OOIR: Observatory of International Research

Papers

(The TQCC of Mississippi Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
"Old," "New," and "Problem" Souths: Historical Change and Ideological Instability in Thomas Nelson Page's In Ole Virginia	2
Hurricane Katrina in Climate Fiction: Future Anterior in Orleans and New York 2140	1
A Yearning for the Mud: Metafiction, Metafilm, and Bioregionalism in Robert Penn Warren's Flood	1
Writing Beyond the Archive to Hear Within the Narrative: (Re)Imagining Disaster Response in Five Days at Memorial	0
Mapping the Lost Home: Psalm 137 and Jesmyn Ward’s Sing, Unburied, Sing	0
Wearing Down the Fence: Disrupting the Black–White Binary in Ernest J. Gaines’s Of Love and Dust	0
Vorticism and Iron: Architectural Dialogue in Faulkner's "Mirrors of Chartres Street"	0
Against Resiliency: Rethinking New Orleans Twenty Years After Katrina	0
Sexual Liberator as Spiritual Liberator in the Plays of Tennessee Williams	0
Class, Whiteness, and Southern Literature by Jolene Hubbs	0
Introduction: How Do We Responsibly Remember Disaster?	0
Cold Mountain, Book to Film: Epic War Novel to Love Story	0
Asia-Pacific Writing and Colonial Discourse in “Yo Ho and Two Bottles of Rum”	0
Writing against Death: Natasha Trethewey’s Memorial Drive	0
The Ethics of Unmeaning: Noise and the Non-inscribable Slave Voice	0
Already Underwater: Finding Hope in a Drowning Nation, Mat Johnson and Simon Gane’s Dark Rain	0
"Taken for 'white'": Passing in Charles W. Chesnutt's Short Stories	0
A Narrative of Crisis: Nancy Emerson's Diary and Healing through Writing	0
A Discipline of Submission: Taste and Tension in Allen Tate and Paul Ricoeur	0
Presence as Thing-Speech: Quitting Correlationism and Listening to Objects in Michael Farris Smith’s Blackwood	0
Erratum	0
Care in the Wake: Sing, Unburied, Sing	0
Text Through Images: William Faulkner and Arthur Jafa in the Central European Region	0
It Didn’t Have to End This Way: Dorothy Allison’s Alternate Endings to Bastard Out of Carolina	0
Affective Whiplash and Absurdity in George Schuyler’s Black No More	0

