0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
Yes, It Is Media: Introduction to the Special Issue0
The Archival Afterlives of Philippine Cinema by Bliss Cua Lim (review)0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19310
Indie Porn: Revolution, Regulation, and Resistance by Zahra Stardust (review)0
Introduction: Film Programmers Speak0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
Spotlight: Digital Humanities and Videographic Criticism SIG0
From Maid to Machine: Her , Hegemony, and the Twenty-First-Century Mammy0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
The News Event: Popular Sovereignty in the Age of Deep Mediatization by Francis Cody (review)0
Fugitive Video: Art in 1980s New York Nightclubs0
Other “Punks” in Late 1970s–1980s Cinema in Japan: Gender, Documentary, Ephemerality0
In Translation: Gabriel Navarro, Latina/o Film Critic0
In the Land of the Unreal: Virtual and Other Realities in Los Angeles by Lisa Messeri (review)0
In Focus Introduction: Decolonizing Film Studies Curricula: Approaches Through Latin American Cinemas0
Seeing Things: Spectral Materialities of Bombay Horror by Kartik Nair (review)0
Bad Women and B-Films in Latin America: Approaches to Teaching Latsploitation Cinema as Decoloniality0
Spotlight: Allyson Nadia Field0
"A Special, Special Agent": Defamiliarized Disability in World of Giants0
Uncontainable: Cardboard, Media, Interface0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
The Cybernetic Border: Drones, Technology, and Intrusion by Iván Chaar López (review)0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto0
In Focus Introduction: Latinx Media Activism0
The Unsituated Comedy0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
Baked In: Cooking and Cannabis in Viceland0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
Emotional Point of View in The Texas Chain Saw Massacre0
Too English? Voice, Gender, and Race from Murder! to Mary0
Coming Out Queer-Crip: Alliances in the New Spanish Disability Cinema0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
In Translation: Matsumoto Toshio and the Antifascist Avant-Garde Documentary0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
The Delay Between Thinking and Feeling: Documenting Affect in Citizen Sleeper0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
Transnational Metacinemas0
Figure and Force in Animation Aesthetics by Ryan Pierson0
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