OOIR: Observatory of International Research

Papers

(The median citation count of Mississippi Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
The Traveling Word: Eudora Welty’s Literary Correspondence with the Postal South	1
Welcome to the Farm Squad: Notes from the Prison Plantation	1
“And Now She Sings It”: Conjure as Abolitionist Alternative in Jesmyn Ward’s Sing, Unburied, Sing	1
Choose Your Own Homicide: Tinkering with the Machinery of Death in Alabama	1
Speaking Bodies, Kinesthetic Awareness, and Lacanian Performativity in Eudora Welty's "Shower of Gold"	0
James E. McGirt's Periodical, Poetry, and Performance: Bringing the Southern Landscape to Popular Audiences in the Pre-Harlem Renaissance Period	0
Straw Dogs and the Transnational Remaking of Nations' Regions	0
"Soft White Cotton and Blood": Frederick Douglass, Mary Chesnut, and Fertility Tropes in the Reconstruction Diary of The Wind Done Gone	0
"Old," "New," and "Problem" Souths: Historical Change and Ideological Instability in Thomas Nelson Page's In Ole Virginia	0
Southern Woe, Minority Lens: Ride with Woodrell-Schamus-Lee	0
"The Child is Father of the Man": Evolving Fatherhood in Faulkner's Later Fiction	0
A Hidden Murder in Edgar Allan Poe's "'Thou Art the Man'"	0
At the Foot of the Racial Mountain: Pauline Hopkins's Literary Exodus in Peculiar Sam, or The Underground Railroad	0
Mapping the Lost Home: Psalm 137 and Jesmyn Ward’s Sing, Unburied, Sing	0
Seeing "The Death of Mann"	0
Pheoby’s Queer Quietness in Their Eyes Were Watching God	0
“They got . . .”: Ernest J. Gaines’s Semiotic Reversal of William Faulkner	0
Postregional Fictions: Barry Hannah and the Challenges of Southern Studies by Clare Chadd	0
Elma Stuckey: The “Historian’s Poet Laureate”	0
Entropy and Equilibrium in Jean Toomer’s Cane	0
(Re)writing Histories in the Crossing: Natasha Trethewey’s Poetics of Loss	0
Tennessee's New South: Marquita Bradshaw and Her Call for Environmental Justice	0
Vertis Hayes and the Johnson Hall Carver Mural	0
Class, Whiteness, and Southern Literature by Jolene Hubbs	0
Vorticism and Iron: Architectural Dialogue in Faulkner's "Mirrors of Chartres Street"	0

The Great Gatsby's Southern Exposure: Walker Percy's Debt to F. Scott Fitzgerald in The Moviegoer	0
When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry ed. by Joy Harjo et al.	0
“Southern Living from a Bygone Time”: Gothic Spatialization of History in Gillian Flynn’s Sharp Objects	0
A Discipline of Submission: Taste and Tension in Allen Tate and Paul Ricoeur	0
The American Virus: COVID-19 and Carceral Liberalism	0
The World as Tale: Ontological Dynamism and Metaphysical Unity in Cormac McCarthy's The Crossing	0
Dead Weight	0
Introduction: Rethinking Mass Incarceration through the US South	0
John Egerton's The Americanization of Dixie : A Fifty-Year Retrospective	0
Civilization, Outlawry, and a Declaration of Independence in Adventures of Huckleberry Finn	0
"The Same Uniform with White Men": Military Costume, African American War Experience, and Faulkner's Flags in the Dust	0
Affective Whiplash and Absurdity in George Schuyler’s Black No More	0
The Ethics of Unmeaning: Noise and the Non-inscribable Slave Voice	0
A Different Kind of Labor: Writing in Prison	0
African American Poetry: 250 Years of Struggle & Song ed. by Kevin Young	0
A Death in the Reverend's House: The Three-part Allegory in William Faulkner's Light in August	0
Inside and Out: Black Trans Women Incarcerated in the South	0
Journalism and Jim Crow: White Supremacy and the Black Struggle for a New America ed. by Kathy Roberts Forde and Sid Bedingfield (review)	0
The Weirdness of Post-Traumatic Identity in Katherine Anne Porter's "Pale Horse, Pale Rider"	0
Jazz Poetry as a Message of African American Culture: An Interview with Lenard D. Moore	0
Heidegger’s Idea of Dwelling: Narrative Style in Faulkner’s As I Lay Dying	0
Cold Mountain, Book to Film: Epic War Novel to Love Story	0
Symbolic Language and Action in Kate Chopin's The Awakening	0
Wearing Down the Fence: Disrupting the Black–White Binary in Ernest J. Gaines’s Of Love and Dust	0
Aziz Ansari: Star of the Postsouthern South	0
For the 95 Bodies Found on the Imperial Sugar Plantation	0
The Southern Lady from Pedestal to Terra Firma: Isa Glenn's Southern Charm	0
"Without Even His Hat Took Off": Faulkner's Sanctuary	0
Pandemic Lockdowns as a Pathway to Empathy	0
"Beyond Tobacco Road ": Enriching the Field of Sharecropping Studies	0
"Interpreters of the Sea!": Historic Preservation and Women's Poetry of the Charleston Renaissance	0
Watson’s Faulkner: A Most Splendid Contribution	0
Erratum	0
Truman Capote's Snakebite Kit Art Boxes: A Sample Specimen	0
A Marriage between Tricksters: Literary Heritage in Charles W. Chesnutt's "The Wife of His Youth"	0
Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature by Jenna Grace Sciuto	0
"Taken for 'white'": Passing in Charles W. Chesnutt's Short Stories	0
Whitman's Sketches of New Orleans: A City, and an Artist, by Glimpses	0
William Faulkner's Mink Snopes and Southern Livestock Control Practices	0
Margaret Mitchell and the Nobel Prize, or Per Hallström and Gone with the Wind	0