The World as Tale: Ontological Dynamism and Metaphysical Unity in Cormac McCarthy's The Crossing	0
Of Gaines and Genre: Plotting the Racial Borders in Southern Louisiana	0
“Bodies Tell Stories”: Jesmyn Ward’s Salvage the Bones as Literary Counter-Archive	0
A Fallen Sutpen and a Fallen World: The Concept of the Fall in Absalom, Absalom!	0
“They got . . .”: Ernest J. Gaines’s Semiotic Reversal of William Faulkner	0
Watson’s Faulkner: A Most Splendid Contribution	0
Heidegger’s Idea of Dwelling: Narrative Style in Faulkner’s As I Lay Dying	0
Telling Stories of Life, Death, and Culture in Louisiana: Interviews with Filmmakers Jacqueline Olive and Sharon Linezo Hong	0
Seeing "The Death of Mann"	0
Jazz Poetry as a Message of African American Culture: An Interview with Lenard D. Moore	0
Digitizing Faulkner: Yoknapatawpha in the Twenty-First Century ed. by Theresa M. Towner (review)	0
“Make Boo Radley Come Out”: Race, Sexuality, and “the Closet” in Harper Lee’s Go Set a Watchman	0
The Right Man and the Wrong Man: Similarities with a Difference in Chesnutt's The Marrow of Tradition	0
Parting the Curtain: Modernism, Empathy, and Epiphany in Eudora Welty’s The Golden Apples	0
William Faulkner and Mortality: A Fine Dead Sound by Ahmed Honeini (review)	0
A Death in the Reverend's House: The Three-part Allegory in William Faulkner's Light in August	0
Journalism and Jim Crow: White Supremacy and the Black Struggle for a New America ed. by Kathy Roberts Forde and Sid Bedingfield (review)	0
The Traveling Word: Eudora Welty’s Literary Correspondence with the Postal South	0
Pheoby’s Queer Quietness in Their Eyes Were Watching God	0
Hellhound(s) on My Trail: Reading Cormac McCarthy's Suttree as a Blues	0
Madness, Marriage, and “The Right Way to Be Happy” in Eudora Welty’s Fiction	0
(Re)placing Margaret Walker: Maryemma Graham's Biographical Apologia	0
Why Flannery O'Connor Had Doubts About "The Lame Shall Enter First"	0
Faulkner as American Diplomat	0
The Rusting Machine in the Garden: Posthumanist Perception of Place in the Novels of Jesmyn Ward	0
Whitman's Sketches of New Orleans: A City, and an Artist, by Glimpses	0
Traveling Topsy: Uncle Tom's Cabin and Representations of Aboriginal Australian Children in Twentieth-Century Australia	0
"Soft White Cotton and Blood": Frederick Douglass, Mary Chesnut, and Fertility Tropes in the Reconstruction Diary of The Wind Done Gone	0
Telling the Storm: Quilting Analytics, Crochet, and Remembering Hurricane Katrina in Salvage the Bones	0
William Faulkner's Mink Snopes and Southern Livestock Control Practices	0
Hoofbeats, Groans, and Milk: Domesticated Animals and Gendered Bodies in William Faulkner's As I Lay Dying	0
Gothic Appalachian Literature by Sarah Robertson (review)	0
"A Strange and New Knowledge": James Joyce's "Epiphany Process" and Richard Wright's "Innocent Guilt" in The Man Who Lived Underground	0
John Egerton's The Americanization of Dixie : A Fifty-Year Retrospective	0
Native American Women and the Burdens of Southern History by Daniel H. Usner (review)	0
At the Crossroads: William P. Murray’s Dangerous Innocence and Restorative Justice	0
The Southern Lady from Pedestal to Terra Firma: Isa Glenn's Southern Charm	0
The Race Question in Faulkner’s Cold War Discourses and Intruder in the Dust	0
Abiding Truth or No Truth: The Intersection of Alienation and a Tenet of Postmodernism in Charles Frazier's Nightwoods	0
Vertis Hayes and the Johnson Hall Carver Mural	0
"Even in a Place of Sorrow, Even in a Place of Joy": Intersections of Blackness and Southernness in the Works of bell hooks and Honorée Fanonne Jeffers	0
The Falkners and the Methodist Church in Oxford, Mississippi	0
“All We Know is Blues!”: The Persistence of the Blues in Southern African American Culture	0
Civilization, Outlawry, and a Declaration of Independence in Adventures of Huckleberry Finn	0
“Southern Living from a Bygone Time”: Gothic Spatialization of History in Gillian Flynn’s Sharp Objects	0
Speaking Bodies, Kinesthetic Awareness, and Lacanian Performativity in Eudora Welty's "Shower of Gold"	0
"He smelled like a sour little rose": Olfactory Discourse and Transgressive Smell in The Heart is a Lonely Hunter and The Member of the Wedding	0
Elma Stuckey: The “Historian’s Poet Laureate”	0
"The Ghosts of Predators Past": Nonhuman Specters and Extinction in Henry Clay Lewis's "Valerian and the Panther"	0
When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry ed. by Joy Harjo et al.	0

“A Big Old Summer House”: Neoliberal “Myoptics” and Plantation Dynamics in The Big Chill	0
Margaret Mitchell and the Nobel Prize, or Per Hallström and Gone with the Wind	0
Faulkner's Cartographies of Consciousness by John Michael Corrigan (review)	0
Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature by Jenna Grace Sciuto	0
The Weirdness of Post-Traumatic Identity in Katherine Anne Porter's "Pale Horse, Pale Rider"	0
"The Same Uniform with White Men": Military Costume, African American War Experience, and Faulkner's Flags in the Dust	0
A Marriage between Tricksters: Literary Heritage in Charles W. Chesnutt's "The Wife of His Youth"	0
"Interpreters of the Sea!": Historic Preservation and Women's Poetry of the Charleston Renaissance	0
Tennessee's New South: Marquita Bradshaw and Her Call for Environmental Justice	0
Entropy and Equilibrium in Jean Toomer’s Cane	0
(Re)writing Histories in the Crossing: Natasha Trethewey’s Poetics of Loss	0
"Not a Culture, Not a Region, Just One Community"	0
"Beyond Tobacco Road ": Enriching the Field of Sharecropping Studies	0