OOIR: Observatory of International Research

Papers

(The median citation count of Mississippi Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
"A Strange and New Knowledge": James Joyce's "Epiphany Process" and Richard Wright's "Innocent Guilt" in The Man Who Lived Underground	0
“All We Know is Blues!”: The Persistence of the Blues in Southern African American Culture	0
Of Gaines and Genre: Plotting the Racial Borders in Southern Louisiana	0
Traveling Topsy: Uncle Tom's Cabin and Representations of Aboriginal Australian Children in Twentieth-Century Australia	0
"Beyond Tobacco Road ": Enriching the Field of Sharecropping Studies	0
Spatial Geographies of Race and Gender: Alice Walker's The Third Life of Grange Copeland	0
Antouène et Françoése: Parody and Linguistic Representation in Reconstruction-Era New Orleans	0
"Even in a Place of Sorrow, Even in a Place of Joy": Intersections of Blackness and Southernness in the Works of bell hooks and Honorée Fanonne Jeffers	0
Vorticism and Iron: Architectural Dialogue in Faulkner's "Mirrors of Chartres Street"	0
"One for You, Two for Me": Mills and Consumption in Southern Literature	0
Native American Women and the Burdens of Southern History by Daniel H. Usner (review)	0
Faulkner as American Diplomat	0
Gothic Appalachian Literature by Sarah Robertson (review)	0
(Re)placing Margaret Walker: Maryemma Graham's Biographical Apologia	0
Ten Years of ESO: An Interview with the Founding Executive Council	0
Hellhound(s) on My Trail: Reading Cormac McCarthy's Suttree as a Blues	0
Hurricane Katrina in Climate Fiction: Future Anterior in Orleans and New York 2140	0
A Yearning for the Mud: Metafiction, Metafilm, and Bioregionalism in Robert Penn Warren's Flood	0
The Right Man and the Wrong Man: Similarities with a Difference in Chesnutt's The Marrow of Tradition	0
The Rusting Machine in the Garden: Posthumanist Perception of Place in the Novels of Jesmyn Ward	0
At the Crossroads: William P. Murray’s Dangerous Innocence and Restorative Justice	0
Citation Matters: An Intentional Bibliography of Emerging Scholarship (2023–2025)	0
A Fallen Sutpen and a Fallen World: The Concept of the Fall in Absalom, Absalom!	0
Parting the Curtain: Modernism, Empathy, and Epiphany in Eudora Welty’s The Golden Apples	0
Faulkner's Cartographies of Consciousness by John Michael Corrigan (review)	0

Text Through Images: William Faulkner and Arthur Jafa in the Central European Region	0
John Egerton's The Americanization of Dixie : A Fifty-Year Retrospective	0
William Faulkner and Mortality: A Fine Dead Sound by Ahmed Honeini (review)	0
Forced Motherhood, Womanhood, and Livelihood: Witchcraft for Wayward Girls	0
"The Charm of Plantation Life": Intertextuality, Plantation Fiction, and the South in Kate Chopin's At Fault	0
The Race Question in Faulkner’s Cold War Discourses and Intruder in the Dust	0
Telling Stories of Life, Death, and Culture in Louisiana: Interviews with Filmmakers Jacqueline Olive and Sharon Linezo Hong	0
Writing Beyond the Archive to Hear Within the Narrative: (Re)Imagining Disaster Response in Five Days at Memorial	0
Presence as Thing-Speech: Quitting Correlationism and Listening to Objects in Michael Farris Smith’s Blackwood	0
“Bodies Tell Stories”: Jesmyn Ward’s Salvage the Bones as Literary Counter-Archive	0
A Narrative of Crisis: Nancy Emerson's Diary and Healing through Writing	0
Freedom : Rebels in the Darkness and the Archive	0
Already Underwater: Finding Hope in a Drowning Nation, Mat Johnson and Simon Gane’s Dark Rain	0
It Didn’t Have to End This Way: Dorothy Allison’s Alternate Endings to Bastard Out of Carolina	0
Mycological Cornbread: Sporing Conjure Throughout Ecological Souths in Jesmyn Ward's Let Us Descend	0
Against Resiliency: Rethinking New Orleans Twenty Years After Katrina	0
Why Flannery O'Connor Had Doubts About "The Lame Shall Enter First"	0
"Not a Culture, Not a Region, Just One Community"	0
Writing against Death: Natasha Trethewey’s Memorial Drive	0
Hoofbeats, Groans, and Milk: Domesticated Animals and Gendered Bodies in William Faulkner's As I Lay Dying	0
Sexual Liberator as Spiritual Liberator in the Plays of Tennessee Williams	0
"He smelled like a sour little rose": Olfactory Discourse and Transgressive Smell in The Heart is a Lonely Hunter and The Member of the Wedding	0
"The Same Uniform with White Men": Military Costume, African American War Experience, and Faulkner's Flags in the Dust	0
Introduction: How Do We Responsibly Remember Disaster?	0
Asia-Pacific Writing and Colonial Discourse in “Yo Ho and Two Bottles of Rum”	0
“Make Boo Radley Come Out”: Race, Sexuality, and “the Closet” in Harper Lee’s Go Set a Watchman	0
Telling the Storm: Quilting Analytics, Crochet, and Remembering Hurricane Katrina in Salvage the Bones	0
Seeing "The Death of Mann"	0
Care in the Wake: Sing, Unburied, Sing	0
New Directions in Southern Studies: A Special Issue by Emerging Scholars	0
“A Big Old Summer House”: Neoliberal “Myoptics” and Plantation Dynamics in The Big Chill	0
Tennessee's New South: Marquita Bradshaw and Her Call for Environmental Justice	0
"The Ghosts of Predators Past": Nonhuman Specters and Extinction in Henry Clay Lewis's "Valerian and the Panther"	0
Lawn by Giovanni Aloi (review)	0
The "Underground City" and Invisible Bodies: Coal Mining and the Black Experience in Yaa Gyasi's Homegoing and Robert Armstead's Black Days, Black Dust	0
The Falkners and the Methodist Church in Oxford, Mississippi	0
Digitizing Faulkner: Yoknapatawpha in the Twenty-First Century ed. by Theresa M. Towner (review)	0
Abiding Truth or No Truth: The Intersection of Alienation and a Tenet of Postmodernism in Charles Frazier's Nightwoods	0
Madness, Marriage, and “The Right Way to Be Happy” in Eudora Welty’s Fiction	0