JCMS-Journal of Cinema and Media Studies

Article	Citations
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson	15
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)	10
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig	10
Whose Film? Our Film: Shirley Clarke's The Cool World	9
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)	7
An Anti-Racist Camera?: On Politics and Practices of Computational Photography	7
Pivotal Encounters: Melvin Van Peebles, Amos Vogel, and the Beginnings of Black Radical Cinema	6
Tweeting About Latinx TV: #SaveODAAT Social Media Campaign	4
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity	3
The Four Forms of Non-fiction Cinema: Modality and Expressivity in Documentary Classification	3
Television Scales by Nick Salvato	3
Queer Affects at the Origins of Computation	3
Global TV Formats Queer Contemporary China	2
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts	2
Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border	2
In Focus Introduction: Sci-Fi Doc: Intersections of Speculative and Non-fiction Media	2
Narrative Podcasting in an Age of Obsession by Neil Verma (review)	2
Smartphone Anxiety: Succession ’s Technological Allegories	2
To Educate and Inform: A History of Television for Deaf Audiences on the BBC	2
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers	2
Maximizing Our Losses: Anna Ridler, Fall of the House of Usher , and the Ruins of AI	2
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason	1
Haunted Time in New York by Night	1
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media	1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka	1

Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood	1
Holding onto Power: The Film Industry’s Stratification in the Digital Age	1
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)	1
Contemporary Political Cinema by Matthew Holtmeier	1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey	1
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass	1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame	1
Interactive Cinema: The Ambiguous Ethics of Media Participation by Marina Hassapopoulou (review)	1
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)	1
The Intimate Life of Computers: Digitizing Domesticity in the 1980s by Reem Hilu (review)	1
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination	1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)	1
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"	1
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)	1
Black Freedom, Busing as Media Theory, and Stan VanDerBeek's "Social Media"	1
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History	1
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris	1
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea	1
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality	1
Reconsidering the Network Era: 16mm Film on Television	1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)	1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms	1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data	1
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)	1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–1974	1
Filmgoing's Often Unseen Labor	1
Italian Ecocinema: Beyond the Human by Elena Past	1
Rendered Topological: Virtual Geometry as Vectoralism in the Unreal Engine	0
The Megacity of Bangkok Rescaled through Queerness	0
In the Land of the Unreal: Virtual and Other Realities in Los Angeles by Lisa Messeri (review)	0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic	0
Spotlight: Indigenous Media Caucus	0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation	0
In Focus Introduction: The Celebritization of Politics in Global Media Culture	0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China	0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union	0
Spotlight: Disability Caucus	0
Racialized Darkness and Ace in the Hole	0
Modern Time: Abbas Kiarostami's Immersions, from Sponsored Documentary to Slow Cinema	0
A NonReport: The Operative Image and the Politics of the Public Secret	0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–1931	0
Grassroots Data Activism	0
Spotlight: Marisa Hicks-Alcaraz	0
Close Encounters: Nosferasta: First Bite and Tierra en trance	0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)	0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm	0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood	0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism	0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer	0
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy	0

Feminist Realism in K-Dramas: My Mister and Something in the Rain	0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea	0
Queer Sinophone Media across Asian Regionalism	0
Literature, Print Culture, and the Indian New Wave	0
Un-Moving Play and the End of Time : Code Injections and the Trans Abrogation of Media Objects	0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer	0
Spotlight: Graduate Student Organization	0
Spotlight: Wazhmah Osman	0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship	0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins	0
Too English? Voice, Gender, and Race from Murder! to Mary	0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life	0
I Love Lucy, Single Sponsorship, and Marketing Communication	0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–1984	0
Dimension 20 and Collaborative Moral Imagination	0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)	0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)	0
Spotlight: Kaveh Askari	0
Yes, It Is Media: Introduction to the Special Issue	0
New Histories of Computational Personhood: An Introduction	0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World	0
Readers Engagement and Imaginary Stardom: Exploring Turkish Movie Magazines and Oriental Star Selma in the 1930s	0
Everyday Movies: Portable Film Projectors and the Transformation of American Culture by Haidee Wasson	0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar	0
Data Selves: More-than-Human Perspectives by Deborah Lupton	0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto	0
Coming Out Queer-Crip: Alliances in the New Spanish Disability Cinema	0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)	0
From Maid to Machine: Her , Hegemony, and the Twenty-First-Century Mammy	0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom	0
In Focus Introduction: AI and the Moving Image	0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez	0
Transnational Metacinemas	0
Memories of Development: Global Media After State Socialism	0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)	0
Spotlight: Gender and Feminisms Caucus	0
Introduction	0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity	0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction	0
Independent US Exhibition in the Twilight of the Paramount Decrees, 2008–2019	0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–1929	0
In Translation: Gabriel Navarro, Latina/o Film Critic	0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder	0
Death by Laughter: Female Hysteria and Early Cinema by Maggie Hennefeld (review)	0
The Great Indian Road Trip: Picturing the Post-Colony in the Lost Travel Films of Warner Bros.	0
The Riotous State of Trans Visual Culture	0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth	0
Uncomfortable Television by Hunter Hargraves (review)	0
Spotlight: Kam Copeland	0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler	0
Anime's Knowledge Cultures: Geek, Otaku, Zhai by Jinying Li (review)	0
In Focus Introduction: Queering Asian Media	0
Spotlight: Digital Humanities and Videographic Criticism SIG	0
Superimposed, Still	0
Other “Punks” in Late 1970s–1980s Cinema in Japan: Gender, Documentary, Ephemerality	0
Emotional Point of View in The Texas Chain Saw Massacre	0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker	0
Documenting Resilience: Studying Survival in the Industry as Latinx Media Activism	0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology	0
In Focus Introduction: Actual Play as Actual Art	0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms	0
Spotlight: Melissa Phruksachart	0
In Focus Introduction: Latinx Media Activism	0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis	0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent	0
Black Networked Resistance: Strategic Rearticulations in the Digital Age by Raven Maragh-Lloyd (review)	0
Trans Chaplin	0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s	0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)	0
Expanding Trans Cinema through the Tranny Fest Collection	0
Digitizing Scent: What Vaporware Can Teach Us About the Limits of Mediation	0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age	0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism	0
Spotlight: Caucus on Class	0
The Archival Afterlives of Philippine Cinema by Bliss Cua Lim (review)	0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)	0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)	0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz	0
Seeing Things: Spectral Materialities of Bombay Horror by Kartik Nair (review)	0
More Than an Athlete: LeBron James, the Sports Star as Production Company, and the Entrepreneurial Politics of Empowerment	0

Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror	0
Figure and Force in Animation Aesthetics by Ryan Pierson	0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke	0
Spotlight: Activist and Revolutionary Film and Media Scholarly Interest Group	0
"As the Cyber World Turns": Web Soaps and the History of TV Storytelling Online	0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media	0
The Model Image in a Time of Planetary Computation	0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River	0
Fugitive Video: Art in 1980s New York Nightclubs	0
Against Immersion: An Interview with Aggie Ebrahimi Bazaz	0
The Synthetic Real: AI-Documentary Connections	0
Light and Time in the Narrative Fiction Film	0
Before the Turn: Tracing Infrastructural Thinking in Cinema Studies	0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)	0
The Case for Media Reparations	0
A Happy Farewell	0
The Cybernetic Border: Drones, Technology, and Intrusion by Iván Chaar López (review)	0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer	0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync	0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)	0
Opening the Broadband Access Paradox	0
Spotlight: Media and the Environment Scholarly Interest Group	0
Poetics of Trans Ecologies	0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films	0
We Are Ant-Man: The Digital Body in a Superhero Comedy	0
In Translation: Matsumoto Toshio and the Antifascist Avant-Garde Documentary	0
Fabulations of Light: Speculative Operations in Sunstone and All Light, Everywhere	0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China	0
Virtually Wandering the Migration Trail	0
In Focus Introduction: Modes of Visual Production	0
The Threat of the AI Actor	0
Spotlight: Lakshmi Padmanabhan	0
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock	0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)	0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno	0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man	0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)	0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously	0
Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s	0
FKA twigs and the Impossibly Sonorous Body	0
Spotlight: Ishita Tiwary	0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)	0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson	0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti	0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine	0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility	0
Introduction	0
Science Fiction's Facial Optics	0
Animating Infection: Simulated Movement and Digital Zombie Hordes	0
"A Special, Special Agent": Defamiliarized Disability in World of Giants	0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro	0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy	0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax	0
Chosen Structures of Belonging: Kith and Kin in Actual Play	0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation	0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)	0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation	0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei	0
Baked In: Cooking and Cannabis in Viceland	0
Sports Media Personalities and Celebrity Culture	0
Spotlight: Scandinavian Scholarly Interest Group	0
The Unsituated Comedy	0
“Everyone Needs a Plan, but Sometimes You Have to Improvise”: The National Immigrant Youth Alliance and The Infiltrators	0
Women’s Work in Film Production and the Documents of Film History	0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)	0
Painting Race: Policing Ambiguity in This Rebel Breed	0
Moral Atmospheres: Islam and Media in a Pakistani Marketplace by Timothy P. A. Cooper (review)	0
Private Pleasures, Public Provocations: Creating Dyke Pornography	0
Radio for the Millions: Hindi-Urdu Broadcasting Across Borders by Isabel Huacuja Alonso (review)	0
Spotlight: Allyson Nadia Field	0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai	0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood	0
Lindsay McIntyre: Indigenous Handmade Cinema	0
Daoism and Diaspora in Post-millennial Taiwanese Martial Arts Films	0
Emissary of Another Intelligence: Ian Cheng and the Art of AI	0
Geeton-Bhari-Kahani (Story-Full-of-Songs): Hindi Film Song Fanfiction on the Radio Airwaves, 1960–1979	0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen	0
Macau on Location: Cinematic and Sociospatial Analysis of a Postcolonial City	0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil	0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens	0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan	0
Activism and Post-activism: Korean Documentary Cinema, 1981–2022 by Jihoon Kim (review)	0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge	0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field	0
On Failing to Get Out	0
Creating Another Screen	0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice	0
Spotlight: Elizabeth Patton	0
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension	0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS	0
Deceiving Death: The Myths behind De-aging Effects	0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking	0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI	0
Indian or British Film Heritage? The Material Life of Britain's Colonial Film Archive	0
Introduction	0